The original floor was made of blue-black floor tiles with complicated and profound patterns, but I didn't look at them carefully.
At this moment, the moonlight falls into the hall, coupled with the candlelight swaying from the candlesticks on both sides.
Under the swaying light, the patterns on the floor tiles actually formed faces...
It was not a simple face. The ground was criss-crossed with patterns and ravines, filled with thick, dark red blood.
The pattern is completely filled with blood, forming a bloody face!
The faces outlined by lines and patterns alone may seem monotonous at first glance, but after a second glance, you will find that each face has different expressions.
Wooden and dull, ferocious and sharp, joyful and sad...
The only thing that is the same is probably that these faces are all men's and there are no women's faces.
This blood obviously appeared not long ago.
The last time we came, there was no such smell of blood, nor did we see these eerie "faces".
Blind Chen's nose twitched and suddenly said: "Sixteen, blood?"
I nodded bravely, lowered my voice and quickly told Blind Chen everything I saw.
Mrs. He looked around. She even squatted on the ground. I quickly reminded her not to touch the blood.
There is corpse head mushroom in the tomb of Bun Niang. God knows if there is that kind of poison in the blood?
Mr. Yin stood at the door and did not move. He urged me to quickly look at the layout of this place and find the acupoint where the fatal position is.
I took a deep breath and tried to calm down.
Judging from Mr. Yin's reaction, he seemed to know where the blood came from.
Shen Ji and Sou Po have been here for so long. Did they trigger some kind of mechanism in Ji Niang's grave?
Or is it Zhang Er and Ma Baoyi?
While thinking about it, I walked quickly towards the corridor that originally led to the bun girl's room.
Blind Chen and Mrs. He followed closely behind me. Before entering the corridor, I glanced at Shen Ji on the other side of the Bagua shelf.
She closed her eyes, and her beautiful face was calm, showing no emotion at all.
As for Shu Po who was kneeling next to her, her eyes were open, and her expression was extremely gloomy.
After entering the corridor, he withdrew his sight and thoughts.
As I walked forward, I quickly sketched the drawing on the fine linen paper.
Along the way to the outside of the room where the bun girl was, I had filled in almost all the missing parts of the drawing.
The remaining deviations are all in size, as well as my lack of detailed understanding of the interior, so there are errors in size. The entire drawing has been completely sketched out!
The bun girl's room is still the same as before.
The screen blocked the connection between the corridor and the room.
Walking past the screen, you can see the carved wooden bed, tables, chairs and tea table at the base of the wall.
The top of the carved wooden bed looked very messy.
The biggest change is the top-to-bottom hole in the center of the house. The roof has been penetrated.
A hanging ladder descended from the entrance of the cave, and the bun girl clearly climbed up from this place!
In my dream at that time, I also climbed this hanging ladder...
My heart was pounding, and I stared at the ladder, feeling an inexplicable thought and desire.
I want to go up there and see the bun girl face to face!
His body shook subconsciously and he wanted to move forward.
At this moment, there was a sudden pain in the wrist.
I came back to my senses with a groan, and there were raccoon bone skewers there.
Mrs. He also raised her hand and pressed my shoulder. Her wrinkled face also looked at the hanging ladder and the hole.
"This ladder is very eerie, don't touch it."
"Is this the Corpse Head Mushroom you were talking about before?" Mrs. He raised the mourning stick in her hand and pointed at the hanging ladder.
Only then did I notice that there were white corpse-head mushrooms in each gap of the hanging ladder. They were too small to be seen at a glance. A lot of goosebumps suddenly appeared on my body. If I touch this, I will definitely be poisoned.
In the dream, my body was covered with corpse-head mushrooms, and the feeling that my skin would fester at the slightest touch is still vivid in my mind.
I was a little further away from the hanging ladder.
"Sixteen, can you find anything else?" Blind Chen suddenly asked.
I hesitated for a moment and shook my head: "I don't know yet. Anyway, this is all too weird. Ma Baoyi and Zhang Er didn't come out either."
"I don't know what kind of medicine they sell in the gourd."
As I finished speaking, I lowered my head and looked at the fine linen paper, but no matter how I looked, I could not tell where the death position was from the distribution of the corridors in the house.
Each room, corridor, is arranged according to a special rule.
There are no actual drawings of this special feature in the Zhai Jing, only some words mentioned.
When I was concentrating on looking at the drawings, Blind Chen and Mrs. He didn't bother me anymore.
Blind Chen stayed by my side, while Mrs. He looked around the room.
I didn't tell her to stop. I couldn't discover all the special features in the bunniang's grave on my own.
Mrs. He is a goddess and has great abilities. She may be able to gain other benefits.
Time flew by and more than ten minutes passed.
Sweat was pouring out from my forehead and rolling down my cheeks in large drops.
I also mentioned the initial discovery in other words in the Zhajing to infer and analyze it one by one.
The pen in my hand stopped several times in the empty spaces in the drawing.
Finally I came to a conclusion...
These empty spaces are not deviations in detail caused by size issues.
I have been studying Zijing for a long time, and I have drawn drawings more than once, including the Feng Shui plate of the compass. I can draw it extremely accurately.
The source of the empty spaces in the drawings is because their location is the gap!
To explain it more deeply, there should be other houses where this gap is.
This bunniang's house is a double-shadow house!
There are yin and yang in the house element, and the own bunniang tomb is the tomb of the yin house.
It looks like this from the outside, and it also looks like it from its usage.
The Yinzhai Tomb is the resting place for coffins and corpses.
I just fell into a self-contradictory cycle of misunderstandings.
The layout of the vitality house versus the absolute fate position will only appear in Yangzhai Feng Shui.
In the Yin House, how can we find the direction of Feng Shui in the Yang House?
But since Mr. Yin has reminded me, it must make sense.
Looking at the internal layout of bunniang's house from the perspective of Yangzhai Feng Shui, there is something missing.
What is missing is exactly where those gaps are. Thinking of them as some rooms is enough to form a house of overlapping shadows.
The entrance to those rooms, or a certain mechanism in the corridor, can only be opened by touching it.
To use a suitable metaphor to describe it, Ji Niang's grave is a bright house, and Dieying house is a dark house.
It is equivalent to yin in light and yang in darkness.
A house with both yin and yang is no longer a simple yin house. If you reverse the yin and yang at the right time, you can turn your bunniang tomb into a yang house.
This is also in line with the meaning of the existence of this house.
After the bun lady emerges, she is no longer a mere corpse.
It's impossible for her to live in a tomb!
The more I thought about it, the clearer it became, but this clarity suddenly made my scalp tingle!
Suddenly I knew where those missing people had gone...
