The appearance of the explosion map is Lin's most proud achievement recently. Benefiting from the simulated changes in order to draw star maps and constantly changing basic observation points - in order to find the starry sky that belongs to the earth - Lin Ke has studied to the extreme the relative positions of stars, that is, the light points.
How to move the star map while keeping all light points at the same distance from each other. If the observation parameters are changed, what will happen to the overall star chart? And most importantly, how the distance between stars changes when they move. In other words, Lin's star map is not a static model, but a simulation of the real universe that can look back into the past and predict the positions of stars in the future.
This achievement has been Lin's most important issue for a long time. Even the unfinished magic tower in the dream, the magic formations and procedures depicted on the first floor, the most important work is also this aspect of calculations, and I am still improving it to this day.
The benefits of these studies are also quite obvious. Just like the unfolding of the explosion picture in front of me, if it was done by Fen, a lich, a genius from thousands of years ago, whose talent and magic level completely overwhelmed someone, compared with Lin himself, there would be some subtleties. error.
After verification through various methods, it was proved that the three-dimensional perspective explosion diagram presented by Lin using whiteboard penmanship was the closest to the original drawing design. Even though the explosion diagram shown by He Fen only had a few lines of error (0.01mm), a certain Lich couldn't find where this error came from if he wanted to break his head. In the end, it can only be blamed on the metaphysics of programming, which cannot be explained.
It is precisely because what is being done now is very important, and a certain lich does not want to bring a bomb that can explode at any time, so he demands perfection in everything. The work of unfolding the explosion map also fell on Lin.
Not bothering to look at someone's triumphant expression, Fen took off a small part from the explosion diagram and threw it in front of Lin's eyes. At the same time, he took out an inconspicuous stone from the pile of materials, put it into the crucible, and said, "This is the star stone. When it is calcined until it also emits a blue flame, then shape it into that part."
At the same time, Fen also took a large metal ingot, placed it on the metallurgical furnace, and heated it directly. The removed part of the drawing is used to make the base of the part Lin is making. She took a look at the general appearance, then pushed the parts diagram to Harumi, and said to the girl: "Get ready, girl, you need to carve such a pattern later before it is completely cooled and hardened. Mode."
"Okay, onee-sama."
When the masters are shaping magic materials, there is no such thing as perfecting. Everything is cracked with magic. Most of the time is spent adjusting the shape to the right shape.
If there are multiple parts that need to be assembled, it will be troublesome. You have to align and fit them one by one, and carve them carefully before they can fit together tightly.
If multiple people cooperate, it will be another disaster. How to combine what everyone has done is a problem that still cannot be solved. Therefore, the way magicians in Lost Land cooperate in making items is usually that each person makes an independent part alone, and the combination between them does not involve precision parts.
This also means that only large-scale artifacts, such as airships and magic towers, can be completed by the cooperation of multiple magicians; if they are small components or props, most of them are completed independently.
But what is now presented to Great Magician Evers and others is a production process that subverts their perceptions.
The explosion picture at the beginning shocked them. Pictures like that are very intuitive, allowing people to understand at a glance what the finished thing should look like.
Although the dimensions and descriptions floated next to the part design drawings, they did not understand their meaning. But when I saw that Demon King or that man, I put the finished parts into the three-dimensional part composition several times and compared them. It was clear at a glance which side was convex and which side was shorter. Of course it is also quite fast in terms of corrections.
The carving of runes and magic circles was done in one go like flowing clouds and flowing water under the hands of the blonde girl. And this is the difference between Halumi and Kaya.
If you use a ruler and draw in a regular manner, Kaya can make precise geometric figures.
But if it were purely based on the feel of the brush strokes, drawing every line and every turn in one breath, the effect of the magic props made by Halumi would be the best among the four, even the Lich could not compare with it. This is yet another unexplainable mystery.
Although the difference between good and bad is slim. If you use it by feel, it can be said that there is almost no feeling at all. However, when measuring with instruments, there will be some differences.
However, the girl is limited by the accumulation of her power, and she does not have the ability to draw all the magic circles and runes completely. Except for a few that require one go, most of the formations are drawn by Halumi, with Fen doing the final stroke. Someone jokingly called this move the finishing touch.
The dark-haired and brown-skinned girl just watched from the sidelines at first. But whenever a part is completed, it will be placed in front of her, in the center of the animal skin magic circle. At this point she would pick up a needle with a thin thread attached to it and attach it to both ends of the part. The other end of the line is tied to the piece of animal skin.
