Why does tinnitus occur? Where is the noise coming from?
Ronan quickly discovered something was wrong.
With the coordination of his physical and mental framework and his ability to control his body, he has basically prevented the occurrence of tinnitus; as for those noises, it makes no sense.
Where is the source?
Ronan's eyes swept around the temporary laboratory to make sure there was nothing unusual. The point is that neither Lieutenant Meng Xin nor Chief Chaku noticed a similar situation. Obviously this was just his feeling.
This alone is incompatible with the "tacit understanding" presented in the classic "Da Tong Yi".
So, failed?
Failure was okay, but Ronan still wanted to figure out the cause of the tinnitus and noise.
He first deduced the impact of this failed experiment on the physical and spiritual framework.
The conclusion is that it does have some influence: in resonance, the physical and spiritual framework becomes sensitive to the outside world, receiving more levels and wider frequency information, just like a newly renovated receiver.
This is what Ronan did when he let go of his telepathy, and it was only stronger in terms of breadth and depth.
It stands to reason that this situation should be handled with ease. However, this is a light-containing galaxy, a place filled with evil, or so it is. There is too much meaningless background noise in it, and you cannot analyze it deeply, otherwise you may encounter contamination.
As for why there is such a conclusion, of course Ronan has tried it!
After forcibly stripping out the meaningless background noise, Ronan heard some rustling sounds, like ants crawling across the ground where rotten leaves accumulated, or caterpillars eating vegetable leaves. Anyway, something passed by and gnawed at everything it passed; leaving traces, incompleteness, and uncountable chaos.
Then even Ronan, the pure "receiver", seemed to be bitten and eroded...
Ronan shuddered, and the "Chain of the Sun" trembled sharply for several rounds, finally suppressing the poisonous pollution that suddenly invaded.
Fortunately, this tinnitus-like noise gradually weakened.
Ronan's unsuccessful experiment had a limited time of blessing for himself, and it was almost over here.
But it’s not a complete failure, at least the impact on itself is relatively adequate? Just might need to make an extra filter...
Well, he might die sooner if he did.
Ronan frowned, feeling that something wasn't quite right:
If the effect of "Da Tongyi" is just this, it would be somewhat specious.
Although Ronan couldn't really understand what it was like during the prosperous age of Datong, when those ancient gods used the method of "spirit travel" as a basis to break away from the shackles of the basic laws of the universe and powerfully construct a high-dimensional communication network, but how It shouldn't be as simple as just a receiver.
Or……
His eyes turned to Lieutenant Meng Xin and Chief Chaku again, or should he take the initiative to complete the target link?
The experiment just now was too restrained. Should those two be involved?
Ronan immersed himself in reading papers again, looking at the practical applications of the "Great Universal Meaning" by his predecessors in academia. The more he read, the more awkward he felt.
He admitted that "telepathy" and even further "spiritual connection" are very practical and amazing effects.
But there always seems to be something missing inside.
Is this how the ancient gods traveled back and forth across billions or tens of billions of light-years of star seas and stacked planes?
No, it's not!
Here it only shows the smooth, smooth and incredible connection across the sky, but ignores the roughness and clumsiness, the difficulty and the search in the early days.
There is a very critical point: if everything is smooth and smooth, why are there over-limit divine texts?
A language, whether simple or complex, is never innate.
Language is produced only when there is an urgent need for communication.
Even the "spiritual link" between similar people needs to be more efficient and clear through language as a medium. Otherwise, the communication cost of complex scenes, meanings and emotions will be staggering. Even if complete synchronization can be achieved, there will be huge differences in understanding due to different experiences.
Even if they are Ancient Gods, by the time they finish communicating the relevant content across the sea of stars and understand each other thoroughly, I am afraid they will have already begun a more direct and brutal collision and devouring.
In fact, the communication between the early ancient gods was indeed like this.
The credible historical information that Ronan came into contact with, including first-hand information such as the "self-narration" of ancient gods, all reflected this.
And these do not appear in the "Twenty-seven Meanings", at least not in the relevant entries.
Strictly speaking, Yan Jun's paper, as well as some other papers, describe this situation. However, a series of core items such as "Meet Me", "Peel Off", "Shenyou" and "Chase" are not reflected, which makes users naturally ignore them...
Ronan discovered a big problem with "Twenty-Seven Meanings":
It's too simplistic. .
Ronan would probably be able to understand the category entries, and even their specific meaning, because he knows the history and the corresponding events. But even so, these specially selected keywords will still make him unconsciously focus on one side and ignore some unfinished meanings that the vocabulary cannot grasp.
In the final analysis, Yan Jun's ambition is too great.
Perhaps he wanted to use extremely concise words to summarize that era, that event and its inner meaning, and even tried to use it to pursue more ultimate power.
However, the ancient characters of Rites and Sacrifice do not have such ability.
At least this kind of writing system cannot fully explain the essence of it with just two words or a group of words.
