In fact, this issue was considered during the production stage of the Xuanwu robe. It is also a robe with powerful magic and requires additional power supply, which is normal for magic props.
At that time, the solution to the power demand of Xuanwu Robe was to use magic stones to make jewelry and wear them in a fixed position as a replaceable magic stone accessory. As for the accessories, I planned to make them at a different date after trying on the robe.
But the plan could not keep up with the changes. A series of subsequent events made this silk robe no longer an ordinary magic prop. The Xuanwu totem behind it had the potential to confer a god, but it was incomplete.
For unknown reasons, he just fell asleep and only served as a source of power to support the magic attached to the robe. Besides, the power of Xuanwu Totem is far from the level that a weak divine power should have, which may be the reason for his deep sleep.
The three sets of Hanfu currently scheduled to be made can not only add more magic in the reeling stage; even in the weaving stage, Lin also plans to add the runes of the magic circle. The purpose is to imprint a mark that belongs to the lost land, rather than being empty like the Xuanwu robe, which gives Xuanwu from the myth of the earth's hometown an opportunity to take advantage of it.
This means that these three sets of Hanfu will have more magical effects and require more power supply than the original Xuanwu robe design.
The first magic that comes to mind is the 'mana sharing' in the second-level apprentice magic. This was the version that Lin Yong had improved upon when he was casting the twenty rings. It can absorb free magical power in the surrounding environment, store it and supply it to equipment.
It’s just that this method is very low regardless of the absorption efficiency or the amount of storage. In order for the active or passive magic attached to the three sets of Hanfu to exert its maximum effectiveness, additional power supply is still required. Otherwise, it will take a full day of charging, three minutes of use, and only 30% of the functions can be turned on. Such an unfavorable situation.
Therefore, the original solution of Xuanwu Pao was put on the table again for consideration. With the ingenuity of the three women, not only one or two pendants were provided with power, but also the original cloth buttons were changed to magic stone buttons, and some tassels and bead designs were added. The beads were replaced by magic stones.
Of course, the design focus of these magic stones is that they can be replaced quickly. Replace magic stone accessories that have used up their power with sufficient ones to maintain the operation of magic equipment.
The two-stage enchanting action has been done several times during the reeling process, so it can be said that I am very familiar with it. As long as you calculate the upper limit of magic you can withstand, there will be almost no surprises in this part.
But the second stage of enchantment is to add the runes of the magic circle to the pattern during the weaving process of the jacquard machine.
In fact, similar skills already exist in the land of magic. It is not uncommon in the world of Masters for enchanters and tailors to embroider magic array patterns on magic robes or cloaks. Even if you are a magician, you can do this. It is just a question of the effect and appearance of the finished product. And no one has ever tried to inlay magic array patterns into general patterns. Generally speaking, pictures return to pictures, and talisman patterns return to talisman patterns.
When this kind of technology is used on jacquard machines, the problem cannot be solved by reducing the scale. How to hide the magic array pattern in the drawing board and keep the pattern unchanged is the real skill. It is so real that someone's eyes almost pop out of the window.
But when the three women handed over the Hanfu drawings they planned to make, someone was still shocked.
First of all, they did not use the totems of the three spiritual beasts: Suzaku, Qinglong, and White Tiger. Except for White Tiger and the others, the other two spiritual beasts are creatures that have never appeared in the Mysterious Land, even in legends.
Although the magic of Lost Land can be analyzed using scientific methods, it is actually because someone avoids a lot of spiritual magic. The main cause cannot be understood or analyzed. If you can't understand it well, you won't be able to perform well. Like curses, divination, and prophecies, there were many things about these magics that were unclear and unclear. Lin Xiantian didn't believe in them, so naturally he couldn't use them.
In short, this is the reason why those three do not use spirit beast totems. Lin did not object to this. Anyway, the purpose of those initial sketches was just to broaden their horizons and truly bring out the beauty of the tapestry. Rather than putting it on Western clothing, it looks nondescript.
Their vision and design talent were actually honed as early as the days of Wulian City in Xijia District, when they competed with the nobles. Don't look at the drawings they proposed that were rejected by someone as useless during the preparatory stage of silk production. In fact, it is just that the advantages of brocade have not been used, and the design content has already come out of their own style.
Now that someone has shown them a clear path, they can show off their own styles without restraint.
Fen is not good at drawing pictures, which refers to the kind of artistic and beautiful pictures. As a magician, drawing a magic circle with freehand can be regarded as a basic skill. As a necromancer, she has no problem describing the human body, muscles, and internal organs. But none of that has anything to do with art.
Just because you can't draw doesn't mean you don't have vision. Under Fen's guidance, Halumi still drew the pattern she wanted. Based on the red Suzaku robe, Fen was replaced by other bird-shaped creatures, which are legendary creatures called elemental spirits, and another widely used name is 'Phoenix'.
