In the past few days, Chongzi's daughter was infected with hand, foot and mouth disease, which affected most of the children in the kindergarten, so she was busy changing her daughter's kindergarten.
But Bugs has not been updated in the past two days, mainly due to his own reasons.
In the book "Regent", the direction of the main plot and the fate of the characters have been arranged long ago, and all the foreshadowings have been laid.
But recently, Chongzi's thinking has become somewhat confusing as to how to advance the plot.
This confusion is mainly due to two parts.
First of all, the selling point of this book is undoubtedly the power strategy, but Chongzi can clearly feel recently that the threshold of old readers for related aspects has increased.
During this period of time, some old readers have expressed opinions through various channels, thinking that the protagonist Zhao Junchen's power has developed too smoothly, or that the success of some of Zhao Junchen's plans seems to be deliberate.
In short, the same level of Machiavellian plots can no longer make old readers feel excited and fresh.
This made Chongzi start to think about whether he could write it in a different way. Can you conceive of a higher level of Machiavellian plot? Do you want Zhao Junchen to make a serious comeback at some point in the future to enrich the plot content of this book?
But all three are not easy. The writing style is not something that can be changed, and a higher-level plot of machinations is not something that can be thought of immediately. It is easy for Zhao Junchen to stumble, but the official environment in the book "The Regent" is Once the protagonist stumbles, he will be in a desperate situation. How to get him back up is also a problem that needs to be seriously considered.
So, bugs are in a bit of a dilemma.
Then, Chongzi's accumulation of inspiration in tactics has gradually been exhausted.
Chongzi has always emphasized that this book is difficult to write, not only because it is difficult to conceive a plot of Machiavellian plots, and it is difficult to maintain the IQ level of the characters, but most importantly - this book has no fixed routines to learn from.
For example, if Chongzi wants to write a historical novel about a dandy, or an infinite stream, or an Internet article about spiritual energy recovery, you can guess these websites just by looking at the title of the book. There are templates and routines for writing, but "Regent" is a purely political book, and it is difficult to find templates and routines that can be used for reference. Chongzi can only explore and try on his own.
If there are routines and templates that can be used for reference, when the insect is short of inspiration, he only needs to learn from it, but this book is completely unacceptable.
Therefore, in recent times, as Chongzi's inspiration has dried up, he has begun to subconsciously repeat his past routines.
Describing the plot of Zhan Shanchang's betrayal of the protagonist, Chongzi subconsciously wanted to use a counter-intentional trick to end it, but Chongzi quickly realized that the protagonist had already used counter-intentional tactics twice before, and Chongzi was unwilling to repeat the past plot, so he decided The price of directly plotting Zhan Shanchang to death is that the ending becomes more difficult.
Then, when Chongzi finished writing the previous chapter, he suddenly discovered that the strategy of "deliberately selling flaws and diverting the attention of political opponents" had been used long ago.
This made Chongzi realize that his savings of inspiration in tactics had gradually been exhausted.
There are still some unused Machiavellian inspirations in my mind, but these inspirations are either not suitable for the ancient officialdom environment, or they need to be reserved for use when the book is completed, and there is not much left in the accumulation of inspirations.
It is not easy to conceive of a new plot of conspiracy. It is even more difficult to keep updating it every day while constantly introducing new plots and making everyone feel fresh and satisfied.
When writing about the plot of the protagonist's return to the capital, Chongzi was complained by some readers that the plot progressed too slowly. That was because Chongzi was trying to conceive of some new plots but had not yet sorted out his ideas.
Therefore, under the current situation, if you want to satisfy most readers, Chongzi must advance the plot of this book to the ending stage before the inspiration is completely exhausted - all the plots in the ending stage, Chongzhi had long ago As long as everything is conceived, there will be no dilemma of running out of inspiration.
This is what Chongzi has been thinking about over the past few days.
To be honest, this book is both difficult to write and unprofitable. Chongzi persists until now just to have a beginning and an end, and does not want to disappoint readers, especially old readers who have been chasing this book for several years. Chongzi wants to give everyone a satisfactory Account.
But if I write it according to the previous ideas and techniques, there will be a beginning and an end, but will the readers be satisfied? If everyone is not satisfied, what is the point of these efforts of the insect? Just outline the escape and it will be fine.
This book has been written for more than half now, and there are less than a million words of plot left before it is finished, and the plot in the final stage has already been conceived.
Chongzi's current dilemma is how to arrange the transition plot to be more exciting and satisfy everyone.
In the past few days, Chongzi has thought about it repeatedly and thought of some entry points, but has not yet clarified it.
However, Bugs will resume updating on Monday next week at the latest, and I hope that the subsequent plot will satisfy everyone.
Please forgive me for the interruption in updating these days! 166 reading network
