The investigators from Dongdu discussed it and agreed that it was almost impossible to steal the doll when Midori Tori was at home.
"We might as well lure the green friend Tori out,"
When he said this, Fox looked out the window in the direction of Lidu City and squinted his eyes - investigators in Dongdu all know that Fox always likes to squint his eyes with a faint smile on his lips.
In fact, his eyes were very large but rarely fully opened. Once it opens, it means someone is going to be unlucky.
"Now that she can leave home and go to Lidu Police Headquarters, she can leave a second time."
As for the method of luring the green friend Li Hui out, the fox also came up with quite feasible suggestions——
At present, the only weirdo who has contact with Midori Rie is Mamoru Yoshida. It should be the only feasible way for Yoshida Mamoru to guide Midori Rie to leave home, or even leave Lidu.
Considering that the guest is working as an assistant in Mamoru Yoshida's studio, the task of seducing the green friend Rie out of the house is left to the guest.
"First save the survivors, then you," Fukaya personally sent a message to the guests, "We will never give up on every investigator."
The guest replied:
[I will find a way, just save the living - that's it for now, I'm doing pretty well on the radio]
[By the way, next time remember to bring a coffee machine, some decaf coffee beans, a treadmill, dumbbells, and the few unfinished books on my bookshelf]
Fukaya understood what the guest was thinking deep down: he did not want any investigators or assistants at the East Police Station to die at the hands of Mamoru Yoshida because of him, so he deliberately showed himself to be enjoying it.
This is also the reason why the guest's code name is the guest - he not only loves life, but is also extremely compassionate and willing to think about everyone. He is deeply loved by everyone wherever he goes. This is also the reason why none of the investigators in Dongdu are unwilling to rescue him.
After receiving the task, the guests thought hard about the solution.
During the time he spent with Mamoru Yoshida, he gradually figured out some of the other person's habits and temperament, such as——
Mamoru Yoshida lives in a secret room at the back of the studio that may have once been a cloakroom.
The space in the secret room is narrow, about two square meters, only enough for a folding bed. When Mamoru Yoshida is not working, he spends most of his time lying in bed looking at his phone.
His mobile phone never needs to be charged, but he pays his phone bills on time every month. Guests have heard voice prompts that he has been charged.
As for what Mamoru Yoshida is watching every day, the guests don’t know. Most likely a horror story - something Mamoru Yoshida would look to for inspiration.
Every morning at 5:45, Mamoru Yoshida gets up on time. At that time, the guests are also awake, but they deliberately close their eyes and secretly observe Mamoru Yoshida's actions.
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After completing this set of actions such as rinsing his mouth, washing his face, and shaving, Mamoru Yoshida will come to the desk in the studio, open a thick notebook, and scribble on it.
In fact, those graffiti were not meaningless. They were the prototype of the story Mamoru Yoshida told that night.
After finishing graffiti, Mamoru Yoshida would throw the notebook to the "sleeping" guest, and hit him on the head with a bang. Then, throughout the day, the guests sorted out these graffiti depicting messy scenes and combined them into a horror story with vivid plots, vivid characters, and bizarre grotesques.
"This kind of work should be left to [writers], professional counterparts!"
The guests complained like this more than once. But if the writer really replaces him, the guests will definitely feel uncomfortable.
After a long period of observation and thinking, the guest finally gave up the idea of directly persuading Mamoru Yoshida to extend a guest invitation to Midori Tori. He decided to take a long-term approach and proceed step by step——
He plans to start from the prototype of the story that he compiles every day. While keeping Mamoru Yoshida's ideological framework unchanged, he will carefully add some details and personal items to the plot and narrative of the story that can optimize the plot and deepen the characters.
After Yoshida Mamoru gradually adapts to his modifications and improvements, the guests will borrow the lines of the protagonist of the story in a certain day's story to send a hint of invitation to Midori Rie to come to Tokyo for a gathering.
The guest's improvement of the story was not a rash move. He consulted a professional [writer] for this purpose. The two discussed and considered every detail in the chat box, striving to make the changes seamless.
The guest's plan is progressing smoothly. Mamoru Yoshida is very satisfied with his and the writer's adaptation, and even mercifully allows the guest to dine at the same table with him - Mamoru Yoshida orders takeout all year round, and the guest has delicious food specially sent by the investigators. , no day is the same.
"I can just eat whatever I want." The guest once told the investigators and friends, but everyone's reply was: "How can we bear to see you cold and hungry?"
Yoshida Mamoru tried the guest's food with great interest. From then on, he never ordered takeout from the Internet again, and never smashed the notebook with which he had scribbled on the guest's head - he put it on the table, waiting for the guest to get up. Then go get it yourself.
The guest did it again, and he even became Mamoru Yoshida's guest in a real sense - from then on, every night when hosting the show, Mamoru Yoshida would invite the guest to sit aside, take the script, and from time to time he would comment on the characters in the story. The supporting actors have voices. Occasionally, it is also paired with women.
Later, guests and writers began to make more substantial adaptations of Yoshida Mamoru's doodles. There is no doubt that the story has become more exciting, and Mamoru Yoshida is full of praise for it.
Until one day, the guest opened the notebook with graffiti and saw the male host sitting in the studio hosting the show in the opening picture. He immediately understood that the opportunity had come.
Mamoru Yoshida originally wanted to tell the story of a radio host who received a mysterious phone call and was involved in a ghost story incident. After repeated deliberation with the writer, the guest changed it to a radio listener named Midori who fell in love with I met a male host with a very magnetic voice. Late one night, after listening to the program I listened to on time every day, I suddenly had the idea of wanting to meet the male host...
After Mamoru Yoshida got this story, he became very strange. Sometimes he was silent without saying a word, and sometimes he walked back and forth in the studio excitedly. The invisible force of rules was scurrying back and forth in the closed space. The guests once thought they were Life was at stake, but Mamoru Yoshida finally sat down at the table again and spent an entire afternoon revising the guest and writer's first draft in detail, and named the story "Radio Host".
When the story was finalized, Mamoru Yoshida showed it to the guest again, and the guest shared it with the writer. The two investigators were deeply shocked and agreed that the story Mamoru Yoshida had revised was fuller in emotion and the characters were more realistic. The plot is even more absurd, and it can be an entry for any literary award.
"Get ready,"
Soon, the guest sent "Radio Host" to Shen Gu and reminded him:
…
——————
Please move on to the rest of this chapter. The writer continues while talking.
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－－－－－－Digression－－－－－
(The following continues from above)
"Get ready,"
Soon, the guest sent "Radio Host" to Shen Gu and reminded him:
"I have a hunch that Midori Rie will definitely come out of the house tonight."
