Ruiwen's pronunciation of the sentence is "I" in the ancient Chinese character "Liji", but it is still a bit vague and not completely consistent. The tail sounds seem to be echoing and cascading, and maybe only Riwen's good voice can have such an effect.
It's no big deal to sacrifice the "I" in the ancient characters, but what Ronan understood and thought of at this time was the "I" who had just been confirmed by His Majesty Emperor Wu as an over-limited divine character some time ago.
"That "I"..."
Ronan's fingers roughly outlined the outline of the secret text with the word "I" in the void, signaling that he understood.
Ruiwen finally stopped reminding her.
It's not surprising that Raven understands the word "I". Because Ronan first discovered this special secret text, it came from Raven's revelation-the little girl perfectly restored the seemingly funny movements of Ronan's grandfather and father in the photo, which made this wonderful text reappear in the world.
It's just that she rarely shows it.
It doesn't matter anymore. The key is that Ronan understood the true meaning of Raven's opinion:
In Ronan's work, he certainly tried to describe a magnificent time and space event from the perspective of a god, especially an ancient god, but this description is too objective.
Judging from the contents of a large number of historical texts dedicated to ritual ancient characters, and even the over-limit sacred texts revealed by His Majesty Emperor Wu, the ancient gods never deliberately No matter how "objective" you pursue, it is impossible to be objective.
They always allow "me" to intervene in the whole process of the incident - in a sense, perhaps because the bodies of the ancient gods are too huge, many events basically happen on their bodies, even if With a certain distance, they can always have some personal feelings.
Well, this is just Ronan's random imagination.
But no matter what, Ruiwen's opinions were very good and timely.
Even from the most realistic point of view: Ronan can quickly learn the Tianyuan Common Language and the ancient characters of rituals, especially the latter, which is closely related to the word "I" in the beyond-limited divine script.
Why is it that the most powerful tool has been thrown aside when it comes to practical application?
Ronan reflexively wanted to touch Raven's head as a sign of encouragement, but he remembered her resistance to similar actions last time and gave him a thumbs up instead. Then, I dived into the interface of the inner universe simulator and tried to make corrections with great interest.
He did not change the entire text that had already been formed. Instead, he first considered and examined the "small composition" based on his understanding of the word "I" in the transcendental sacred text, and then went through it from beginning to end, catching a few key points. Regarding the corresponding problems and flaws, I communicated with Ruiwen again. I felt that the problem was almost solved, so I started to correct it from the beginning.
At this time, Ronan regarded himself as an ancient god related to the light galaxy and even the local time and space of the earth.
[An app that has been running stably for many years, comparable to the old book-chasing tool, used by all old bookworms.
The movie is pretty good (Dark Blue World).
Oh, how come that "battlefield + cemetery" nailed my head to the star field over there? Or maybe it is always stuck in a foreign abyss, but interacts with both sides of time and space at the same time... How to untie it?
The exchange of materials in the distant star field continues. There are several genetic species of bugs that should keep an eye on this place, coming in and out. Soon they may build a "star gate" here, which will be more troublesome at that time.
Ouch, headache!
…
Therefore, do not translate the ancient Chinese characters for rituals and sacrifices. Ronan would be a little overwhelmed if he actually translated them.
Fortunately, the "little composition" is not really just that, there are much more technical details in it - every situation described by Ronan has a relatively solid framework of the combination of the sound and meaning of the ancient glyphs for rituals, big Consistent mapping of the structure of space and time and the power of gods requires clear feedback in the inner universe simulator and "imagining space and time".
Even if it is a passing "black box" link, it must be within the basic logical framework and cannot be released at will. It would not be an exaggeration to say that he was dancing in shackles.
Ronan had been severely restrained before - the more he tried to describe it objectively and accurately, without any position or prejudice, the more his cognitive flaws were exposed.
And once according to the idea given by Ruiwen, an "I" of the ancient god is set up and makes it exist in it. In that situation, a lot of new "relationships" will suddenly be stimulated, and many of the things accumulated before will be stimulated. The information will be filled in naturally.
The Ancient God must have knowledge of the Lord of Zhanhe, the Divine Kingdom of the Heavens, and the Six Heavenly Sins. Regardless of whether he is familiar with it or not, he can learn a lot from the information in relevant professional historical texts;
The Ancient God must have been in contact with the Ancient God before, and the Lord of Tianyuan must be very familiar with him. His grudges and grudges with the Lord of Zhanhe are also worth quoting, well, a special book.