Like all gods, it is impossible for him to enter this world with his true body. The eyewitness records left by the lost people are merely projections of the elemental spirits. According to the records left by some powerful powers, the elemental spirit is not among the ranks of the elemental plane. He does not belong to the elemental prince or elemental lord, because he is the elemental plane itself. Those elemental creatures of princes and lords are only a part of Him, or they are just parasitic on Him.
As for why the elemental spirit takes the form of a bird, there is no conclusion.
The Hanfu designed by Fen also does not use the red tone set by the Zhuque robe. Instead, it is made of porcelain white as the base, with blue seams. The skirt and long skirt are decorated with the four elemental spirits of earth, water, fire and wind. The color used does not emphasize contrast and is rather light. While distinguishing the four attribute elements, it also uses overlapping gradient colors to make them appear harmoniously on the same picture.
With my sister changing someone's pattern in front of me, how could those two bold apprentices foolishly use the example given by someone? Of course, they also have to use their own creativity.
Halumi chose a Hanfu with the theme of Qinglong, but it was so modified that it was completely different from the original. The dragons are mainly from the Midi dragon clan. From the mandarin jacket to the skirt, it looks like a towering tree full of green.
The eight branches on the tree include three metal dragons, including gold, silver, and copper, and five color dragons, including red, black, blue, white, and green. There is also a brown poisonous dragon at the root of the tree, which is also called a corpse dragon. The dragon shapes are just the right size so as not to take away from the main image. They are more like delicate flowers blooming in different positions on the tree.
The designs of the other two people are like drawings on clothes; Hallumi's own design is like making the pictures into clothes and wearing them on the body. The style is natural and wild. It means that he plans to wear Hanfu to give this feeling, and someone also thinks that this young apprentice is a talent. And because this is just a pattern for weaving, someone can't imagine what the finished Hanfu will look like.
However, among the three women, the design that impressed Lin Wuyan the most was the one designed by Kaya and adapted from the white tiger robe. First of all, the tiger is gone and turned into a white tabby cat...
Originally a picture of a tiger descending a mountain, it became a picture of a white cat playing with a pearl...
In terms of color, someone’s first impression is like seeing blue and white porcelain. and their elder sisters, with a porcelain white background and azure outlines. There are not many colors used. Compared to the other two, Kaya's design is much simpler, and it has an inexplicable sense of childlike fun and joy.
But don’t think that just because this girl is pretending to be cute, she is harmless to humans and animals. From the magic they chose to add, it can be seen that not only is Kaya's skin dark, but her heart and heart are also dark.
The enchantment tone of Fen's four spiritual clothes is mainly defense. And the strength of the defense is enough to resist her own attack, so powerful. Of course, it is impossible to reduce injuries throughout the entire process. But as long as she can withstand the first few attacks, so that she can focus on offense without being distracted by defense, victory or defeat will happen in an instant.
The enchantment tone of Halumi's Kowloon server is mainly auxiliary. The magic for combat and investigation is always on the equipment, giving you the ability to avoid danger and deal with various emergencies; even if you have to turn around and run away, you can still find a way to survive in the shortest time. This is the choice of the blond girl . Speaking of which, it must be the lessons she learned from several near-fatal crises in the past.
The enchantment themes of the first two can be said to be quite satisfactory, which is very consistent with the central idea of a magician trying to make himself invincible first, and then looking for opportunities to counterattack. But Kaya's choice was different.
The dark-haired and brown-skinned girl chose concealment, and it was not the traditional concealment and sneaking method of Midi.
Thieves, assassins, etc. in the Lost Land, professions that walk in the dark, will have their own set of concealment techniques. However, these methods only focus on deceiving people's eyes and ears, which can be regarded as a very clever deception method.
However, no matter how proficient these traditional methods are, the stalker will still be unable to hide under someone's environmental monitoring. Because the investigation methods designed by Lin also include infrared vision that senses temperature, spiritual vision that senses soul wavelengths, environmental modeling that observes air flow, etc., there are no fewer than dozens of methods from earth science fiction movies and imagination.
As long as there is a way to detect anomalies, clues can be traced and the lurker can be found. This is the tragic ending of any killer who sneaks into this home and attempts to carry out assassination, and ends up being baptized by the white light of destruction.
Moreover, these methods are not final and fixed solutions, and there is still room for change. Lin will add detection methods at any time. As long as he thinks of it, whether it is imaginative or consistent with reality, it will come in handy anyway.
But the concealment method chosen by Kaya was completely a reverse design of Lin's detection method. If your body temperature is likely to be exposed, lower your apparent temperature to the same as the environment. The heartbeat may alert the enemy, so use Silent Barrier. The soul's hidden method controls the wind and gives back false information. Even if you encounter them head-on, they will be transparent and optically camouflaged to hide your appearance.
As a teacher, Lin had mixed emotions when he saw his apprentice come up with such a design.
