Naya's office building, late at night.
The Son parked his car in the parking lot on the north side of the building.
Turning off the engine, turning off the lights, and opening the car door, she picked up a folded paper airplane from the passenger seat, walked out of the car door, and closed it.
Walking to the Naya office building, Shengzi looked at the office hall through the huge glass door.
In the hall, a little boy holding a clapper board had been waiting at the door, waving to her, as if he had known she was coming here, and seemed to have known her a long time ago.
The Holy Son was a little confused. He recalled on what occasion he had met the little boy, but he couldn't remember it.
Looking at the paper airplane in her hand, an idea suddenly popped up in Shengzi's head - she should go inside the building and take a look. That's where the person she likes works every day. Why can't she go?
The Son strode towards the office building.
The little boy showed a surprised look, then ran forward, opened his hands, and blocked the way. The slate extended his blocking area. He motioned for her to leave as quickly as possible.
The Holy Son smiled at the little boy, walked around him, and walked forward firmly.
…
In an office building across the street from Naya's office.
Midori, the investigator who is on duty tonight to monitor the situation in Naya's office, is sitting on the sofa next to the coffee table doing a jigsaw puzzle.
This puzzle is so large that it can hardly fit on the entire coffee table.
It is a peripheral product of "Playthings" produced by Naya Agency——
A still of Naya walking barefoot and expressionless in the fire of hell after she was resurrected from the dead.
This still has recently become popular across the country and has become a symbol of the goddess of revenge. It is said that many young actors who were bullied in the entertainment industry bought it back and kept it at home as a talisman. Industry legends are very effective - because the situation of female artists with hidden rules has almost disappeared in this country.
Midori only managed about one-sixth of the puzzle and was at an impasse - it took a long time to find the puzzle piece for Naya's toe.
"Asshole," Midori said, "If I know that some unscrupulous profiteers gave me defective products, they will be dead."
Next to the window, there is a standing telescope. Midori's assistant was lying in front of the telescope, observing Naya's office opposite.
Assistant: "Oh my god...oh my god..."
Midoriko continued to puzzle the map carefully.
Assistant: "Oh my God..."
Then, he repeated oh my God more than ten times.
Midoriko was still immersed in the puzzle: "What the hell are you doing? What's going on?"
Assistant: "Sir, come and take a look. A reckless woman broke into Naya's office!"
Midoriko finally raised his head: "Who?"
Assistant: "It seems to be Lord Bee's assistant - the Holy Son."
Midoriko: "Intern investigators like us can't be called 'adult' yet. I've told you so many times, but you've forgotten about it?"
Assistant: "I made a mistake, it's the bee investigator! Miss Seiko, the assistant of the bee investigator, is walking towards the building of Naya's office."
Midoriko stood up from the coffee table and walked towards the window.
The assistant quickly moved away from the standing telescope.
Midoriko picked up another high-power telescope from the window sill: "No, I can just use this one."
Assistant: "Yes!" He immediately lay down in front of the upright telescope and continued observing.
Midori's eyes passed through the high-powered telescope and fell on the back of the Holy Son at the entrance of Naya's office.
…
Almost at the same time that the Holy Son walked into the door of the building, the members of the Weird Alliance hurried out of the elevator and stairs one by one——
The grandmother on crutches, the three split-body Fujinos holding three books respectively, the boss of the office Naya, the daughter of Seiko's colleague at Jing'an Police Station, Yasui Haruka, a beautiful woman in a red dress, all the time Nobuhiko Kumada carrying a camera...
"Rebirth of the Great Era of Fighting Waves"
The Son saw them and walked in with firm steps.
At this time, the cell phone in Fujino's pocket suddenly rang.
He took out his mobile phone and answered the video call.
What was displayed on the screen was the face of Mamoru Yoshida, who was at Toto TV at that time. He took out a piece of paper and showed it to Fujino, the split-body man. On the paper was written:
[Mr. Fujino: Since you were my assistant at Toto TV, please point the camera at Miss Seiko. Thank you! 】
Fujino looked disappointed and clicked the button to turn the camera impatiently.
On the other side of the camera, Mamoru Yoshida drew a thick horizontal bar under the word "Thank you" and shook it vigorously. Then, he looked at the Holy Son with wide eyes. At the same time, I picked up a pen and wrote a few words in my script inspiration notebook.
Outside the building, the taxi driver hurried back in his car. He parked the car in a panic on the side of the road without taking out the keys. He slammed the car door with a bang and ran towards the office lobby.
He opened the door and happened to see the Son and the Monsters in the hall, looking at each other with curious eyes.
This was the first time for Shengzi to see so many weirdos gathered in one place. She was a little worried, but mostly excited.
Holy Son: "Where is the director? Where is the director? I have something to say to him."
The weirdos all looked upstairs.
Nobuhiko Kumada put the camera down from his shoulder, held it in his hand, and raised his finger toward Seiko with his other hand. Then, he strode into the stairs on the side of the hall.
The Holy Son understood immediately and followed his footsteps.
The woman in the red dress was filled with anger, and she stretched out her hands to try to stop the Holy Son.
The taxi driver and another transparent humanoid grotesque pulled her aside.
Seiko continued to move forward and soon caught up with Nobuhiko Kumada. At this time, Kumada Nobuhiko had already reached the stairs on the second floor.
The faces of the grotesques all had expressions of excitement or annoyance, and they followed the Holy Son in large numbers.
Soon, Nobuhiko Kumada came to an office in the middle of the second floor. There was a sign hanging at the door, which read in regular handwriting: Director's Office.
The Son walked to the door and planned to knock on the door.
Kumada Nobuhiko shook his head, got ahead of her, stretched out his hand, and pushed the door open.
In the room, on a desk, the faceless director was looking through a certain script. Hearing the sound of the door, he turned around, and immediately saw the Holy Son, and couldn't help but stay where he was.
Holy Son: "Can I come in? Mr. Director."
The director lowered his head, found a piece of paper from the table, and quickly wrote on it: [You shouldn't come to this kind of place]
The Holy Son looked at the handwriting on it carefully: "Okay, after you turned into a weirdo, even the handwriting will be different. Is it to prevent others from seeing your true face?"
The director shook the piece of paper with the words "You shouldn't come to this place" vigorously.
Holy Son: "Why?"
The director buried his head in writing, then picked up the paper, which read: [Have you never heard of the legend that the monster in this building will turn intruders into the opposite sex? 】
Holy Son: "Are you referring to the detective from Dongdu?"
Director: [Besides, it’s hard to change back]
The Holy Son closed his eyes and looked like he was being slaughtered: "Great, then you can change."
Although the director had a mask on his face, the Holy Son could feel his surprise.
Shengzi opened his eyes and looked at the director stubbornly: "The person I like doesn't like me, and I don't want to be a woman anymore."
