"No, don't tell me that you want to cause trouble."
Luo Shiyao was a little anxious.
"The Three-Body Problem" has just started airing, and the first five episodes have been released, which has made everyone excited.
You suddenly said, this song has a profound meaning?
But obviously, Li Jinglin didn't want to explain anything.
Instead, he smiled slightly and abruptly changed the subject.
He asked himself with a mysterious face.
"Yao Yao, do you know what an excellent tragedy is?"
"What?"
Although Luo Shiyao knew.
But Luo Shiyao said she didn't want to know.
"An excellent tragedy is one that tries its best to portray beauty."
"Give a carrier unparalleled beauty, beloved purity, and enviable clarity."
"Then."
Li Jinglin smiled and used his hands hard.
"Tear it into pieces again!"
"Just as true despair is not destruction, but the experience of strong, but actually false, hope before destruction."
"Beautiful brokenness is a tragedy, but without hope, how can there be despair?"
"You can stop talking!"
Luo Shiyao felt her eyes go dark.
I never expected that Li Jinglin would say this.
I didn't expect that he would engage in such ruthless work from the beginning.
Even if she didn't know what the Three-Body Problem was talking about, Luo Shiyao would still vaguely feel it.
Brother Lin is definitely not holding anything back.
Seeing Luo Shiyao's unwillingness to accept it, Li Jinglin knew clearly that his attempt was at least logically successful.
Wang Miao, who faced the challenge from the "farmer" and faced fear and the unknown, had such a tall image.
And everything seems to be full of hope.
It seems that even in the article, it is written that "bugs have never been truly defeated."
In reality?
If we widen our perspective to the entire Three-Body Trilogy, the entire universe.
This is undoubtedly a magnificent epic of the ant's struggle, but it is also a helpless tragedy of the ant's struggle.
The hope brought by Wang Miao.
It represents the success of the guzheng project and greater hope.
But soon, Tomoko will shatter all these excitements.
This creates a heightened sense of despair.
However, mankind's unwillingness to admit defeat will inject cardiotonic drugs again until Luo Ji appears.
Use the theory of the dark forest to establish an era of deterrence.
It seems like another victory, bringing greater hope to mankind.
But in the end?
Da Liu hid until the third part of The Three-Body Problem, and then he truly revealed his greater despair.
The astonishing theory of the Dark Forest is nothing more than a child's play in which both sides of the battlefield shot and accidentally exposed the signal corpsmen.
The weapons used by a true god-level civilization are the laws of physics, nature, and even mathematics.
The universe is dying.
This is despair and insignificance again and again.
This song is really too positive and too high-spirited.
But in fact, almost everyone doesn’t know it.
This song was originally called "Two-Way Foil Dimensionality Reduction Strike".
Under a kind of high spirit, under a kind of vigorous and passionate courage.
However, an unknown cleaner from a higher civilization, in the most casual manner, took out the most economical cleaning weapon "two-way foil" and announced the end of the solar system in an understatement.
Under struggle.
Only one ship equipped with a warp drive, two women, escaped the solar system.
The original text even describes.
[It’s too late to even look for another man]
Right at the end of the music "Two-Way Foil Dimension Reduction Strike".
It is a transformation of music.
With tenacity and hard work, the music continues to rise, but it is constantly being distorted, beaten, becoming intermittent, and deviating from the original key.
The decline in sound quality is a manifestation of a three-dimensional decline in two dimensions.
It seems that he is constantly leaving this world and being slapped flat.
True.
Ask any ordinary music producer to describe the destruction of a dimensionality reduction strike.
It may be thrilling, overwhelming, or a description of human despair.
But this way of creation actually pays too much attention to the surface.
There is no pattern and depth, and it is even more difficult to describe a poetic feeling on a cosmic scale.
Yes, poetic.
The destruction of the solar system is a catastrophe for mankind, but in fact, it is poetic from the perspective of the entire cosmic civilization.
The fall of dimensions is a microcosm of the death of the entire universe.
Pure emotional rendering is naturally not a problem for Li Jinglin, but if you want to upgrade the emotional rendering and bring a deeper level of "creepyness" to the audience, you will obviously need special skills.
If you can hide the tail section well.
And in all the previous inspiring sections of hope, this music is used to turn it into a unique imagery symbol.
The emotional impact that can have is simply too explosive.
Take it out separately.
It fully adapts to the scene, and already has a considerable degree of strength and progress, and it also has a sense of hope and high spirits.
And when it comes to real destruction, it will be used like this.
Not much, just once.
The previous efforts will appear extremely pale and ridiculous.
This is the insignificance and humbleness of human beings under the scale of the universe.
Although Luo Shiyao didn't know the internal logic here.
But I am fully aware of the "terrible" nature of such an operation.
It's as if an author created a popular and cute heroine that everyone loves.
Everyone else is enjoying the cure, only the author is thinking "how should I kill her?"
He has even thought of the worst way to kill someone!
Everyone will find this kind of processing great, very subtle, and can really sublimate depth.
But everyone will also feel that it is very devilish and very innocent.
