Qin Jue sent the furry Xuebao doll forward.
"Well!"
Qin Yuqiao's face sank into the soft touch. She squinted her eyes and took a look. Her eyes widened in surprise, and she hugged the doll and squeezed it.
"Here, team member benefits." Qin Jue smiled and sat on the edge of the bed.
"Okay." Qin Yuqiao happily kissed Xuebao and said, "I'm obviously just a peripheral member?"
Qin Jue muttered seriously: "Yes, but you are the team leader's sister."
Seeing Qin Yuqiao laugh, she reached out and rubbed her little fox's head:
"Stop making trouble, it's my responsibility. But I'm not very interested in these gadgets, so I just borrowed flowers to offer to Buddha. Take it."
"Well..." Qin Yuqiao raised Xuebao, "Sister, don't you like dolls?"
"I can't say whether I like it or not, I just have a common indifference."
Qin Jue rubbed the blue version of Xuebao's round Q-bomb head twice. The manufacturer's workmanship and materials were not lazy, and it felt very good.
Qin Yuqiao let out a long "Hey——" and rolled his eyes furtively.
"Okay, you're welcome then~!"
She took the doll away, hugged it and rubbed it back and forth with a smile.
Qin Jue pushed Qin Yuqiao's long hair to the side, leaned back, and hooked up the plastic bag containing other small peripherals.
"Wow, there are so many." Qin Yuqiao held up a metal badge and exclaimed, "The revenue must be super good. These peripherals are very thoughtful and have collectible value."
"Yes, the props teacher has promised me with his hair." Qin Jue's tone was leisurely.
Before she came back, she chatted with Li Hong for a few minutes about peripheral sales, mainly about sending more manpower.
Although online sales are also ready, the two agreed that on-site sales can increase audience traffic. Li Hong even planned many small activities. You can receive limited peripherals with ticket stubs or comments and feedback, so there is no need to worry about the backlog of goods.
"Is the live broadcast going well these days?" Qin Jue asked.
Qin Yuqiao nodded: "I have told everyone that it is not convenient to use live2D these days due to work. Most fans understand."
"That's good."
Qin Jue didn't have time to choose a voice actor, so he simply hired a nearby little fox to voice Xuebao. The sisters settled their accounts clearly. Qin Jue signed a contract with Qin Yuqiao in black and white just like he did with the Qing Opera Troupe. According to the terms of the contract, Qin Yuqiao must be on call at any time these days. Once Xuebao is dispatched, her dubbing must follow. .
However, considering the little fox's ears, Qin Jue did not allow her to appear in front of people frequently. Even when she went to the scene, she always wore a hat and mask and was taciturn. She was not out of place among the strange people in Qiuhe Shayi.
Su Su and others were not familiar with this voice actor. Seeing that Qin Yuqiao was always in step with Qiu He and the others, they thought she was someone sent by Qin Yi Technology. Considering that this didn't seem to be a misunderstanding in a sense, Qin Jue didn't explain much.
After telling Qin Yuqiao that work would start at ten o'clock, Qin Jue closed his eyes and rested for half an hour, and then his consciousness sank into the film and television space.
She is the leader of the blue team, but she is also one of the four main actors. No matter how busy she is in coordinating the overall situation, she cannot and should not forget her own job.
In the past, the schedule was too full and I couldn't spare any time. Now that everything has passed the initial stage and is gradually on the right track, Qin Jue can finally improve his acting skills in a targeted manner.
Dramatic performances on stage and film and television shooting in front of the camera are both "acting", but upon closer inspection, the difference is quite big.
The most critical of these is concentration. When standing on stage, you cannot be distracted and lazy. First, the audience is watching the show seriously. Even if you are the background panel, you are not sure which audience will stare at you, so you must not show flaws and must use the best possible methods. Show others the most appropriate and full state;
The second thing is that since you look at what you are doing, you should also pay attention to what others are doing, because once you stand on the stage, actors are in the "throwing and catching of performances" anytime and anywhere. They not only have to cooperate, but also "in order to make it smoother" "Cooperate with the ground and fight and be mentally prepared in advance." The most basic requirement is to watch all directions and listen to all directions.
In addition, it is implemented into specific actions. For example, when it comes to standing and walking, there are no cameras to capture medium shots, close shots, and close-ups, and there is no post-editing to put the right pictures in the right positions, so what is presented to the live audience is what it is. This means that actors must always pay attention to the perspective of the audience and cannot block another performing actor by turning around. This is one of the lowest mistakes.
In the blue group, especially after Qiao Yuansu's stage renovation, positioning and movement became a big issue. Not to mention Su Su and others, even the actors of the Qing Opera Troupe complained endlessly. They could only follow Wu Haizhou and Qin Jue to make corrections over and over again in rehearsals, trying their best to memorize the complicated moves and continuously reduce the error rate.
The other thing is the scope of performance and lines. This is also the most common mistake for laymen Su Su and Qin Jue.
They are used to performing in front of the camera. Once they sink into the acting state, their movements, expressions and tone will be adjusted accordingly, and many times these adjustments are very subtle - these detailed changes are enough in front of the camera and microphone. But on the stage, it is quite inconspicuous.
The theater is so big, and the farthest seat in the auditorium is so far away. Audiences without telescopes can only see a few figures moving with their naked eyes. How can they clearly see whose eyebrows are trembling or whose lips are pursed?
This is why the range of movements of dramatic actors is so large that it can be considered "excessive" or "exaggerated" by others, because they must use a clearer way to let the audience clearly see and understand themselves/characters. do what.
"Must be clearly communicated to the audience", this is the first priority of theatrical performance.
The same is true for lines. Qin Jue and Su Su are used to having a recording team holding a hanging microphone to pick up the sound, so they have more freedom in performing lines. Especially when they encounter places where their voices need to be lowered and softer, the volume of both of them will be better. Reduced accordingly.
On stage, however, this doesn't work either.
Wu Haizhou once discussed this issue with two people in detail. Su Su would subconsciously speak in a low voice when Anna was in a low mood and reflect the character's emotions through her tone of voice. Qin Jue, on the other hand, would immerse himself in acting at every turn, with all his expressions and tone of voice. As the role of Hans came and went, Wu Haizhou said, "No matter how good the line performance is, if it cannot be heard by the audience, it will fail on the stage." The two struggled for a while before gradually getting used to the new character. The way of interpreting lines.
"It's a good thing to be in a drama, but it's a waste to be in a drama that can't be conveyed to the audience." This is something Qin Jue has never realized before.
With different primary tasks, the focus of the performance will also change accordingly. For a "wild" player like Qin Jue, this is a fatal blow.
The fully immersive acting technique that she had always been proficient in did not work in the seventh round. She had to take out the "coordinate axis" that she had discovered not long ago and continue to improve its use. She must keep a clear consciousness in her heart at all times to remind her. I "can't fully immerse myself" and "remember the volume of my lines."
This is undoubtedly a sacrifice, a sacrifice for the stage.
However, a small amount of sacrifice can bring more appropriate and brilliant performance effects, and Qin Jue happily accepts it.