At this time, the eight magic stones arranged next to it will light up in sequence, and at the same time, various feedbacks will enter the first coffin. After being sorted, they will become information that people can read, and will be displayed on the water mirror screen in front of the girl. From time to time, I heard her report: "Input 1 mana, output 0.7 mana, temperature increased by 0.04 degrees, vibration frequency is 21 MHz, and the ratio of the eight powers is close to the sixth mode. The overflow and loss ratio is estimated to be 27%."
Or: "Input 1 mana, output 0.3 mana, the temperature rises 0.5 degrees, the vibration frequency is 6 Hz, and the proportion of the eight powers is unknown. The overflow and loss ratio is estimated to be 66%."
"There's a lot of overflow." If there is a problem with the data he heard, Fen will come to Kaya's side and look directly at the more detailed figures. Sometimes I point to the data on the screen and say, "Girl, can you make adjustments here?" Sometimes I just throw the material back into the furnace.
At this time, he might stand in front of the blond girl with his hands on his hips and say: "Girl, you turned the rune upside down and read it carefully." Sometimes he would hold a man's ear and say fiercely: "Component It didn't exactly follow the drawings. Not only is the thickness in the center different, but it's also very uneven. Who are you trying to kill by doing this? You really want those tentacles to break through this mask and move in and out of you. ?"
"I'm sorry, I was wrong." The crying man held a piece of bowl-shaped armor with a subtle arc, put it back on the metallurgical furnace, and reprocessed it.
By the way, although magic shaping can directly change the appearance of magic materials, some relatively 'hard' magic materials require a considerable amount of power to change their appearance. At this time, if it is heated to a certain temperature, the same work can be completed more easily. Furthermore, the smelting method can effectively remove impurities, which is something that the shaping technique cannot do.
But more often than not, it is the devil who stands in front of the perspective structure of the solid parts and the exploded parts, constantly calculating the changes that may occur after the various data are combined.
Sometimes even if the test passes, it will be returned and required to be redone because the linkage with the whole does not meet the calculation requirements. The design was even changed on the spot.
Under the stunned eyes of the onlookers, parts with complex structures were produced one after another. According to their respective experiences, it would take months or even years of effort to make such a complex thing, which requires both workmanship and precision.
But in just one afternoon, they were able to produce a quantity that they might not be able to produce even if they spent several years. This is not surprising.
Whenever a component is completed, it is displayed on a table not far away and not in use. Scattered exploded views also push completed parts to one side to avoid confusion between completed and unfinished parts.
When the displayed parts filled a large table, the great magicians who were watching consciously acted as coolies and pulled a long table together. Because the three-dimensional perspective explosion still has unfinished components.
However, it was the first experience for master and apprentice Lin to be so focused on making something. It is also the first time to use the explosion diagram and the first coffin to operate various power detection functions that were only used in the era of the Great Sage's Tower in making an artifact.
So much so that they didn't even realize they were going to eat dinner. Their minds were filled with the data on the design drawings. And how to use your own techniques to make the things you produce exactly match the perspective drawings.
Originally, Lin thought it was like the cartoon coloring block game he played as a kid, where he just filled a space with color with a colored pen. But after actually doing it, I realized that it was not the case at all. There is a huge difference in difficulty between filling in the blanks in two-dimensional space and filling in the blanks in three-dimensional space.
Not to mention anything else, there were several mistakes made regarding the thickness of the forged parts alone. And don’t underestimate the problem of unevenness. According to Kaya’s testing, uneven components have worse performance in terms of energy loss and vibration frequency than components with uniform thickness.
In particular, the vibration frequency can be said to be the most important part for Fen this time. In other words, many magic crafts, after a large number of trials and errors and elimination experiments, have obtained the optimal ratio and passed it down. This approach has caused the fans to ignore and study a physical phenomenon in depth for a long time, and that is—— Wave.
Why do the same materials, the same structure, but different lengths and widths have different magical effects? The lost magicians never think about such issues. Instead, we arrive at the best answer through the accumulation of a lot of trial and error experience.
In fact, if someone looks at the development of the world from a critical perspective, such deformity is understandable. Back on Earth, what soldiers and warriors were thinking about all day long was how to kill people more efficiently, using rifles that could shoot farther, cannons with larger calibers, and planes that could fly higher and shoot farther. of missiles. They don't think about anything else.
However, it has never been this group of warriors who promoted the transformation of military weapons in history. The invention of gunpowder was an accidental product of Taoist priests' alchemy refining. The original form of the chariot before it was equipped with cannons was nothing more than an agricultural tractor. The Manhattan Project was completed by a group of mathematicians and physicists who loved peace and pursued clean energy.
The magicians of Lost Land consider themselves seekers of knowledge. But under the threat of the external environment, their first consideration is how to protect themselves from World of Warcraft and wars with other races, rather than asking why.