Also, the Ancient God’s understanding of the “Star Gate”; the Ancient God’s views on death; the Ancient God’s attitude and handling of the “Old God’s Body”; the Ancient God’s perception and judgment of the shielding window of the God’s cloak…
Once the "subject" is clarified and substituted, a large number of relationships and situations will naturally spread. The next step is just to choose and analyze - if it was just a dry record of a hundred words before, then now, it is a record of three thousand words. Not just.
Ronan even had to carefully select his material and omit it for clarity.
This is just an improvement at the application level such as structure and grammar, content filling, excerpts and quotations of "small compositions".
The more essential change is actually the observation, inspection, activation and integration of the ancient character system of rituals and rituals through the word "I" that transcends the limits of sacred writing.
The inner universe simulator is more sensitive to accurate description, and the overall change is not particularly large. The most powerful feedback is still in visualizing time and space.
On the spiritual level, when imagining time and space, Ronan seemed to have truly transformed into an ancient god with a boundless body, spanning thousands of light years and even infinite planes and demi-planes.
The word "I" that exceeds the limits of the sacred text is his brain and heart. It seems that countless blood vessels and nerves have been explored at the same time, and every scene and every object described in the ancient text of his ritual, and even Each phonetic and semantic structure
Corresponding concepts are all linked and fully integrated into the visualization of time and space, giving power, receiving feedback, and personally experiencing the entire time and space event he described.
The word "I" in the secret text was so powerful that the ancient ritual words and phrases that were originally a little stiff became more flexible and the descriptions became more precise.
So much so that even the simple display of proper nouns such as Lord of Zhanhe, Six Heavenly Gods, and Kingdom of Gods seems to have corresponding powers that are vaguely displayed in "Contemplation of Time and Space".
Previously, at Ronan's spiritual level, the Great Sun Chain had to deliberately bypass "contemplation of time and space" to avoid destroying this fragile and fluctuating virtual scene. But with the addition of the secret text of the word "I", the time and space of the visualization was obviously more stable and even expanded - and in turn, it actively touched the chain of the sun, probably because it was the object mentioned by Ronan in the ancient text of the ceremony. , even if it’s just a passing glance?
Not only that, contemplating time and space can even
Through the mapping of the Great Sun Chain, I am trying to collect the power of the Sun Wheel Absolute Prison, and it seems that I want to incorporate all the elements involved in it to make a more reasonable deduction.
So much so that Ronan even felt the familiar structural power of the earth's local time and space, the mist maze, and even the deep blue world when imagining time and space.
They interact with each other, affecting the characteristics of the relevant forces. They interact with each other to form a structure that is plausible and inconsistent with the real world.
This kind of contemplation of time and space has shown a very deep method of the ritual ancient character system. There is no doubt that this is the direct influence and change brought about by the "I" character that exceeds the limits of the sacred characters.
The secret text with the word "I" in the center seems to have played such a role and become even more dazzling. The little figure in the center who seems to be dancing has become particularly lively and lively, and the other eight fuzzy characters flipping and circling around it seem to have become clearer. They are constantly expanding and contracting in light and dark, and each seems to have its own unique rhythm of movement. .
Miraculous vibrations are transmitted from the secret text with the word "I".
It empowers the contemplation of time and space and receives feedback from the contemplation of time and space. Because of its one-two and two-in-one relationship with Ronan, this vibration directly affects Ronan's physical and spiritual framework.
If the degree of internal and external mapping and matching is not high, the impact may be negative, making it more difficult for Ronan to adapt to the outside world; accordingly, the higher the degree of mapping and matching, the more positive the feedback given to Ronan will be...
Of course, Ronan could modify them by changing the ancient ritual text or directly adjusting the structural details within the visualization time and space to make the internal and external situations more consistent and form a more complete and accurate mapping.
This vaguely already has some properties of the inner universe, even if it is just superficial...
Ronan also started with "visualization". The sixteen-character formula "My heart is like a prison" and the visualization of patterns on format are his daily homework.
But now, the "contemplation of time and space" guided by the secret text of "I" still opened his eyes to the point that he even sighed:
"This is true visualization!"
As soon as he finished speaking, the scene on the inner universe simulator was shaking again. But this time it is not that there is a problem with the description, but that there is indeed a small part of Ronan's newly revised book that breaks through the limits of what the "brain in a vat" model can simulate, resulting in "Analysis of Ancient Character Sequences for Ritual Sacrifice" Part of the content of "Module" has overflowed.
The system pops up a pop-up box:
"It is recommended to enter the space-time silhouette or above mode, and add plug-in modules to do a good job of energy supply and radiation protection."
[This chapter is thanks to the additional update from the Crazy Thursday Weight Loss Failure Alliance (2/3).
There are currently more updates for Dameng (10/21). 】
