[Finally, I found an article that talks about the language of the lens, it’s really good]
[It’s true... I thought I only remembered the parallel editing and Mawson’s tears at the end after watching the movie, but when I read this review, I found that I actually remembered the parts mentioned by the author]
["Day Rain" is still too depressing. I have a strong tolerance for it. I didn't feel anything about the murder scenes. Only the two scenes where Mawson was tricked into drinking "drinks" and when he was forced to drink swill were true. nausea. This is probably the "blank space" in the lens language. Director He didn't take the picture, but an imaginative person like me would automatically imagine that Mo Sen was lying on the ground licking those things or that He Ye grabbed him and forced them into his mouth. The picture of pouring...]
[Ahhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh, can you please fold your reply upstairs please #Crazy]
[It’s over and I’m starting to feel sick (close my eyes) and spend a lot of money to buy a pair of eyes that haven’t seen the reply from the second floor]
[Ah, if I didn’t mention it in the comments, I would have thought that leaving it blank was to pass the review. As expected, the brain is the scariest thing. . . 】
[The medium shots and long shots in "Daytime Rain" are very meaningful, and the above-mentioned paragraph is one of them. The camera there was very far away, and only three blurry figures could be seen. The playground was empty, and there were teaching buildings and canteens in the background. If I hadn't known the cause and effect, I might have just thought it was an ordinary empty campus shot. ...Alas, this makes it even more miserable. There are pictures of hell hidden in ordinary scenes]
[I would also like to share some humble opinions. Don’t blame me if I’m wrong. At the end of this review, I mentioned that Tian Gang in "Memories of Death" is always between light and dark. I would like to say that there is actually another way of dealing with it in the film. Just when Mawson came out of the school doctor's office, Tian Gang walked out of the school with him. that section. (See the building in the building for details)]
[[Reply] At that time, Tian Gang felt guilty and guilty for his behavior of watching, and pretended to apologize to Mo Sen. After receiving forgiveness, Tian Gang felt relieved and happily chatted with Mo Sen about other things. The lighting here is very skillful. Although Tian Gang is facing Mo Sen, his back is to the setting sun, blocking all the sunlight that should be shining on Mo Sen. Instead, Mo Sen is in the shadow. 】
[[Reply] But Mo Sen had no idea that Tian Gang knew that He Ye was making the "drink" but pretended not to see it. He regarded Tian Gang as a good friend and easily forgave him, thinking that he was very good. This contrast combined with the picture is really...]
[[Reply·Reply] I vomited blood, it hurts so much. You think your friend is a true friend, but in the end, he is so happy to be illuminated by the sun, but he actually blocks your light]
[[Reply·Reply] I learned #surprise, it turns out there is such a metaphor]
[My opinion is different from that of the film reviewer. I remember that there are still many close-ups in "Daytime Rain", right? Especially when Mo Sen was killing people and competing with those people, I still remember the scene where his face turned red from holding back or he bared his teeth and exerted force]
[Yes, I also think that Qin Jue really dares to take pictures. The profile shows that his face is original # funny. People who have had plastic surgery would not dare to have facial features like this # funny]
[Actually... Mo Sen is quite handsome when he doesn't use any force on his face... (face covering, I'm really not a fan, I can only say that Qin Jue's foundation is really good]
[I played "Daytime Rain" again today and found that there was very little BGM, and it was basically natural sound recording. As expected, the realism is the result of the sum of all the details. 】
[The bass piano during parallel editing and the lyrical pure music at the end, the only music that I remember is these two pieces]
[By the way, have you noticed that the old man likes to suddenly cut the scene this time? 】
【Yeah? I remember there were scenes switching (same surprised expression, Tian Gang cuts from talking to Wang Dali to sitting in a coffee shop), sound before picture (sound effects or lines come out first and then the scene is cut), soft transition (Qiu Xue wakes up from a dream) /The close-up of Tian Gang's eyes changes to Cao Hao's car lights) and the character's perspective (Su Qi/Qiu Xue lowers his head to look, and the camera moves accordingly), etc. These are common techniques and are not sudden.]
