Angel looked at it carefully for a long time, but he still didn't understand what these unrelated and incomplete magic patterns wanted to express.
Also, why should it be engraved on such an armor?
Angel didn't understand the significance of the armor's existence for a while. He thought about it and decided to put it aside for the time being and find the laboratory first.
As for the abnormality of this strange armor, if you still can't figure it out later, go ask the tree spirit.
Angel thought of this, took a deep look at the armor blocking the road, then walked around it and continued walking forward.
Because of the appearance of the armor, Angel has determined that this road is different from the road that he was asked to "circle" before, and he will definitely not be allowed to walk for more than ten minutes without finding the end.
This was indeed the case. Angel walked about twenty steps further and saw a staircase going down.
This was a staircase that wound down like a coiled snake. When Angel went down to the first bend, he saw a door.
As you approach the door, the candlesticks on either side of the door are immediately lit.
Angel was worried about another linkage mechanism, so he checked the candlesticks and found that the two candlesticks did not contain lamp oil, but a metal round block that looked rough, like a semi-finished product of alchemy.
After using the Eye of Narda to identify it, Angel confirmed that the metal round block was indeed a product of alchemy and was composed of dead phosphorite.
The characteristic of dead phosphorite is that when it senses the breath of a living person, it will emit a faint light like phosphorus fire.
Similar to the situation with this candlestick, this metal round piece probably sensed the living breath coming from Angel and began to illuminate.
Unlike the previous candlestick, this one is not a mechanism.
After confirming that it was not a trap, Angel took a look at the door. Although decorated with various patterns, this door is just an ordinary iron door.
There is a copper door plate on the door, which reads in formal calligraphy: Living Room.
Under the living room, there is a row of very beautiful cursive characters: "Although it is used to receive guests, there are not many guests who are qualified for me to come."
It can be seen from between the lines that the person who left the message is definitely a proud and arrogant person.
Angel speculated that this might be left behind by Tizarro, the previous resident of the ruins.
Angel used his mental tentacles to explore inside the iron door. Just as the introduction on the door plate showed, there was a very simple living room inside. Behind the red curtain, you could see a long table, elegant chairs, and various The drinking utensils looked clean, but had probably not been washed in hundreds of years.
Angel entered the living room and walked around to make sure there was no energy feedback or traps in the room, and then walked out.
After walking out of the living room, Angel continued walking down. On the next floor, you still see a door. After Angel arrives, the candlestick lights up again.
Through the light, you can clearly see that the bronze plate on the door reads: Study.
At the same time, there is also a row of cursive characters below the study: "I don't need a bedroom, but I want a study where no one can disturb me."
"Is this the study room?" Angel looked through the door with his mental strength. Behind the door were rows of tall bookshelves.
Mental feedback is not dangerous. So Angel opened the door directly and walked in.
There is indeed no danger inside. The bookshelves are arranged neatly, but they are basically empty. There was a desk directly in front. When Angel approached, the candlestick on the desk lit up. It must have been the alchemy product of the dead phosphate mine.
There is a pen holder, ink, and blank paper on the desk, all neatly arranged. It seems that someone had deliberately cleaned it before the relics were sealed.
The shape of the bookshelf is a bit like the bookshelf in the Yunshang Library. There are even special magic patterns to restrict people from reading books. Only those who meet the conditions can activate the magic patterns.
However, now the magic pattern has no energy supply, and the mechanism has been cleared and no longer effective. Moreover, there are no important books on the bookshelf, only a few mortal works.
Angel walked around and confirmed that there was nothing unusual in the study, then continued walking down the stairs.
To Angel's surprise, when he reached the third underground floor of the stairs, he reached the end.
This third underground floor is also different from before. There are two opposite doors here. One of the doors on the left has a bronze plate that reads: Material Library.
The cursive characters in the lower row read: "The material library is so big, we might as well expand the laboratory."
Angel looked at the typography and basically confirmed that the person who left the typography must be Tizarro, because according to the tree spirit, there are only two people who occupy this ruins and live there for a long time, and regard themselves as the masters.
One is the original builder of the ruins, the other is Tizarro.
The squiggles on the bronze medal are obviously a rant against the people who built the ruins. This also shows that the cursive characters must have been left by Tizarro.
Angel did not check the situation of the material library immediately. Instead, he turned his head and looked at the door directly opposite the material library. Based on Tizarro's complaints, Angel has basically determined that this door should be the laboratory.
Sure enough, there was a bronze plaque hanging on the iron door, which read: Laboratory.
Below the laboratory, there is also Tizarro's cursive calligraphy, but this time it is not a complaint, but a very short row of words: "No entry unless required!"
The bright red font illustrates Tizarro's attitude towards the laboratory, which is obviously different from other rooms.
This is probably what Tizarlo values most.
Angel looked at the laboratory, then at the material library, and finally decided to go to the material library first. After all, the fact that Tizarro attaches so much importance to the laboratory indicates that there may be traps inside.
Pushing open the material library, what comes into view is not a room, but a huge space.
As Tizzaro complained, this material library is surprisingly large.
It is like a huge cave, both in height and breadth, several times larger than other rooms, comparable to a medium-sized square.
In front of Angel is a staircase going down, which can reach the bottom of this space.
When he reached the bottom, Angel was more convinced that this might really be a natural underground cave. Because he saw a lot of stalactites, but the tops of these stalactites that emerged from the ground were cut off and transformed into tables and display stands.
Angel casually walked closer and took a look, and found that there was writing next to the display stand near him.
Not cursive characters, but very formal characters: MiRongJin.
Dense gold is a special magic material.
This display stand has the words "Microfinance" written on it, which means... this was once the place where Migratory Gold was placed?
Angel looked at the other display stands, and sure enough, the names of various materials were written on them. It must have been the place where magic materials were placed. However, it is now empty.
Angel walked around the material library and understood why the material library was so large, because there was a miniature woodland for placing magic plants; there was also a hot melt area that simulated a volcanic environment, where various fire elements were placed. Materials...vacuum area, frozen area, desertification area, artificial lake, etc., divide the material library into countless parts.
It can be said that this is a very comprehensive library of miniature ecological materials.
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