The layout of the houses here basically replicates the original shape of the Stargazing House on Qiu Chudao.
Ahead is a courtyard with a closed door, but judging from its shape, it is just a relief carved from rock, not a real courtyard gate.
A huge space should have been hollowed out here, and a complex of Qiu Chudao's Stargazing House was built.
The biggest difference is that there is such a vertical hole in the center of the pavilion.
And where the pool should have been, there was flat land.
I paid more attention to the hole I drilled, and suddenly I thought that when the water pool in the balcony of the Stargazer House overflowed with water, there was no water overflowing into the shadow house. I should have taken advantage of the terrain here and made use of the horizontal surface and the connecting pipe. principle.
Before the water in the pool was drained, this hole should have been a well connected with the pool in Yangzhai.
After walking down the pavilion, I subconsciously looked up. The top of the dark Yin Mansion should have been specially treated. It was all made of tiled ore. The top of the ore was inlaid with a lot of reflective gravel, just like the stars in the night sky. There is also a pattern of nine stars in a row.
I sighed in my heart!
After a while, I didn't waste any time and started searching the house.
After a cursory look at the other houses outside, I saw that they were just like normal stargazing houses, and I didn't find anything.
Finally, I entered a corridor in the house. Sure enough, in this Yin House, there is also a room with books just like the Yang House.
However, the door of this room is a bit more complicated. It is a stone door with a groove on it. The shape of the groove is roughly that of the token.
Without hesitation, I took off the token and embedded it in it.
The stone door clicked and shook.
I easily put it on and pushed it a little harder, and it slid about a distance to the left.
The dark room came into my sight.
However, the layout here is very different from the stargazing house in Yangzhai.
This room in Yangzhai is filled with Qiu Chudao's collection of books.
In the room of the Yin Mansion, there were no bookshelves. The room was empty, but there were many desks on the edge.
What's more important is that in the center of the room, there is a chair, and the statue of Qiu Chudao is still sitting on the chair.
Beside the statue of Qiu Chudao, a statue of a woman squatted.
She wears a flowing cloud bun high on her head, and the long hair under the bun is spread to her waist, which is a very typical ancient dress.
The shoehorned face was slightly tilted, as if looking up at Qiu Chudao.
Qiu Chudao put his hands on his knees, with a long wooden box placed on top of them.
This is also a box made of chestnut wood, with a talisman affixed to it.
I was shocked, is this what I am looking for?
I walked into the room and stared at the door with my peripheral vision. If the stone door showed signs of closing, I would escape immediately, but the stone door did not move.
I walked all the way to the statue of Qiu Chudao, and the statue of a woman with a shoehorn face was already close to me. The appearance of this statue is much more refined, and its facial features and expression are all lifelike.
This also allowed me to tell that the statue was not engraved on a bun girl. Although her face resembled a bun girl, she had a pair of red phoenix eyes, slightly raised eye tails, a straight nose bridge, and round cherry lips.
I have seen the statue of the bun girl and the face of the bun girl. The specific facial features and expression are still quite different from the current statue.
After my thoughts calmed down, I also thought about a more important point, that is, the existence of Qiu Chudao and the existence of Bun Niang are not at the same time point.
Although I don’t know the details, Qiu Chudao is at least four to five hundred years old.
But the bun girl became famous a hundred years ago. At that time, she was in her thirties. She was famous for her love of facial expressions and her great achievements in film and television.
The details of this are really impossible to know if there is no record.
Looking away from the woman's statue, I focused on the long wooden box.
The talisman paper on the wooden box is very complicated. It starts with the word "pardon", and below it is the word "Zhan". Below the word "Zhan" is another word "jie". The word "jie" is stretched to about half of the entire rune, and ends with the word "corpse". .
I hesitated for a moment, then reached out and carefully opened the rune. I was very careful not to damage it. I rolled it up carefully and put it into my pocket, and then removed the wooden box from the box. Qiu Chudao picked up the statue with both hands.
The thin chestnut box was not very heavy. After opening the runes, I found some fonts engraved on the box. Although the fonts were small, the vigorous writing of Qiu Chudao still showed through the handwriting.
"If the king of the subjugated country wants to kill him with his seal, he must be killed by Shang Fang and his horse sword, and his body must be placed on Zhonglong Fenji Mountain."
My eyelids trembled slightly as I murmured this passage and engraved it in my heart.
It seems that Qiu Chudao left nothing in the classics, but at this special moment, he still had some backup plans.
It suddenly occurred to me that the jade seal should be in Liu Sanyuan's hands? How did it end up in the hands of Yang Qingshan?
Moreover, Yang Qingshan also has a white bone sword in his hand. That sword must also belong to the Qiang people.
With my thoughts at this point, I couldn't help but let out a long breath.
I don’t know that this is Yang Qingshan’s tyranny, and he can get the jade seal.
Or is Liu Sanyuan also giving us a chance, and he wants to see who can stand in the end given the same opportunity?