Yue Yang once again didn't want to believe his eyes.
The last time he had this kind of confusion was the ice ladder that appeared when Elsa sang "Let It Go". As we all know, special effects play to deceive vision, that is, "the surface is real, but the reality is fake." But Elsa not only stepped onto the gorgeous and clear ice ladder, but also climbed up step by step, even reaching a height of several meters.
However, when the lights in the entire venue dimmed and then came back on with the sound of the announcement, all the ice and snow special effects disappeared without a trace, including the ice ladder!
Is it true or false?
If it were true, how could it be recycled in just a few seconds, with no traces left at all? But if it was fake, what was Lin Rou stepping on at that time?
The more Yue Yang thought about it, the more confused he became.
The "unknown" has always been awe-inspiring and fascinating, and now Olaf's appearance has reignited his curiosity.
Unlike Sphin, the reindeer, Olaf, who is jumping around and can even "separate" his body, seems to have no possibility of being played by a real person, which shocked the audience including Yue Yang.
A talking, moving, living Snow Baby.
God, what a headache this gives parents. They can't even explain to their children that "this is all staged"... After all, it's so real that even adults believe it!
Another reason for the emergence of this "realism" is the interaction between real people and special effects.
For example, Anna's two branches, such as the carrot she inserted.
This is different from Olaf bumping into Kristoff. Everyone watched Anna "push" things in, and even the carrot was stabbed through.
It stands to reason that this kind of "in-depth" interaction will inevitably reveal flaws, but in fact? Absolutely not!
Yue Yang couldn't even figure out where the two branches and the carrot had been dealt with - because he knew that, forgetting the carrot as a nose, how could the branch automatically turn into a carrot after being inserted into it? Can Xuebao's hands be flexibly controlled to form various bent shapes?
It's... incredible!
Yue Yang believed that even if Zeng Xinhuiqin was sitting here now, she would have to say solemnly: "It doesn't look like acting."
It doesn't look like acting.
What a powerful statement.
It’s hard to say that there will be no one who can perform stage dramas to this extent, but it’s definitely unprecedented.
Until Anna, Kristoff, Olaf and the reindeer Sven went to Elsa's palace and the stage turned back to Arendelle, Yue Yang was still thinking hard.
For the first time, he couldn't wait to see the behind-the-scenes of the seventh round, if the program team still planned to release the behind-the-scenes according to the previous rules.
Back on the stage, a soldier found the long palace dress that Anna had changed into and handed it to Hans. Hans was shocked and thought that Anna was in trouble in the vast snowy mountains and needed to be rescued urgently, so he called for Allen Volunteers from the Kingdom of Dell went with him to find Princess Anna.
The diplomat also joined Hans' team with his two attendants, and emotionally expressed that although Queen Elsa was extremely dangerous, he was willing to believe Hans's guarantee for Princess Anna, and he also believed in the two of them. They are all good people and have a bright future.
"It's a pity that the chorus here still lacks memorable points... It seems that the highlights of the whole drama are really focused on Elsa and Anna."
Keifer said silently, feeling regret not from a judgmental perspective, but from an audience perspective.
To be fair, the quality of Hans' short song in which he declared to save people was not low. Everyone in the audience could feel his sincerity and have a clear understanding of his appeal and leadership. However, there were With several other super high-quality songs ahead, this short performance naturally didn't seem that exciting.
However, considering that Hans is a supporting role, this allocation is reasonable. After all, Kristoff has never sung before. Obviously, this musical does not conform to the tradition in terms of the proportion of music, special effects and plot.
This time Hans and his people set off from the palace, and the stage transitioned with the help of lights. Anna and Kristoff had already arrived at the entrance of the palace.
Anna took a breath and told Kristoff and Olaf that she wanted to go up alone to talk to Elsa. The snowman nodded and sat down together on the prop steps that appeared at the front of the stage, leaning on them with the same elbows. Start counting with your knees and palms holding your face.
Anna turned around anxiously, calming her breathing, and stretched out her hand to knock on the three curtains depicting the pattern of the door.
The curtains parted to the left and right, and the audience was once again amazed by the excellent setting. The ice ladder appeared again, standing diagonally deep in the performance area. Not long after, Elsa, wearing a new slim dress, dragged her translucent As the white gauze stepped down, Anna opened her eyes wide in surprise.
"Oh!" she exclaimed slightly, "Elsa, you look different. Ah, I mean, in a good way."
"And this place... is so beautiful." Anna said, looking around, her eyes full of surprise and admiration.
Elsa was more happy than cautious, and she smiled slightly:
"Thanks."
"I never thought I had such a great ability before." Aisha said again.
Everyone can see that she is very satisfied with her abilities, achievements and current situation now, and her state is completely different from when she stayed in the Palace of Arendelle.
"I'm sorry for what happened before..."
"No, no, you don't need to apologize."
Seeing Anna coming this way, Elsa quickly waved her hand to stop her and distanced the two of them.
"You just don't know. It's not your fault." She said.
"I..." Anna was speechless, "Mom, dad, do they know?"
Aisha pursed her lips: "I know. They..."
"Fifty-eight, fifty-nine--" Xuebao, who was sitting on the steps, jumped up, "Sixty! I counted it!"
It came bounding over, and Elsa was startled: "This is it?"
"Hello, I'm Xuebao~! I like warm hugs——~"
Olaf greeted loudly, his neck and head flew away from his body, and then quickly fell down, like several elastic snow dumplings smashing together again and again.
"Hey, Elsa! You piled me out, do you remember?" It bounced back and forth and came to Elsa.
"Oleaf?"
Elsa's reaction was exactly the same as Anna's. They both squatted down gently and said in surprise, "Are you... alive?"
"Emmm——"
Xuebao turned his head in a circle, lowered his head and looked to the left, then looked again, then raised his hand to adjust his carrot nose as if adjusting his glasses, and finally raised two short branches in front of him and gestured flexibly. One, two, three, four, five, then he tilted his head and said:
"I think so? (Are you right?)"
Elsa smiled softly.
"It's just like the snowman we built together when we were kids." Anna looked at Olaf with nostalgia, and then at Elsa.
"...Yes." Aisha's eyebrows softened, "A little bit of you, a little bit of me..."
"We were so close back then."
Anna said softly and laughed again, "You know? When I first met Olaf, it didn't have arms and a nose, so I took a branch and put one on it, and 'pop'! Just like this!"
She laughed out loud, but Elsa was suddenly recalled by her actions, and her nostalgic expression suddenly turned into panic.
"No!"
Elsa took a step back, "Stop talking, come on, Anna, it's fine for me to be here alone. I can be myself without hurting anyone..."
"Just let me go, okay?"
"I don't want you to go! (I don't want you to go)"
Anna took two steps forward, "Elsa, we can go back to the past..."
"We can't." Elsa retreated decisively and stepped onto the ice ladder again, "Let's go quickly, I'm protecting you."
"You don't need to protect me!" Anna said sincerely, "I'm not afraid at all!"
She chased her to the ice ladder and looked up:
"Please don't push me out of the door again, please don't close the door of your heart anymore."
Light string music surged up like a sea tide, and Anna's recitation naturally fit into the accompaniment section in the second half of the sentence.
"You don't have to keep your distance anymore..."
(You don’t have to keep your distance from me anymore)
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