"Oooh! I can't wait to see everyone!"
Anna spun around in a circle and suddenly covered her mouth with her hand, "Wait, what if I meet... that 'him'?"
Her eyes suddenly lit up, and the audience in the open-air seats could not see clearly, but they could feel the sudden expectation and joy from the aura around her.
The style of the accompaniment changes quietly, and the orchestral music bounces briefly and frequently, as if simulating the heartstrings vibrating due to tension. The bright melody is tinged with a bit of shyness, but the arrangement trend continues to move higher, creating a feeling of shyness and longing.
Anna's lyrics turn to love and herself. The interaction with curtains, oil paintings and other props is charming and cute, and the girl's appearance of being pregnant makes people laugh.
The girl in the young couple couldn't help but laugh out loud. She remembered that she was so innocent when she was eighteen or nineteen years old. Her mind was filled with sweet love, and she infinitely painted the outline of her ideal boyfriend in her mind.
Originally, the little girl had reached this age.
Seeing Anna holding the sculpture head high and spinning it in circles, then letting go and swinging it out, bursts of laughter came from the audience.
Keifer's brows wrinkled and relaxed slightly, and so did Yue Yang.
His singing skills are insufficient and his breathiness is a bit obvious. Isn't the main actor not a professional drama actor? This is a bit hasty...
But I have to admit that the accompaniment of this song is moderately complex, and it is very suitable for the sweet and clear voice of the actor. It combines relaxed positive emotions with humorous short passages very well, and the music quality is in place.
It must be said that something weird is that Anna's behavior at this time is too "eager", lacks the restraint of a princess, and exudes an exaggerated "wildness" - this word has a more derogatory meaning here, and he just doesn't want to use it. Words like "rude" and "barbaric."
This is also the reason why Yue Yang frowned. As an adult, Anna has made few appearances so far. She suddenly switches from longing for family and love to longing for romance. The handling here is a bit abrupt.
Although if you think about it carefully, Anna's "love brain" behavior can be explained by maturity in various aspects such as age, but the stage play is advancing every moment, leaving no time for the audience to think and solve their doubts.
As for Anna's too straightforward expression, Yue Yang didn't find it strange.
He kept the background of the story firmly in mind. The king and queen unfortunately passed away when the two princesses were still young. It made sense for Elsa and Anna, who lacked the words and deeds of their parents to teach them, not to be so "orthodox" in their speech and behavior. The logic here is easy to understand.
In fact, Yue Yang's brows only furrowed for a moment. As one of the four judges and "question makers" of "Entertainment Intern", he knew very well what kind of difficulties the blue group would face. This flaw was completely within his expectation. Within the scope, it is nothing.
What really surprised and gratified him was that with this singing, Su Su was the only one left on the stage.
She is the only one, and it is undoubtedly a one-man show. The plot is still different from the previous ones. It requires a lot of movement and interaction with props to "fill up" the scene. This is a big challenge, but Su Su completed it brilliantly. Let anyone feel that "the stage is so empty and the actors are all alone."
Naturally, the props and scenery that Qiao Yuansu was responsible for also played a big role.
The chorus started again, and the attendants and maids passed by in twos and threes. Su Su, who had been running non-stop, was finally able to catch her breath, and walked to the center of the stage with her skirt in hand to complete this singing.
"For the first time in forever, there'll be magic, there'll be fun."
(It’s been a long time since I’ve been in my life, life is full of magic and joy)
"For the first time in forever, I could be noticed by someone."
(It’s been a long time since I’ve been able to attract someone’s attention in my life)
The happy smile on Anna's face answered the questions of some people in the audience: she just wanted to be truly loved.
To be seen, to be cared for, to be loved.
It could be family or friendship - but everyone knows that Anna's remaining family and friendship turned into a last resort "Go away" when she was a teenager, so now she chooses to place her trust in love, dreaming of meeting a true love. .
"And I know it's totally crazy! To dream I'd find romance——"
(I know I have some crazy, romantic dreams)
"But for the first time in forever..."
(But this is the first time in life...)
Anna sang, pinched the hem of her skirt hard, made a fist and waved downwards with bright eyes:
"At least I've got a chance!"
(At least I have a chance to change!)
She ran away to the side with a smile on her face. Elsa, wearing a long dark dress, slowly walked from the depths of the stage, holding a scepter in her right hand and a ball of royal power in her left hand. She held her hands steadily at the height of her ribs, occasionally trembling slightly. , as if the body was stiff and constantly contending with "some kind of force".
"Don't let them in, don't let them see..."
(Don't let them get close, don't let them see)
"Be the good girl you always have to be."
(Be a standard good girl, like you have always done before)
This was the first time Lin Rou spoke in the whole play, and her first song stunned the audience.
Her voice is clear but not thin, like a piece of ice hiding cracks. Her professional bel canto singing technique makes her voice rich and open, full of flexibility, and she sings two lines of lyrics with ease.
What a stable bass! What a thick sound pressure!
Yu Miao in the audience trembled violently, and she subconsciously got goosebumps. Others can't explain why, they just feel that the sound is extremely comfortable.
A staircase descended from the middle of the ceiling deep in the performance area. Elsa's expression condensed, and she turned around and stepped onto the steps, holding the scepter and the orb tightly.
"Conceal, don't feel, put on a show——"
(Hide, restrain, treat it as a performance)
She sang as she walked, her dark cloak dragging the floor without any major swaying during the whole process. Walk steadily and sing more steadily.
At the same time, the light slowly sweeps from bottom to top, revealing the complete appearance of the European-style balcony protruding outward at the end of the stairs.
"Make one wrong move and everyone will know."
(But if you make a wrong step, everyone will find out)
This staircase originally faced the auditorium, but now it rotated to the side as Elsa moved, allowing everyone to see her frowning and moaning side face.
Lin Rou did not sing this line easily. She adjusted her vocal point and the position of her teeth and sang with clenched teeth. Her words were both lyrics and lines, which fully reflected the pressure in Elsa's heart at this time.
The sound of the violin worked extremely well to create a depressing and tense atmosphere. The stairs were about to move 180 degrees. Elsa's figure climbing the stairs was vaguely visible on the second floor balcony, and Anna ran out again.
Elsa gritted her teeth and sang: "But it's only for today (But only today) -"
"It's only for today~!" Anna stretched her arms expectantly on the ground stage.
"It's agony to wait——"
(Say goodbye to pain——)
"It's agony to wait~!"
(Say goodbye to pain~!)
One high and one low, one singing and one harmony, the audience in the audience was shocked and suddenly became excited.
Is this a duet? !
The stairs stopped rotating completely, and Queen Elsa, who was standing alone at a high place, holding a scepter and a ball, stepped forward, straightened her back, and forced herself to look straight ahead.
She took a deep breath:
"Tell the guards to open up, the gates——!"
(Let the guards open the city gate——!)
Anna harmoniously said: "The gates——"
"THE GATES——"
With a bang, the heavy and majestic double doors opened to both sides, and the extras in formal dresses walked out quickly like a rushing river. They sang loudly and quickly stood in a specific position. The orchestral music in the accompaniment suddenly became exciting. , the overlapping singing voices of more than ten people were so high-spirited and loud that the eardrums of the nearby audience were buzzing.
The city gate of Arendelle is open!
. The fastest website to update the mobile version:
