In the dark cellar, Ogata Daisaku trembled all over and hid his body, walking towards the depths of the cellar.
Through his field of vision, with the dim oil light in the corridor, Gu Xing noticed the reliefs and murals on both sides of the cellar - the carvings were very fine, the painting skills were superb, and the details were so lifelike that people naturally thought they were from The hand of a master.
Gu Xing roughly counted and found that there were a total of eight places on the cellar wall, of which five were murals and three were reliefs.
He ordered Daisaku Ogata to move closer to the first relief to see as clearly as possible.
Daisaku Ogata had a look of fear on his face, but finally succumbed to Gu Xing's power and leaned over.
Seeing the full picture of the relief, Gu Xing was also a little frightened - the relief carved a rather strange monster, half of its body was made of white withered bones, its face glowed with a green light; the other half of its body was that of a young woman, A gentle smile on her face.
The skeletal half of the body held a bleeding heart in its hand. There were bite marks on the heart, and the corners of the monster's mouth were stained with blood. Looking at the soles of the monster's feet, there were men lying everywhere with big holes in their chests, and half-bitten hearts scattered all over the floor.
Even with the help of Ogata Daisaku's perspective, Gu Xing could see a bloody aura coming towards his face.
Ogata Daisaku continued walking down, and the next part of the wall was a mural. It was raining in the painting. In a certain apartment building, a woman who was so beautiful that it was difficult to describe in words was standing in a house holding an oil-paper umbrella. Knock on the door.
Gu Xing recognized at a glance that the woman was Qiu Hui, the rain girl who had made trouble in the Nara apartment. The corridor behind her was filled with the ghosts of men with dull eyes and numb expressions. They tried hard to get closer to the Rain Girl, but they could never get close.
The line of ghosts has been lined up from the corridor, filling the stairway, and then lined up at the door of the apartment. Even the outside is full of ghosts, densely packed, a mountain of souls and a sea of souls, and there is no way to pass. Every ghost looks at it numbly and confused. Rain Girl's direction was as if the apartment building couldn't block their view.
People passing by here in the middle of the night can't see the lost souls all over the place, and the cold passes through their bodies...
Dong Er: [So, Qiu Hui also walked out of this cellar? 】
Gu Xing: "Think about that night, there were all these guys standing in the corridor, it was really scary."
Then looking down, among the remaining four murals, one depicts a woman wearing a kimono walking alone in the heavy snow. The sky is filled with heavy snow, surrounded by frozen corpses, and the heavy snow covers the corpses. Faintly...
One painting shows a woman with a beautiful face on one half and dense red eyes on the other half. She held a square box in her hand. When she opened the box, a trace of black mist slowly floated out...
There is also a painting of a girl in black holding a little boy walking under a streetlight. The girl looked back inadvertently and glanced at the streetlights behind her. Under each streetlight, there stood a ghost with a miserable face, looking pitifully at the black Clothed girl.
The last mural depicts Sakurako. In the painting, she is sitting on her sofa, watching an advertisement on the TV with an expressionless face. The living room, dining room, kitchen, study room, and bedroom are full of split-body men with several bloodshot eyes...
Gu Xing instructed Daisaku Ogata to continue looking down, and the last two he saw were:
One of them is Spider-Woman with eight legs on her back, a huge and round belly, and she is surrounded by a huge spider web. Looking at the dense spider webs, there are many corpses hanging on them. Some are missing arms and legs, some have their heads chewed off, and some only have a mutilated skeleton left.
Another relief shows several scenes that seem to be in motion. The protagonist of the relief is a woman with nine tails on her back and wearing a fox mask.
Although he couldn't see the woman's expression clearly, he could clearly feel the woman's aura and aura. She stood in a desolate wasteland, surrounded by thousands of troops. Although the soldiers were outnumbered and each held a weapon, they all looked at the woman with fear in their eyes.
The soldiers also invited thousands of monks, magicians, and onmyojis to stand in front of the formation to suppress the woman's momentum.
The onmyojis activated colorful barriers and summoned hundreds of powerful shikigami to trap the woman, but she was beaten to pieces with her three tails.
The monks formed a demon-suppressing formation, used chains flying in the sky to bind Tamamo Mae, and then used scriptures to build a cage to seal it off.
The mighty army swarmed up towards Tamamo-mae. Tamamo-mae raised its ninth tail, and a sinister yellow air spat out from it... The monks and onmyojis who formed the formation fell to the ground one after another and died... The woman screamed wildly Howling, the soldiers had splitting headaches and lay on the ground vomiting blood...
After seeing all the reliefs and murals, Ogata Daisaku refused to stay in the cellar no matter what, so Gu Xing had no choice but to allow him to escape.
Gu Xing hid in the corner of Karasawa Makoto's living room, recalling the horrific scene he just saw in the cave. It is obvious that every mural and relief represents a real grotesque. But why are some displayed in the form of murals and others carved into reliefs?
Among the eight reliefs and murals, Gu Xing knew that Yunu and Yingzi had caused trouble in the world, so was the same true for the other six grotesques?
Cave 2: [Ame and Sakurako have one thing in common]
Gu Xing: "I guess what you want to say is not that they are all beautiful."
Cave 2: [Of course]
Gu Xing: "They are all shown in the form of murals in the cave?"
Dong Er: [Yes, so...]
Gu Xing: "So, you mean, showing them in the form of murals means that they have already exercised rules in the human world?"
Cave 2: [Be bolder, I guess, they were also in trouble in the past]
Gu Xing: "Changing from reliefs to murals means they have walked out of the cave?"
Cave 2: [Very possible]
Gu Xing: "In other words, several other murals, including the snow girl, the woman with red eyes on half her face, and the girl in black with the little boy, have all walked out of this cave, right? "
Cave 2: [Well, it seems like the only ones left in this cave are the Skeleton Girl, the Spider Girl, and the nine-tailed fox girl]
Gu Xing: "Tell me, could the opponent that Dong Yi mentioned that I have not defeated after several reincarnations be among them?"