Forgive Ronan's arrogance, at least at this moment he felt that Yan Jun back then might have made the same mistake as the inventor of "True Writing Technique":
He gave ritual sacrifices responsibilities that the ancient script did not have.
Well, if we think about it in another direction, maybe he wants to deeply transform the ancient characters of Liji and use this method to promote the development of the ancient characters of Liji and move closer to the transcendent divine script?
This is more in line with the spirit of a veteran monarch.
But no matter what, "Twenty-Seven Meanings" should be a failed attempt.
Don't you see that Yan Jun didn't mention this matter much later. Although he also expressed some opinions in the public media, formal academic papers have disappeared.
If so, what should be done?
Ronan already had an idea.
Just customize your own version of "Twenty-Seven Meanings".
Although he is not completely clear about Yan Jun's intention to create the "Twenty-Seven Meanings", from what he currently understands, the "Twenty-Seven Meanings" only embody a powerful influence on the history of the universe and the direction of history. cognitive model.
To put it crudely, this is a ruler, a coordinate system, and a positioning mode.
Describe what time and space nodes, what landmark events occurred, and the ins and outs;
It explains who played a key role, what means were used, and roughly how.
As long as this is explained clearly and there is an effective carrier... Ronan can also choose to sacrifice ancient characters.
In this case, the key is just to "visualize time and space."
Moreover, Ronan was not going to be as extreme as Yan Jun, using only a set of words and two keywords to show such an important event.
He planned to relax his standards on the basis of grasping the general idea.
If two words are not enough, he can write two paragraphs, just like the experience he once showed Lord Chun, and then consider the connection with the true writing technique. This will indeed become a lot more verbose, less precise, less beautiful, and perhaps also problematic in terms of efficiency. But Ronan is not a king, and he is not a strong man at the level of a king. As long as he can clear the way first, it is enough.
Just like the third suggestion from Maharaja Zhanyou: practice is ultimately “for me”.
Whether it is the "Twenty-seven Meanings", the "Ancient Characters of Ritual Sacrifice", or even the "Exceeding Limits Divine Writings", they are just tools for self-cultivation. If it is useful, use it; if it is not useful, put it aside or modify it. There is no need to distort, hypnotize yourself, or worship it. With the tragic precedents of the ancient gods, and with the countless sufferings and hardships of communication between humans and gods for hundreds of millions of years, we should know how important and precious a "I" is.
When there is already a mature and efficient model, it is best to let others submit to "me".
So be it!
So Ronan began to conceive of his short composition.
As mentioned before, from the birth of the ancient gods to the prosperous age of Datong, there are many historical materials that Ronan can choose to refer to, whether it is the "Romance Time and Space" or the specially constructed "See Me - Datong Visualization Time and Space", they are all positive assistance. There is also "A Brief History of the Relationship between Humans and Gods" co-authored by His Majesty Emperor Wu and Ruiwen as the most basic structure - let's just call it this name.
With multiple blessings and no need to worry about excessive simplification and refinement, Ronan's literary thoughts surged, and it didn't take him long to produce a draft manuscript.
Well, there are more than three hundred words.
It is cumbersome enough for the "ancient characters of ritual sacrifice". But otherwise, Ronan's understanding would not be clearly expressed.
Next, Ronan made corrections based on the manuscript and visualizing time and space.
Correction is a two-way street. Once some things are put into words, even if they are carriers of multi-dimensional changes such as ancient ritual characters, they will definitely be restricted; but sometimes the purely logical arrangement of words seems to reveal some inconsistencies in the events. If the side is too obvious, you need to make some choices here, add, delete or change it.
Ronan didn't spend too long. After all, it was just a test. It felt generally smooth and there were no obvious ambiguities, which was enough.
Well, I still feel like there's a little problem.
Ronan hesitated for a while, but finally learned from his previous study experience, added the word "I" that exceeds the limit of divine writing, and adjusted the writing - this can make it more simplified, probably just down to three. Less than 100 words.
As for possible risks…
It is just a visual memory, but it is not reflected in the drainage of "True Word Art". It is regarded as a mascot. After all, it is also a "national talisman".
Ronan convinced himself.
With everything in place, Ronan silently praised this article in his mind, and at the same time restarted his visualization of time and space based on the context of the article.
Then everything became extremely smooth. The visualization in the mind and the layout of the text were manifested almost simultaneously. The sentence was completed to complete a cycle. Finally, the key words were selected and the method of "real writing" was tried.
There was a buzzing sound between Ronan's lips, which always seemed to last for a minute or two. Since he had been reading this article for too long, his Qi accumulated and changed enough. He didn't even need to move his fingertips, and there was a naturally shining aura. Part of the glyph shape of the ancient Chinese character "Liji" manifested itself, changing in brightness and extinction, and finally condensed into two characters.
As a summary of the last sentence, the item about Yan Jun is still selected, which means:
Chase!