[Is the section above mentioned above the short section after the end of parallel editing? It was Mawson who threw the burning newspaper ball, and the next second the ball of paper towels thrown by Kirita hit the edge of the trash can. I think this little connection is particularly clever]
[No, no, no, you misunderstood. I was talking about shots that felt very "abrupt." Let me think about it, on the way Cao Hao drove to surrender (or to kill Mo Sen?), it was really sudden and the scene was cut to Mo Sen doing something to He Ye's body. I was shocked at the time. Also, when Mo Sen was being pressed by Cao Hao and the scene was shaking, he suddenly gave a close-up of Mo Sen's face. They're all pretty scary. 】
[Oh, so it’s here... Then I understand, maybe the abruptness is intentional. Not to mention anything else, there was Tian Gang and Qiu Xue hitting home plate for the first time, and then there was Mo Sen Yuye doing what he did to the corpse... This comparison suddenly changed the picture from glamorous to vulgar. Although it is very uncomfortable to watch, it does work. Shooting, the audience's psychology and the rhythm of the film are well grasped]
[Replying from the air, when it comes to screen transitions, I also want to talk about Qiu Xue’s part. She first sat at her desk and was surrounded by rumors, and then the moment she stood up, the surrounding environment changed from the classroom to the entrance of the bar. This special effect ( ?) The work is very smooth, and the content to be expressed is also easy to understand. It has the same sense of comics as Wang Dali’s cold humor at the beginning]
【Yeah】
[The author really isn’t wrong about being modest. The whole article is just subjective conjecture. I can accept your claim that the empty shot on the street is Tian Gang and Mo Sen’s usual way home from school. How on earth could you see a small bouquet of wild flowers on the bench? The one that symbolizes the dead prostitute in purple? 】
【? Did you reply to the wrong post upstairs?]
[At first glance, I jumped from here to the next door and then accidentally got stuck back when I was commenting]
[Looking at the plot rhythm mentioned above, I will also reply from a distance. There is a "three-stage rhythm" in "Day Rain", which is simply a textbook-level thriller plot shooting technique. I recommend that fledgling directors learn it. It does not occupy the page, please see the building in the building↓]
[[Reply] The part where Mo Sen waits for Qiu Xue to come back at Tian Gang’s house consists of three turns. In layman's terms, it means "you think it's coming, but it's not there yet. You just let your guard down, and it's here instead." 】
[[Reply] The specific performance is as follows: 1. Qiu Xue went up the stairs and opened the door. At this time, the audience thought that there would be a "door-opening kill", and they were all wary of the next second when Qiu Xue, like the sanitary napkin white-collar worker before, was held down by Mo Sen when he entered the door. However, no, Qiu Xue entered the house safely. , everyone breathed a sigh of relief. 】
[[Reply]Then 2. Qiu Xue put something on the ground, turned her head inadvertently, and her whole expression froze. At this time, the audience took another breath and became vigilant again, fearing that the next scene would be Mo Sen standing in front of Qiu Xue. The results of it? No, it turned out that what Qiu Xue saw was the kitchen window, and everyone breathed a sigh of relief again. 】
[[Reply]Last 3. The scene paused for half a second, and the audience later realized that what really frightened Qiu Xue was not the non-existent figure outside the window, but the broken glass. The shattered opening hinted that Mawson might have broken into the house. So at this moment, Qiu Xue, who had reacted, quickly stood up and turned around, and the audience's hearts, which had just been relieved, were once again lifted up. 】
[[Reply]At this moment, the camera also did not use the classic "face-killing" method, and did not suddenly let Mo Sen's face appear on the screen. Consistent with what was mentioned in this film review, when there should be a close-up, there was no close-up. In these tense seconds, the camera focused on the room, and a pale head slowly poked out from the background. Mo Sen finally appeared, and the feeling of fear and oppression surged to the extreme. 】
[[Reply] At this point, the "other boot" that the audience has been waiting for has just landed, and before they can take a breath, the mood is immediately pulled into new tension by the plot of Mo Sen chasing Qiu Xue. 】
[[Reply] A simple summary: The first time to whet your appetite → Expectations failed, a false alarm → The second time to whet your appetite → Expectations were disappointed again → The third time to make the real chapter, the pace is slightly slowed down, giving the audience time to react, and then completely recycled Pave the way and meet expectations. 】
[[Reply] Looking back on the whole process, it is not difficult to find that the rhythm of this part is quite mature, the relaxation is moderate, and the suspense is always online, but it will not make the audience emotionally weak due to the long-term vigilance, tension and expectation of not getting timely feedback. . 】
[[Reply] Otherwise, Jiang is still too old. This set of operations, which Director He did so easily, gives people an illusion of simplicity. In fact, other directors may not be able to control it so exquisitely. Okay, I've finished blowing. I'm sorry that I stacked so many buildings by myself and slipped away. 】
[[Reply·Reply] I was shocked... Is this the master among the people? I bow to you boss! #bow】
[[Reply·Reply]Wait a minute, why did the ID look familiar to me, but when I looked closely, it turned out to be the teacher who analyzed the colors and props? ! 】
[[Reply·Reply]What? Do you have a link for me to see? ? 】
2700+, good news: these chapters are relatively safe; bad news: the material card of "A Hundred Years of Light and Shadow" has been stuck for three days (soul vomiting
(End of chapter)
