"Well, you can help me set up a branch here later. At that time, I will ask Lou Jianjun to hand over some of the company's copyrights to this company to be responsible for the North American market. If there are plans for co-production in the future, there is a company It's also more convenient!" Li Yi thought for a while and said.
Xu Nannan immediately smiled happily and said, "Okay! Don't worry, I will help you take care of your family business here!"
Li Yi secretly breathed a sigh of relief.
He didn't say anything, but in his heart he was afraid that Xu Nannan would really get her back. What would Mu Qing do then?
Although it sounds like a scumbag, Li Yi is reluctant to give up any of them.
Xu Nannan and Mu Qing are different from Chen Yinger.
The relationship between Chen Ying'er and Li Yi is more about each getting what he wants, but for Xu Nannan and Mu Qing, Li Yi really never thought about not admitting it when he picked up his pants.
As for what to do next?
That’s for the future!
At this time, Xu Nannan suddenly smiled and said: "The guy who bullies women is here too!"
Li Yi looked up and saw that it wasn't Cao Zhenqun.
Cao Zhenqun seemed to feel Li Yi's gaze and looked over.
Seeing Li Yi and seeing Xu Nannan next to Li Yi, Cao Zhenqun couldn't help but feel jealous and jealous.
This guy is responsible for all his bad deeds. In China, there is Mu Qing, a female director who is called the most beautiful by netizens. However, abroad, there is a woman who is as good as Mu Qing.
Thinking of Li Yi's victory in China and the box office of 3 billion, Cao Zhenqun couldn't help but secretly regret it.
If he hadn't done that kind of thing in the first place, given Mu Qing's relationship with Gao Le Film and Television, there would have been no chance of working with this guy.
Unfortunately, it's too late to say anything now.
At the same time, he was furious when he thought that the culprit, Ping Xiaosi, was not going to cooperate with Gao Le Film and Television!
Although Ping Xiaosi's "Young Trilogy" did not meet expectations, it is only relatively speaking. In fact, the Young Trilogy is definitely a success.
But he didn't expect that Ping Xiaosi would cross the river and burn the bridge.
The next movie actually left Gao Le Film and Television directly and chose to cooperate with Sheng Entertainment.
Also, although for the moment, it seems that Damien Pictures is not as good as Li Yi said about the movie "Moving forward with a heavy load", Cao Zhenqun is still worried.
There is no way, the key is the movie "Moving forward with a heavy load", Gao Le Film and Television has no initiative.
We can only hope that Damien Pictures won’t be so miserable!
Otherwise, thinking about the possible consequences, Cao Zhenqun would not be happy at all.
Li Yi ignored Cao Zhenqun, but was thinking about how to take a warning.
If you want to cooperate with a Hollywood film company, you must first think about how not to be cheated.
Of course, the co-production is completely different from "Carrying the Load".
Because making a co-production means that both sides rely on each other. The Hollywood partners must be their home in North America, and the same in China is Li Yi's home.
Of course, long-term planning is needed to make this a co-production.
Even Li Yi considered whether to involve Huaying.
However, Li Yi soon stopped thinking about this matter. He was not in a hurry. He believed that there would be someone more anxious than him, and Davis was one of them.
Although there are some differences between the feature film "Moving forward with a heavy load" and the "Moving forward with a heavy load" in Li Yi's memory, the difference is not particularly big.
The advantage of making a feature film over a short film is that the antecedents are introduced in more detail.
For example, why the hero Andy’s wife turned into a zombie.
At the beginning of the film, Andy discovers suspected zombies in a sunken ship, but does not tell his wife.
In order to find a razor for Andy, his wife boarded a sunken ship and was bitten by a zombie, which directly led to a series of subsequent tragedies.
As for the subsequent plot, to be honest, Li Yi didn't particularly like it, which is why he didn't want to make a feature film.
It is impossible for a feature film to be like a short film. There is no line in the whole film, and it is impossible not to have subplots. But with the short film in front, when you watch these feature films and add plots, it will seem a bit deliberate.
During Andy's search, he met four people. Li Yi guessed that Alex might want to use these four people to outline a complete picture of the doomsday.
The first grandma represents the situation of vulnerable human beings.
Grandma lives alone in a sanitary sanitation building, with no one to rely on. Like Andy, she is terminally ill and unable to protect herself.
The second middle-aged man is a powerful representative with resources.
He is healthy, strong, and controls a natural gas mine. It can be said that he has no worries about food and clothing.
But in the apocalypse, he was fully aware of his advantages, so he became the king of the mountain, snatched other people's wives, and used kidnapping as bait for zombies.
After killing zombies, you can pick up valuable items from them and wait until the crisis is over to make a fortune.
Andy's daughter could actually survive and even live well if she stayed there.
But Andy made a choice for his daughter: he could not let his daughter grow up in the hands of such a person.
This comes from a father’s instinct to protect his children.
The third was a suicidal father.
He did not have the "responsibility" that Andy shouldered, so he chose the simplest and most effective way to end his life in the zombie world.
It may also be the easiest decision for most ordinary people to make.
Obviously, none of these three people can raise their daughter well for Andy.
The fourth person took over Andy's daughter.
It was an aboriginal girl. She used the viscera she picked up to lead Andy to send her daughter to the primitive aboriginal tribe.
Li Yi felt that this kind of "the backlash of civilization has burned modern society to the ground, and primitive tribes are the last piece of pure land" must be Alex's idea.
But this may not be a big deal in other zombie movies, but here, it’s the opposite!
Li Yi felt that maybe Alex had his own ideas about the appearance of indigenous girls and primitive tribes, but he felt that it was a bit... off topic and wanted to give the movie more thinking and show some Discussions about human nature in the last days, etc., have actually weakened the most critical theme of the movie, fatherly love!
In Li Yi's view, the biggest highlight of "Carrying the Burden" is that you still have to protect your children even if you die. No matter how many other things are added, it will not make the movie better than the short film.
After all, the film's script was based on a short film.
It's just an old problem of short films adapted into feature films, which also exists in this movie, that is, the plot will become lengthy.
At the same time, there is another major drawback of short film adaptations.
Because the final suspense has been revealed, everyone knows that the male protagonist will turn into a zombie and carry his daughter step by step to safety with a wooden stick.
The audience's expectations are greatly reduced during the movie viewing process, and the shock of the final scene will be greatly reduced.
Moreover, despite the warm theme, this movie is unable to stimulate people with bloody scenes or create shocks and shocks. This leads to too few conflict points and the overall film tends to be mediocre.
But as a zombie film that focuses on warmth, it is touching enough in terms of emotional creation.
Li Yi saw that there were many people in the theater with red eyes.
Therefore, this movie may not be as concentrated as the short film, but at least it is above the passing line.
For those who have not seen the short film, watching this movie will make you feel more deeply.
In Li Yi's opinion, this movie may not be a big hit, but profitability will certainly not be a problem.
I just don’t know if Davis Damien will be kind enough to share profits with Goller Films.
