The director is well aware of the righteousness and fully understands the intention of the members of the Weird Alliance to help Naya make a movie - this will not only improve Naya's weirdness level, but also all the members participating in the filming will benefit without killing innocent people. Ordinary humans.
Except for the aloof grandma Satomi, who can refuse such a temptation? Even Kubo Shoichi, who was carrying the exit code in Naya Hell, also sent an application to Gu Xing to participate in the filming.
After being rejected by the director, Kubo took out all his dissatisfaction on the serial killer.
He was no longer satisfied with only receiving one demon and monster at a time. Without Naya's permission, he tampered with the words on the wooden sign at the door and added content about the scope of business - entertaining guests day and night, 3-5 people at a time, and supporting group visits. and group buying business.
"brute!"
The mouth dragon let out painful wails and hysterical curses, "You can go to trouble anyone who has the ability to cause you trouble!"
Shoichi Kubo changed the numbers on the wooden sign to 5-10 at a time, then hid in the closet in the corner of the reception room, opened a small crack, and used peeping to repair the inner trauma caused by being rejected by the director.
Exit Yong cursed again, and the monsters came in in groups and blocked his mouth.
The director was worried that filming the movie would involve him in the weird rules of Yoshida Mamoru and Midorito Rie. But Naya, the film producer, reassured him-filming is one of Naya's complicated rules, and the level is very high. The people being photographed, namely Mamoru Yoshida and Rie Midorito, had no objection to the exposure of personal privacy.
"So, that is to say," the director said, "when Ye Ying sneaked into Midori Rie's house just now, we were actually able to go in like a movie?"
Midorito Toshiro's answer is: It's a forbidden area, at least for now.
"Give me a close-up of the face!"
Under the direction of the director, Nobuhiko Kumada manipulated the camera to slowly push towards Midori Rie who was applying makeup.
Since falling in love with the art of filmmaking, Nobuhiko Kumada has devoted all his passion to it.
He gradually forgot about his entangled love or friendship with Dalin Doji and Hanaoka Yuki during his lifetime. The number of times he stood on the balcony of Gu Xing's apartment and stared at the moon in melancholy became less and less.
He spent all day lying on the computer in an office in Naya's office building, learning the common sense and techniques of film shooting. He also bought more than ten film shooting reference books from the Internet and immersed himself in reading them.
In order to improve the quality of picture shooting, he upgraded the equipment at his own expense. He got tripods, large swing arms, small swing arms, camera rails, wires, drones, etc. from nowhere.
He not only taught himself shooting techniques such as follow focus, focus, modulation, focus separation, light measurement, and side lighting, but also learned stunts such as high-speed photography, slow-speed photography, microphotography, stopping and reshooting, and multiple exposures.
He taught Fujino how to light, taught Eijiro Kita and Haruka Yasui how to control the camera to complete multi-camera shooting, and even taught Yosuke Kita to complete aerial shooting while hanging on a wire.
In addition to self-study, he also purchased several reference books for Gu Xing online, such as "The Art of Film Directing", "Secrets of Film", "Understanding Movies", and "Introduction to Classic Film Theory", urging the director to improve his guidance skills as soon as possible to keep up with his continuous Improved shooting capabilities.
He also bought "Actor's Self-cultivation" for the eccentrics and urged them to improve their acting skills in preparation for participating in performances at any time.
At this moment, he controlled the camera with a large crane and slowly advanced towards the green friend Rie.
After giving a close-up of the face, the director prompted Nobuhiko Kumada to switch the camera to the first perspective of Midori Rie, using a subjective lens to show the weird atmosphere in the station. After receiving the instruction, Kumada Nobuhiko instantly felt that the atmosphere in the camera had changed drastically, and gave a thumbs up to the director to encourage him to do this kind of magic touch more times.
After Midori Toyo finished putting on her makeup, the station announcement sounded, reminding her that the N7001 train from Lidu to Dongdu at 1:05 in the morning was about to start ticket checking.
In fact, all trains at Lidu Railway Station have been suspended during this time, and the staff at the radio station had been persuaded to leave by the Lidu Bizarre Investigation Section earlier. The sound being broadcast at this moment and the train about to depart may come from another place. world.
Midori Rie stood up, and the world she saw was completely different from what the investigators saw——
This is a train station with walls covered with snake-shaped vines, the walls are greenish gray, and the appearance and interior are somewhat of a European medieval castle style. The waiting hall is full, filled with passengers waiting to take the train. They come from different worlds. Even different time and space.
They come in various shapes and strange appearances, and some of the passengers look like they have not even appeared in all the literature and fantasies in human history. What they have in common is that they all contain huge energy in their bodies, but they have to try to remain restrained and restrained under the gaze of the station guards wearing bronze armor and swimming in mid-air.
The only person present who was shocked was the director.
When the camera switched to Midori Rie's perspective, the director saw everything Midori Rie saw on the public screen used to monitor the photography effects:
There are all kinds of strange gods and demons with devil horns, tentacles all over their bodies, standing, walking around with their long tails, or sitting on giant benches. Many demons were reading a newspaper with a rather plain layout. The words on it had never been seen before by the director, and they looked like the footprints of a lizard.
Some demons queued up in front of the moss-covered, gray-brick ticket window. From time to time, the sloth-like conductor slowly poked his head out of the window and warned the ticket buyers in a slow tone. Don't make any noise, otherwise it will affect the conductor's speed in giving change.
The director had seen demons similar to those here in the hell he built for Naya. At that time, he thought that those demons came from the descriptions in his essays and never existed in reality. What I see and hear now seems to be the dark humor of the Creator.
When the director looked away from the public screen, what he saw was an ordinary Lidu train station that was no different from usual. In the empty waiting hall, Midori Rie walked to the platform alone.
Beside them, the members of the Weird Alliance were performing their duties intently, as if they were used to this.
Nobuhiko Kumada noticed the director who was both visually and cognitively impacted. He frowned, controlled the camera's rocker with one hand, and waved it at him with the other, reminding the director to pay full attention when filming.
A thought came to the director's mind: Would the film crew's blatant filming offend these demons? Naya told him, don't worry, these are completely two worlds.
So, the director turned his attention back to the public screen——
Green friend Rie Hui has arrived at the platform and queued up in the long waiting queue according to the carriage number indicated on the train ticket. Her body looks particularly petite among all the tall demon gods. From time to time, the devil lowered his head and looked back at her, with curiosity that could not be hidden in his eyes.
Just before the train was about to enter the station, the director finally recovered from the shock and confusion, directed the entire filming crew to move to the platform, and directed Nobuhiko Kumada to move the camera to the other side——
Thick train tracks passed through the side of the castle. There was a giant train as big as a small mountain at the front, making a low and thick roar of "Woooooooo-", and the chimney like a giant pillar spit out billowing black smoke. It lingered over the station for a long time, as if dark clouds were shrouding it...
"It's time for her to get in the car," the director murmured.
－－－－－－Digression－－－－－
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