This time, three directors were hired for this themed public welfare film. In fact, to a certain extent, it was recognition, but at the same time, it was also intentional or unintentional to allow the three directors to compete.
After all, when the films of the three are broadcast at the same time, it will be clear at a glance which one is higher and which one is lower.
After Li Yi returned, he did not immediately write the script of the short film he had just "remembered".
Instead, I first found some short films on related topics online and started watching them.
Among them are the public welfare short films about father's love that Zheng Jie made for CCTV in his early years, and the film that Wu Junming shot that won the Tokyo International Film Festival award.
After reading so much content related to the theme of father's love, Li Yi "remembered" something again.
A short film, and several "Father" songs of the same name.
In Li Yi's opinion, the micro-movie of the same name was not outstanding, but the songs on the contrary were really good.
Turning off the computer, Li Yi began to write the script.
The short film that I remember in my previous life was a commercial short film, and it was not in the Mainland style, so some parts still needed to be adjusted.
After writing the script, Li Yi began to close his eyes and imagine what the effect would be if the song was integrated into the short film.
Then he shook his head and decided to wait until the short film was shot before trying it again.
Li Yi didn't plan to use the newly remembered micro-movie, because the filming of the micro-movie was very rough. It can be said that without the song "Father", this micro-movie of the same name would really be just average. After all, this was originally shot. When it comes to making micro-movies, the director is just a newcomer.
Regardless of whether it is a short film or a micro-movie, if you want to shoot with high quality and good quality, you also need to invest a lot, not only in money, but also in technology and people.
But Li Yi didn't need to worry about this at all. Although it was considered voluntary labor this time, and CCTV couldn't give him too much remuneration, Li Yi didn't need to pay for the funds and expenses required for the filming.
Of course, the premise is not to be too exaggerated.
The box office of "Mom Love Me Again" continued to decline without any surprise. Although the downward trend is relatively healthy, the final box office of the movie is estimated to be around 700 million to 800 million.
This is the end point that this movie can reach. In fact, this has a lot to do with the fact that the movie's schedule is not popular enough.
The holiday is too short, and it is difficult for the number of movie viewers to make a big breakthrough during this period.
But even so, Li Yi is already different from what he used to be.
Although Li Yi messed up the first movie, the box office of "The Gift of Room No. 7" exceeded 300 million, and the box office of "Mom Love Me Again" more than doubled and nearly tripled.
It also set a daily box office record for domestic films. With such an achievement, Li Yi is no longer limited to the category of outstanding young directors, nor is he a so-called rising star director, but is vaguely comparable to veteran directors like Wu Junming.
As for the Hong Kong star, He Tiancheng's heart is filled with regret. If it weren't for the lack of people's hearts and greed at the beginning, then where would the now-famous company get the chance to get Oceanwide Pictures?
It can be said that the biggest profits from the success of "Mom Love Me Again" are not only Li Yi, but also the starring actors Wen Qing, Lin Jinrong, and Yu Binbin, followed by Oceanwide Films.
Although the distribution share is relatively low, the box office of "Mom Love Me Again" is high enough. More importantly, Fanhai Film and Television can be said to have once again proved the company's distribution capabilities.
The biggest benefit that Mu Nanxing gets is that he can get more support from his father and the resources of Oceanwide Cinemas.
Of course, there is a hidden worry, and that is Li Yi!
Among the domestic film and television distribution companies, which one does not have a fixed cooperative relationship between the director and the film and television company?
Many of them are even invested and issued by themselves.
In this regard, Oceanwide Film and Television's foundation is still far from enough.
The success of "Mom Love Me Again" made Li Yi a real star.
If others can think of "Gift from Room No. 7" as a result of Li Yi's good luck, then the success of "Mom Love Me Again" can no longer be described as luck.
Therefore, there are many people who are thinking about Li Yi. After all, Li Yi is too young, and it can be said that Li Yi does not have a real stable cooperative company at present.
As for Oceanwide Film and Television? In the eyes of many people in really big companies, it was just a helpless choice made by Li Yi before he really rose to prominence.
Of course Mu Nanxing has a very sense of crisis, because he knows that the development of Oceanwide Film and Television seems to be going smoothly, but everything is just a castle in the air.
If Li Yi is no longer willing to choose to cooperate with Oceanwide Films once the next movie is made, then Oceanwide Films will be brought back to its original shape without saying a word, but it will be almost the same.
For this reason, Mu Nanxing came to visit today to completely solve this problem.
In fact, Mu Nanxing's worries are not unreasonable. In fact, after "Mom Love Me Again" set a daily box office record, several mainland private film and television spoilers extended an olive branch to Li Yi.
These include Times Light and Shadow and Universal Film and Television.
However, they were only conducting preliminary experiments and did not take any substantive action.
Although Mu Nanxing didn't know these things, he could guess them.
"Why is Mr. Mu here free?" Li Yi smiled and welcomed Mu Nanxing in.
"What? You're not welcome?" Mu Nanxing and Li Yi have cooperated twice and are considered old friends, so they are relatively casual.
"It's not very welcome. You're not a beauty!" Li Yi said with a smile.
"Haha, okay, I do have something important to talk to Director Li about this time." Mu Nanxing did not continue joking with Li Yi, but went straight to the point.
"Oh? Something important?" Li Yi was a little confused.
"Look at this!" Mu Nanxing took out a document and put it in front of Li Yi and said.
Li Yi picked it up with some doubts.
It’s actually a share transfer agreement!
Share transfer agreement of Fanhai Film and Television.
The transfer amount is 30%, and the transfer amount is a symbolic 1 yuan!
Although Li Yi was a little surprised, he quickly understood the purpose of Mu Nanxing's move.
"Does Oceanwide Video belong to you now?" Li Yi asked curiously.
Speaking of this, Mu Nanxing couldn't help but laugh and said: "After "The Gift of Room No. 7", didn't you ask me to show you the sincerity and strength of Fanhai Film and Television? So, I won't smash it. I didn’t have enough funds to expand channels, but the Oceanwide Cinema Group was naturally unwilling, so I simply asked my dad to borrow a sum of funds, and then acquired all the shares of Oceanwide Films in Oceanwide Cinemas.”
Li Yi pondered for a moment. To be honest, Mu Nanxing was indeed sincere.
Of course, this share transfer agreement is not only about the transfer of shares, but also includes additional clauses, that is, Fanhai Film and Television will have 30% priority in all future films directed by Li Yi.
Li Yi did not agree to Mu Nanxing immediately, but said that he still needed to think about it.
Although Mu Nanxing was anxious about this, she had no other choice!
After sending Mu Nanxing away, Li Yi didn't expect that his father Li Zhenye would come to the door with Ji Qiu Sheng.
