The movie ended, but there was silence in the theater.
In fact, Li Yi's movie is not as tear-jerking as in the past.
But it is more uncomfortable than the kind of tear-jerking film that makes people cry happily.
There is no twist or climax in the whole film. It just tells the story of two marginalized people in the countryside.
It's just that although there are no complaints in the whole film, it makes people feel the ubiquitous suffering!
"Do you think the relationship between Ma Youtie and Cao Guiying is considered love?" Suddenly a film critic asked another film critic.
“I think it’s love, and it’s higher than love.
It is sympathy for each other and mutual respect.
They redeem each other and complete each other.
It is the sincere treatment of two hearts and the support of two miserable people moving forward. "
"I think so. Although life is very bitter, they can make sugar with hope and taste the sweetness.
Although they live in poverty, they work hard to create a sense of ritual.
This is the original appearance of love, without any utilitarianism, without any deception, hot and sincere!
But I also feel that it’s not quite right for a movie like this to use love to describe the emotion between the two of them. "
"It's very simple, because it's too bitter and difficult!"
Because there was a movie to be shown next, no one left.
Discussions naturally began.
Regarding whether Ma Youtie and Cao Guiying are in love?
As the film critic said, how could it not be counted?
But if you use love to evaluate the emotion between them, it doesn't seem quite right.
Even, love is used to describe the relationship between Cao Guiying and Ma Youtie, because love is too luxurious for the two of them.
"I didn't expect that director Li Yi would be able to capture the feeling of a local film. There are so many details."
"Who says it's not the case? You can tell from the scene at the beginning of the film, where the person shouting is the fourth child, but the person who comes out is the donkey!"
"More than that, Ma Youtie never comes to the table. Even if it comes to the table, he doesn't eat big fish or meat. He only eats steamed buns. In this way, he is also like a donkey. When a donkey eats corn, he eats grains. .”
"When he scolded the old donkey, he was actually scolding himself."
"Director Dog is very ambitious! Into the Dust, Into the Dust, how did you feel after watching this movie?"
"How do you feel? Anyway, I feel so worried!"
"There is despair in the plainness, and sadness in the silence."
"Do you think such people still exist in reality?"
"Why not? Never underestimate the evil of human nature!"
Everyone was talking about it.
At this time, the second movie "Warm Spring" was officially released.
It can be said to be a seamless connection.
When they saw the title "Warm Spring", film critics and media people all had strange expressions on their faces.
Although they knew the titles of these two movies before, after watching "Into the Dust" and then looking at the title of "Warm Spring", they always felt like they were being tricked by Li Yi.
After all, "Into the Dust" really doesn't tell much from the title alone, but "Warm Spring", whether it is warmth or spring, is obviously a sunnier thing, and the same thing as "Into the Dust" shows It is obvious that "Warm Spring" is the complete opposite of a story of despair, suffering, and a story that makes people feel uneasy.
They complained in their hearts, but everyone still fell silent and focused on the big screen.
At the beginning of the movie, before dawn, the sky was dark, and a little girl was running with something like a windmill in her hand.
Suddenly she fell and the windmill fell out.
She picked up the windmill, and the camera showed a close-up of her face. Her dirty little face was covered with tears of grievance.
The two characters "Warm Spring" appeared on the big screen.
Perhaps ordinary viewers will not care about these metaphorical shots, but those present can be said to be "professional" people.
Many film critics reacted immediately.
Especially when the sound of a rooster crows before the movie appears again, they are more sure of the tone of the movie.
There is darkness before dawn, but there is light after dawn.
It implies that the little girl's life was dark before this, but it will soon be bright.
The same word warm spring also corresponds to this scene.
Nuan doesn’t need to be explained, and Chun doesn’t need to say much either!
In the room, the old man was smoking a dry cigarette, and the sound of a rooster crowing came again from outside.
In the next shot, the old man's son was carrying water home and shouted: "Dad!"
The old man also shouted: "Bao'er!"
This immediately aroused dissatisfaction from his son: "How old am I, why am I still called Bao'er?"
Baozhu went back carrying water and saw his wife looking at a painting asking for a child. Through the conversation between the two, everyone knew that they had been married for many years but had no children, which had been bothering the couple.
The camera changed and the old man went out with a hoe to go to the fields. As he passed by, he saw a bunch of people surrounding him. He looked closer and saw a little girl lying on a cart.
It was picked up by the second dog in the village at the entrance of the village. It was probably a little girl who fainted from hunger.
No one knew whose family she belonged to.
Everyone looked at the village chief to let him make his decision.
The village chief was also in a dilemma, saying that there were so many families in the neighboring village, where could he go to find out?
The village chief asked everyone who would like to adopt this child?
But everyone said to me that they had children at home and there was not enough food to eat.
The village chief’s daughter-in-law also said that she has two children.
The onlookers left one by one.
Although Baozhu's father had suffered all his life, he couldn't bear to see his child like this and decided to take him back to raise him first.
When he took the child home, his son and daughter-in-law were immediately dissatisfied.
The old man tried to talk things over, saying that he would wait until the child woke up and asked questions.
In the middle of the night, Baozhu's wife woke up and asked, "What if that girl wakes up and refuses to leave?"
The old man was repairing the little girl's toy windmill, when suddenly the little girl woke up in panic.
Seeing the old man, he shrank into the corner in fear.
The old man gave her the windmill and brought some cakes for her to eat.
Maybe she was very hungry, so the little girl took the cake and started to eat it.
The old man asked her what her name was and how old she was.
She then replied: "Xiaohua, she is seven years old!"
Her family lives in Shanghe Village, and her grandmother made the windmill for her.
"Grandpa will send you home tomorrow, okay?"
As a result, Xiaohua shook her head in fear: "If I don't go home, they will beat me to death!"
"Tell grandpa, why did your parents beat you?"
"They are not my parents. My parents are dead, and my grandma is also dead. They won't let me eat. I'm hungry. Grandpa, please don't send me away. I can wash clothes, I can cook, and I can do a lot of work. You Just give me one meal every day!”
"When the little flower grows up, be kind to Grandpa. Grandpa, I will give Grandpa the paper pinwheel made by Grandma!"
Grandpa looked at Xiaohua's pleading look and couldn't help but feel a pain in his heart.
All she wants is one meal a day
She wanted to give her most cherished paper pinwheel to her grandfather, just to prevent her from being sent away.
