Sure enough, after the performance ended, the spotlight attracted the audience's attention to Elsa and Anna's family. The queen gently said, "Okay, darlings, it's your bedtime," and then held hands with the king. Walking towards the depths of the stage with a daughter behind her.
A new scenery has been replaced without realizing it. It is a solemn double door with exquisite symmetrical patterns engraved on the two door leaves.
All the extras except the maids quietly retreated under the cover of the lights. The remaining two maids opened the door to the left and right. After the four royals walked in, they closed it properly and left.
There was a brief period of no one on the stage. After a while, one of the doors that was standing quietly was pushed open, and it was little Anna.
She glanced around in a serious manner, and the way she looked around made many viewers chuckle.
"Hey, they're all asleep!"
Anna said in surprise in a voice that everyone could hear, "Come on, come on!"
She immediately pulled Aisha and ran out from behind the door happily. The ceiling of the picture-frame stage had lowered some decorations at some point. Chandeliers, hanging paintings, etc. were hung over the heads of the two little girls in an orderly manner, reminding the audience. This is another hall-like place.
Yue Yang nodded lightly.
How to naturally achieve the "combination of reality and reality" is the most important part of theatrical stage design. Qiao Yuansu grasped the space transformation very well.
On the stage, Elsa and Anna smiled and ran to the front of the center, dragging a medium-sized pulley box in their hands.
"Now let's build a snowman~!"
Anna shouted happily, like a little gopher digging into the ground, opening the box and digging out one thing after another.
"Oh! Watch out!"
The white ball bounced in front of Elsa, and she hugged it.
"Found it!" Anna raised the carrot in her hand in the posture of a hero pulling out a sword.
Aisha covered her mouth and smiled, looking at her lovingly.
"Do the magic! (Use magic quickly)" Anna ran over with a carrot in her left hand and a small ball in her right hand.
"Okay, okay, add a little bit of me...?"
Elsa sang and moved, placing the slightly larger white ball with her sister, "Add a little bit of you..."
"Add a little bit of dream--"
She put the small ball on top, then inserted the carrot, and a rough and childish little snowman was formed.
"And this!" Anna slammed two short branches in quickly and fiercely.
Elsa chuckled and waved her hands gracefully above the snowman. The lights then lowered, and the little snowman became brighter and brighter. Even the holes that Anna poked for eyes and mouth became much more vivid.
Holding the "arm" attached by Anna, Elsa hugged the snowman from behind, puffed her cheeks and said in a low voice:
"Hello, I'm Olaf! I like~warm hugs!"
"I love you Olaf!"
Anna immediately rushed over and gave Olaf a big hug.
She giggled: "I want to take it to skate with me! Oh! I even brought them with me!"
Anna immediately ran back to the box and dug out a pair of roller skates. The shoes were very simple, the kind that could be put on the shoe and had a small wheel on each side. They were already outdated now, but some parents in the audience still couldn't help but look at them. A nostalgic smile.
Anna quickly tied the ties, pushed the box aside, "slided" over, and held Olaf's branch arms with both hands.
Elsa looked at them lovingly, smiled, and raised her hands forward vigorously.
"Wow!"
This was not only the cheer from Anna’s mouth, but also the unconscious exclamation from the audience.
Keifer was startled, sat up straight, and completely forgot about the drink.
what is that?
He squinted and looked carefully, and as little Elsa kept waving her hands, there was really a group of sparkling snowflakes flying out, seeming to push Anna and Olaf, allowing them to skate happily on the ground.
Wait, the ground?
Moving his eyes along the way, Keifer was surprised to find that the stage floor was covered with a thin layer of ice. He raised his head in surprise and looked at the rows of spotlights high up, trying to find out what kind of lighting effect it was.
"Wow!"
Keifer's youngest daughter Ellie also screamed in surprise, with longing in her eyes.
As Elsa ran and waved, more and more snow appeared on the stage. Some "changed" from her hands and fell to the ground, and some fell from the sky, flying in the air, which was so beautiful.
The empty stage quickly filled up at a speed visible to the naked eye, and there were snowdrifts near and far. Anna led Olaf through it, and occasionally bumped into it with "Oh...!", and Elsa ran over with a smile, stretched out her hand to fill the depression again.
Yue Yang, who was far away in the open-air seats, also said "Huh" and looked at these special effects with interest.
Qin Yi Technology took action, and it was indeed extraordinary.
Although it is a traditional picture-frame stage, after all, it is seen with one's own eyes rather than through a screen. Many people are amazed by the realistic falling snow, and the daily playfulness of Elsa and Anna makes them gradually feel envious. .
It’s great to have a sister who knows magic!
Many people can't help but imagine and substitute, while watching the two sisters laughing and playing, they describe in their minds what it would be like if they were Anna/Elsa.
As he watched, a sudden change occurred.
At that time, Anna was skating on the stage with a smile on her face. "Hurry up! Faster! We're going to fly!" She shouted happily, her sliding speed getting faster and faster, and she gradually lost control.
"Wait a minute, Anna!"
Anna and Olaf slid faster and faster, and layers of snow blocked Elsa's sight. She ran forward anxiously.
"Oh - oh oh oh oh!!" Anna's joyful cry turned into an even more excited scream, "We are going to fly! Elsa, catch us!"
"Slow down...!"
Elsa nervously walked around a snowdrift, where Anna was spinning crazily in place with the ball Olaf. The pulley under her feet had lost control, and she was obviously about to lose control.
"Wow!"
"——Anna!"
When Anna was about to fall in the empty direction, Elsa's expression changed suddenly, and she quickly used a ball of magic power to raise a snowdrift to catch her, but because of the ice on the ground, her soles slipped first and she suddenly moved forward. Throw it down.
The icy blue magic hit Anna's forehead in an instant. Her grip on Olaf's arms immediately loosened, and she fell crookedly onto one of the snowdrifts.
Everyone was unexpected, and their hearts suddenly rose to their throats.
Elsa got up from the ground in pain: "Anna, Anna...?!"
She burst out with a heart-breaking scream, crawled and ran towards Anna, with a face full of panic, calling her name desperately.
At the same time, subtle "click" sounds came from all directions, like a devil's whisper, which was frightening to hear. The entire stage, including the outer frame on which the palace columns are projected, is covered with ice. Centered on Aisha, the ice spreads outward and high at an alarming speed.
"Oh, no!" Elsa's voice trembled, "Dad! Mom! Help!"
The lights returned to spotlight mode in an instant, and the king, queen and maids immediately ran over. The plot was like a hand pulling a puppet, firmly controlling the audience's emotions. Only a few people noticed that after the lights gathered, The ice and snowdrifts nearby disappeared silently, leaving only the snowdrift Anna fell into and scattered, thin snowflakes on the ground.
"Elsa, what did you do?" The king helped Anna who was unconscious.
"My magic hit Anna... I didn't mean to do it!" Elsa threw herself into her mother's arms in fear.
"She is cold all over." The king picked up little Anna and whispered worriedly but calmly, "I know where to save her. The only place to save her is the Goblin Forest!"
"Let's go quickly."
The queen said eagerly, took the cloak from the maid and put it on Elsa, and the group hurriedly left the stage.
The lights dimmed, and the chants at the opening of the musical sounded again, a bit more ancient and mysterious than before.
The innermost curtain slowly lowered, accurately blocking the snowdrift of props that had been moved deeper due to the rotation of the stage.
On the ceiling, three rows of spotlights change angles to outline the shadow of a dense forest.
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