What she meant, presumably, was that she hoped that Flafil would continue singing "Praying the Sea" to the end.
And this rose is a gift in exchange.
Faced with the little girl's flattery and sending flowers, Flafil smiled slightly in her heart. It's not impossible to continue singing, it just needs to get Jon's nod.
After all, it was Jon who played the accompaniment.
Thinking of this, Flafil turned her head to look at Jon, wanting to ask what Jon meant.
Before Flaphire could speak, Jon nodded slightly: "I understand, keep singing. It just so happens that Sunny will learn this aria later, so she can get familiar with it first."
A grateful smile appeared on Flaphire's face.
The next second, the second melody of "Praying for the Sea" played by Jon sounded. In just a few seconds, it went from gentle breeze and drizzle to strong wind and shower.
For a novice singer like Shanni, it is very difficult to get into the mood of the music so quickly. But for Flaphire, it was very simple.
I saw Flafil closing her eyes and pondering for two seconds. When she opened her eyes again, her eyes suddenly changed, their sharpness was reduced, and their edges were smoothed. It was as if she had changed into a different person, and she once again became at the beach. A fisherwoman waiting for her husband to return.
The music entered the arias, and the poignant voice instantly pulled everyone into another time and space.
At first, the Dream Plant Fairy was afraid that Flaphiel didn't understand what she meant, but now she felt Flaphiel's fully aura-filled performance, and her tightened core of life began to beat loudly again.
The second aria of "Praying to the Sea" is also named "Have Heard the Bad News". It tells the story of a fellow villager who returned from the sea after a night of hurricane and heavy rain, and told the fisherman who had been worried all day that his husband was missing. They found the canoe, which belonged to the husband, capsized at sea.
After hearing the bad news about her lover, the fisherwoman felt that her whole world had collapsed.
Therefore, the second aria is the saddest among the five arias of "Praying for the Sea". And this sad emotion has different levels. The storm at the beginning was a sign of anxiety and worry; then hearing the bad news was a bolt from the blue; and then the helpless acceptance of reality was a sign of depression and hopelessness.
Although the piano accompaniment can enhance the atmosphere, this is an opera after all, and the maximum emotional expression still needs to be completed by Folafield.
This is not a simple aria. If you want to sing multiple sad emotions and make the listener feel the same, it is a great test of the actor's skills.
As far as Jon knew, only Frafiel was the only one in the entire First Heart City who could perform this aria completely.
This time it was the same, Flafil still performed "Bad News" perfectly, and everyone was immersed in her lyrics. Even Ada and Sunny, who originally wanted to focus on the little girl and prevent her from making small moves, were attracted by Folafel's performance and were firmly grasped by the musical atmosphere created. , no extra attention can be given away.
It wasn't until the second aria slowly ended that everyone calmed down a little. At this time, Ada had the idea to focus on the outsiders.
Perhaps because it was between the second and third arias, the little girl calmed down a little, but her eyes were red and filled with tears, and she was obviously still immersed in the atmosphere of the song.
Watching this scene, Ada finally understood what Teacher Jon once said: Good music is communication between hearts, and it is the only language that does not create barriers.
This is indeed the case. Even if the little alien girl did not understand Flafil's lyrics, she could sense the meaning conveyed by the song, which could infect her emotions without relying on the lyrics.
When the third aria of "Qi Hai" was about to sound, Yada noticed that the little girl made a strange movement.
She stretched out her hand, and a green light surrounded her hand. After a while, a tree suddenly appeared in her palm.
To be precise, it is the projection of a tree.
Just when Ada was wondering what the big tree projection was, he saw the little girl's mouth moving, as if she was talking to the tree.
When Ada turned around and looked again, she had already put away the projection and looked at Fula Fei infatuatedly again.
At the same time, the accompaniment of the third aria "Song of the Siren" officially started!
As soon as the Siren's Song began, the accompaniment reached a climax, as if arriving on the sea invaded by a hurricane. Just a few surging notes pulled everyone into the time and space of music again.
Yada no longer focused on the little girl at this time, because the little girl, like him, was addicted to Qihai's world.
The third aria is written from the perspective of the fisherman's husband, and tells what happened to the fisherman on that hurricane-swept night. From being fearless and unyielding, to fighting the sea, finally being shackled by reality, being overturned by the waves and sinking to the bottom of the sea, and finally being captured by the sea monster and becoming a prisoner...
This section is the climax of "Praying for the Sea", which not only shows the strength and tenacity of men, but also the charm and terror of the sea monster. Coupled with the silence of falling into the deep sea, it can be said that the mood of the entire aria is constantly ups and downs. This aria also tests the singer's ability. If the singer is not strong, it is easy for the audience to lose touch with the time and space of the music due to rapid emotional ups and downs, resulting in imperfect performance.
Of course, it is impossible for Flafil to make such a stupid mistake. Even when she sings into the deep sea of silence, she can firmly capture the hearts of the audience.
The whole aria is like an epic scroll. Even after listening to it many times, Yada will still be impressed by this aria.
When the third aria ended, Ada once again set his sights on the alien girl. This sight shocked him.
One, two, three... twelve? !
Before, there was only one alien girl, but now, around the alien girl, a dozen aliens with different shapes gathered around her!
There are men and women, the big ones are over one meter tall, and the small ones are as big as a palm. All the aliens are very beautiful, just like the legendary elves.
However, what Yada is concerned about is not their appearance, but...
Why are there so many alien races here?
Ada couldn't help but want to see what other people said, but Flafil was immersed in the song, Jon was also playing, and only Sunny looked at him, and also showed doubts.
What is going on with these alien races?
While Ada was still doubtful, the fourth aria also started.
The fourth aria, "Sad Encounter," tells the story of a fisherman who goes to sea alone, goes through many hardships, and finally meets her husband.
Although the plot is simple, it is also one of the climaxes of "Qihai".
After Flaphiel finished singing, Ada looked at the group of aliens. Their expressions were the same as those of the original pocket girl, as if they were all focusing on Flaphiel infatuatedly.
That fascinated expression was like looking at a goddess.
As for the fifth aria, which is also the last aria, Flafil happened to be singing "Blessing from the Goddess". Touched by their love, the goddess of the sea made the dying fisherman couple healthy again and granted them blessings.
In the end, "Qi Hai" ended with a perfect ending.
