Hoshino Sora's little life was quite fulfilling. He would get up at five o'clock every morning and do handstand push-ups, warm up for an hour, then stand on two kettlebells and step on the horse for an hour, then hold the desk, curl up his legs, and hang his chin over the table. For half an hour, I finally pretended to get up, washed my face, brushed my teeth and had breakfast.
When he got to school, he never sat on a chair during class. He always relied on the horse step instead. Of course, after doing the horse step, the proportion between the body and the tabletop would be inconsistent, which would be very troublesome for writing and the like. For this reason, he put the pot on the chair. I hid the kettlebell in my schoolbag and took it to school. I stepped on the kettlebell and did horse steps. This way, the height was just right, almost like sitting on a chair normally.
During recess, he would drag Shinichi to the playground for a handstand run, but Shinichi would not run with him. He would only go around the playground like a salesman to promote the Shinku combination and look for business.
At noon, during lunch, Hoshino Sora not only eats his own lunch, but also helps Shinichi with the unfinished dishes. This alone is of course not enough. Fortunately, elementary school lunches can be refilled. , and thanks to Miss Yuanzi, the quality of school lunches has improved by more than three levels compared to previous years.
After lunch, Hoshino Sora will take a break. After a meal, he usually does not exercise.
In the afternoon, repeat the exercise in the morning. Of course, the focus will be slightly different. For example, in the same horse stance, there is a big difference between landing with the soles of the feet with the center of gravity on the heels and landing with the toes with the center of gravity on the toes.
After school, after accompanying my sister and Shinichi home, I immediately ran to Xiaolan's house to have dinner, finished my meal quickly, and then rushed home while it was still light to have my second dinner.
Well, modern society pays attention to eating less and more meals to be nutritious and healthy. Hoshino Sora has also done this.
This is Sora Hoshino's daily routine at school, and during weekends and holidays, he will also do more various exercises, such as underwater training and so on.
On this day, Saturday afternoon, Hoshino Kongwa, who had returned from special training, still couldn't stop and started dancing in his yard with a stick. On the surface, he is imitating Sun Wukong, but in fact, he is exercising through imitation. When his mother wasn't paying attention, he would hang one end of the stick on the horizontal bar, then grab the other narrow end and do one-handed pull-ups.
Ordinary pull-ups are no longer difficult at all. You have to change the tricks to make it more difficult, either by bearing weight or increasing the technical difficulty. Now at home, if you can't bear weight openly, you can only increase the technical difficulty.
It's a pity, my mother is chatting with friends in the yard now, and the modified pull-ups are not easy to do either.
"Well, inspiration is like this. Sometimes I can't think of anything even if I think about it, but sometimes inspiration comes like a tide after I sleep." Hoshino Chizuru sat on the chair and took a sip of coffee, comforting her. The clear Qingshan on the opposite side.
Aoyama Ming is a young man with a beard and not too young, about thirty years old, with a pair of dark circles under his eyes. It can be seen that he often stays up late recently.
He is Hoshino Chizuru's friend, and he is the cartoonist she discovered. Recently, his cartoon has been completed, but his new work is still unavailable. It's not that he doesn't want to draw, it's just that he has no inspiration.
If a cartoonist has no inspiration, unless he is the kind of cartoonist who has been famous for a long time and can eat one work for a lifetime, otherwise he will only be shattered by the cruel reality.
It's a pity that Akira Aoyama only has one work with little success, and he is a budding cartoonist. Once he runs out of inspiration, there are only two ways to go forward. One is to give up being a cartoonist, and the other is to learn from others. Other popular comic themes have to be bravely created.
Obviously, he didn't want to choose either path. He is an ambitious person with drawing skills. It is his dream to become a top cartoonist and draw national-level cartoons that are popular in the streets.
But this dream...
Qingshan Ming touched his head with receding hairline, sighed and shook his head.
Suddenly, he was attracted by Hoshino Sora, who was playing tricks on the side, and he stared blankly. At this moment, something seemed to be opened in his mind.
Seeing this, Chizuru Hoshino smiled helplessly: "Ever since Akong became obsessed with Journey to the West in the Rabbit Country, he has been holding a stick all day long and calling himself the Monkey King, the Monkey King. This kid is really..."
Suddenly, as if struck by thunder, Qingshan Ming was shocked, and something strange appeared in his eyes. He waved, hit his right fist on his left palm, and shouted happily: "I have it, I have it!"
"..." Hoshino Chizuru subconsciously looked at his belly and then down.
"Sister Qianhe, I have an idea!" Akira Qingshan shouted excitedly.
"Ha, I said that inspiration is a very mysterious thing, so let's hear what the subject is." Hoshino Chizuru was also very happy.
Qingshan Ming couldn't wait to say: "Well, that's the case. I just saw Akong's handsome dance stick and the Journey to the West you just mentioned, so my inspiration burst out. I thought about it, and I'll take it The themes of the comics that come out are adventure themes..."
"Wait, Journey to the West?" Hoshino Chizuru couldn't help but frowned, "You want to create a Journey to the West type of comics? I must remind you that this type of comics is already bad, and there are many comics of this type every year appear, and then how many of them can actually become popular?”
"Sister Qianhe, I understand, please listen to my thoughts first." Akira Aoyama calmed down, looked at Hoshino Sora, who was waving tigers and winds, and said slowly, "I plan to use Akong as the prototype, combined with Based on the characteristics of Sun Wukong in Journey to the West, create a work with passion, friendship, adventure, and hard work! This work completely breaks away from the traditional framework of Journey to the West. I plan to incorporate fighting elements into it, starting with the protagonist Sun Wukong, and his companions. A story about growing up through adventures and fighting against bad guys."
Hoshino Chizuru listened attentively. When he finished speaking, he was silent for a while and said, "Just be fair. If you think about it, just create."
In fact, there are a lot of comics of this type on the market. Even if they are covered with the skin of Journey to the West, it is still unknown whether they can succeed. But if there is no better idea, it is okay to create it like this. Maybe it will become a hit because of some settings and plot.
Well, it’s not that easy to make a hit. The cartoonists under the senior editors don’t have many hit works, and they all rely on time to accumulate.
"By the way, since it's an adventure theme, what's the adventure for? Treasure? Or something else?"
Regarding this question, Qingshan Ming thought for a while and said: "In Journey to the West, Monk Tang and his disciples are seeking the true scriptures. The purpose of obtaining the true scriptures is to save all living beings. To save all living beings is to realize wishes... Yes, to realize wishes. ! Sun Wukong and his friends take risks for props that can make wishes come true, such as items like Aladdin’s magic lamp. Now, Dragon Ball! How about Dragon Ball? Doesn’t the Rabbit Kingdom worship dragons? Then replace the djinn with a dragon, and use When the dragon balls replace the magic lamp, wouldn’t such an adventure be born?”
Hoshino Chizuru: "..."
It feels like a hodgepodge, and I don’t know if it will work?
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