"It's over. I suddenly feel so annoyed and uncomfortable."
Luo Shiyao's mentality collapsed.
Who knows what Li Jinglin would want to do.
If you don't know, you will be very curious and itchy, and you can probably know that what is going on will be quite explosive, and your mood will obviously be greatly affected.
But once you know it, maybe if you continue watching "The Three-Body Problem", you won't feel the same way you do now.
"Don't worry, there's no need."
Li Jinglin laughed heartily.
However, this cheerfulness seemed extremely unbeatable in Luo Shiyao's eyes.
"Because "The Three-Body Problem" is not a chicken-blooded book."
Li Jinglin's words could barely calm Luo Shiyao down.
This film is grand and atmospheric, and is full of a cosmic mystery. The shock it can bring is far beyond what can be summarized by chicken blood.
"In fact, the processing of music also contains some of my thoughts on "The Three-Body Problem"."
Li Jinglin sighed.
"After reading "The Three-Body Problem", I suddenly felt that everything seemed not so important anymore, even survival and destruction. This came from the feeling of powerlessness and insignificance when facing the starry sky."
"But after you calm down, you will feel that the ordinary details in life seem so precious again."
"Perhaps this is the unique charm of "The Three-Body Problem"."
Speaking of which.
Li Jinglin shook his head.
Luo Shiyao also seemed to understand why Li Jinglin could handle the situation normally.
But it seems to have a lot of deep meaning.
"At least, in terms of music processing, I don't want to use common, common, or even simple music processing methods to describe such a profound story."
"Otherwise, such perfunctory behavior will make me feel that I am insulting the film."
respect.
In the soundtrack industry.
One creator, respect for another creator.
It will be an important factor affecting the quality of the soundtrack.
This is why when Li Jinglin chooses a soundtrack business, he first thinks about whether he is interested in it.
It’s different from other industries.
If the art industry lacks love and interest and works purely for the sake of work, then the works will inevitably have no soul.
"That is to say, you are not just composing a score based on a TV series, nor are you simply depicting an event."
Luo Shiyao nodded thoughtfully.
"You are conceiving the logic and scoring it from the perspective of the entire work of the "Three-Body" trilogy."
It is also the work of Da Liu.
But actually.
The content and ideas elaborated in "Three-Body" and "The Wandering Earth" are not exactly the same.
"The Wandering Earth" also has civil strife, and the coexistence of hope and despair.
The big event before the ending is also betrayal, suspicion, and the binary opposition between emotion and reason.
But actually?
The future of "The Wandering Earth", from the perspective of human destiny, is actually full of hope and not gloomy.
Therefore, if you are doing the soundtrack for "The Wandering Earth", it is not suitable to make too many twists and turns.
But what about "The Three-Body Problem"?
Very different.
Humanity is almost gone, the Trisolarans are almost gone, and probably the entire universe is gone.
There may be hope as well, but the hope in "The Three-Body Problem" seems much more elusive.
"You're so angry, I shouldn't have asked you more."
Luo Shiyao's face fell.
I don't know what expression to make at this time.
My heart is somewhat heavy.
It can only be said that Li Jinglin's "spoilers" reveal too much information.
"what is this?"
Li Jinglin rolled his eyes.
Not just disapproval.
I even felt that my sarcastic and sarcastic foreshadowing was a bit too gentle.
"Your favorite Elden Ring."
"Stop talking!"
Luo Shiyao suddenly became furious.
He tightly covered Li Jinglin's mouth.
Let Li Jinglin stop spoiling the story.
Otherwise, it is very likely that when you play the genuine product, you will feel completely different.
"Okay, okay, then I won't say anything."
Li Jinglin curled his lips, feeling that he had lost a lot of fun.
There is a way.
Spoilers are fun for a while, spoilers are fun all the time.
The joy of breaking the news has begun to bury itself deep in Li Jinglin's heart.
The temptation brought by teasing his girlfriend + spoilers made Li Jinglin really want to whisper in Luo Shiyao's ear something like, "Did you know? Your favorite XX died in the end, and he died so miserably." ." Such words.
Then he began to admire the seismic expression in his girlfriend’s pupils.
Of course, there is no rush at all.
It is entirely possible for her to go up and make up for it after the official start, when she breaks the defense.
This is [since it is born, then it will be born to the end].
It was not the Singer civilization that hit the solar system with dimensionality reduction, as mentioned in the article.
It was originally expected to be destroyed in two years, but the cleanup crews of Singer Civilization discovered that someone had taken action in advance.
This leads to the concept of cleaning up dangerous civilizations in the article: "No matter how fast you are, there will be someone faster than you."
The two-way foil that destroyed the solar system was not launched by the Singing Civilization. The one launched by the Singing Civilization is still on the way, and an unknown civilization took action in advance.
This also shows the strangeness of the dark battle in the universe.
I read a lot of articles on the Internet about the Three-Body Problem, but they were either cloud-based or I didn’t read them seriously.
It seems that many people think that the singer civilization is the one that has dealt a blow to the dimensionality reduction of the solar system.
But in fact it is not, the original text is very clear.
(End of chapter)
