Agnes paused slightly, and the words in her mouth were slightly stuck.
"What's the matter, Agnes?" asked her mother.
"Ah, Mom, it's nothing, I just remembered something." Agnes responded and smiled.
Mother nodded and didn't ask any more questions.
Agnes closed her eyes slightly, and in the slight bumps of the carriage, she thought carefully about the reason why the potion had just been digested.
Did someone tell someone about their performance at a previous dance? At this point in time, the members participating in the dance should not be telling their families. They should not have returned home yet. Then it is very likely that it is the mutual communication between the members of the ball, or the mutual communication between the members of the Marquis Durant family.
Leonardo Durant told Marquis Durant about the communication between Agnes and him, which was a very likely thing to happen, and the exchanges he had with Leonardo were reported by Marquis Durant. It's normal to feel a little crazy.
...
"May 26, 1328"
"I tried many different ways of acting at the dance today. Through their feedback, we can roughly infer a rule - the greater the difference between the world view and the other party, the more potions can be digested after receiving feedback."
“Among the partners I danced with today, the best feedback I got was from Leonard Durant. This is because I deliberately revealed that subconsciously I don’t have the same understanding of people in this world. Gods are full of awe, and even just speculating about gods in my mind feels like blasphemy. This is undoubtedly the biggest difference in worldview between me and people in this world."
"This makes me couldn't help but have a guess. Combining 'prisoner' with 'madman' or even 'werewolf', can we think that the 'prisoner' sequence is gradually moving away from its own group. The role of 'prisoner' makes this The Extraordinaries of this sequence are spatially or geographically far away from other people. The role of 'Madman' is spiritually different from that of other people. When it comes to the 'Werewolf' stage, the Extraordinaries of this sequence become heterogeneous. We are the same species as humans anymore.”
"This is a stage in which the identity with the human group is gradually reduced. This process is like gradually reducing the sense of identification of the extraordinary people in this sequence with the human identity. It is a completely subtle process, but this is also the process of all extraordinary people in this world. Due to the commonality of the Path of the Orient, even if it is not a heterogeneous pathway, after being promoted to a demigod, it will have certain characteristics of mythical creatures. It is no longer a complete human being, but the heterogeneous sequence is particularly obvious."
"If this is really the case, then how do these relate to 'the mind is a prisoner of the body, and the body is a prisoner of the world'."
"It seems that this process does not have a deep connection with desire. But if there is really no connection, how did the battle between the Temperance School of the Rose School and the Orgy School come about?"
"Similar to the previous inferences, in these three sequence levels, it is also a process in which desire is gradually released and reason is gradually eroded. The desire of the 'prisoner' is restrained and suppressed, and the 'madman' begins to try to explode desire and sacrifice reason. Unleashing power, the 'werewolf' is easily controlled by desire, but at the same time becomes more powerful when he loses his mind."
"Looking at it this way, the 'prisoner' sequence is very progressive, and is completely approaching an inhuman monster controlled by desire. No wonder many orthodox churches are wary of this sequence."
"But there is a question. Why are 'werewolves' filled with the desire to kill and bloodthirsty? Even from the perspective of biological instinct, killing has never been a biological desire, but a desire to obtain enough nutrition for survival. Means, the most instinctive desire of a creature should be to survive and reproduce.”
"Killing and bloodthirsty often conflict with the instinct of living things. This is more like a special curse to make the extraordinary people of this sequence completely no longer regard human beings as their own. It is always impossible to suppress the killing and bloodthirsty during the full moon. The 'werewolf' of blood lust will gradually become cold and twisted, and the loss of emotions that normal humans should have is probably due to the gradual loss of identity with his original human identity. If combined with the later 'living zombies' and 'wraith spirits', The curses of these two sequence levels regard humans as their own food, but they are not necessary. From this point of view, "Werewolf" is a very important turning point. At this level, can one maintain his identity as a human being? It's an important difference in how the 'Prisoner' sequence is played."
...
Agnes walked into the rehearsal room in a dress. This was the last rehearsal before the concert. The concert will officially start this afternoon.
Mr. Conti needs to conduct two pieces in this concert, a symphony and a concerto.
The symphony is a piece composed by Mr. Conti himself, which is the piece that Agnes heard at the Musicians Association on the afternoon when she left the church underground; for the concerto, he only conducted the orchestra on his behalf, and Mr. Accardo was the soloist. By.
Well, yes, Mr. Accardo has the task of playing a concerto in addition to her two pieces in this concert.
The symphony that Mr. Conti will perform is called "Symphony No. 20 in E flat major" by Mr. Conti himself. It has four movements and lasts about 30 minutes. It is majestic and large-scale.
The concerto is a violin concerto in E minor, also called "Moonnight" by Mr. Accardo. The whole work is even and neat, full of soft and romantic emotions, with an aristocratic atmosphere, gentle and solemn. The whole piece of music consists of three movements, and the approximate duration is about 30 minutes. The composer's name is Klinsmann White. Agnes has not heard this name among the nobles in Feneport City, but based on the style of this piece of music, Agnes is very sure about this composer. Is a nobleman.
These two pieces are the fifth and third pieces of the concert respectively, with extremely different emotions, and there is only one more than 20 minutes of adjustment time for the Caprice in between. Agnes was actually very worried about whether Mr. Conti could adjust his emotions in such a short period of time, from soft and romantic to full of pride in time. This is a great test for any conductor.
But when Agnes asked Mr. Accardo, he expressed his confidence that Mr. Conti could conduct the two pieces perfectly, and then told Agnes that she should worry about the one she needed to perform first. "Morning by the Lake" instead of worrying about unnecessary things here.
Yes, Agnes's "Morning by the Lake" was chosen as the opening song for this concert, which undoubtedly put Agnes under great pressure, even though Agnes did not perform it herself.
