Under the eaves are green vines, which bind half of the fleeting years.
The wind chime swayed and fell into pieces on the horizon.
The moss on the steps hides the longing.
The snail crawled across, revealing a few slender strands.
The raindrops were scattered on the wall.
As soon as the mist dispersed, it overflowed into the sweetness of flowers.
The water in the pool is too shallow, how can it hold up the accumulation of time.
The wind knife is too blunt to scrape off the old cocoons of time.
The rolling green hills are the pinnacles of delicate beauty.
There are swallows under the eaves in spring, and rain curtains in summer.
The fog is high and far away in autumn, and the winter snow faces us...
After learning from the past, Xi Weiyu no longer thought about how to disturb the enemy with the sound of the piano, but how to use the piano to express emotions and perform the music perfectly.
She chose the song "Spring and Autumn on the String". The soothing and short melody was clear and lively, and it could easily arouse the emotional resonance of others, making it easier to disturb the heartstrings of others.
She only played the piano and did not sing, but every note seemed to be filled with emotions contained in the strings.
The faint sound of the piano enters the heartstrings, and there is no fragrance like osmanthus.
Jiang Yichen was not sure whether the human heart had heart strings, but he was sure that the limbs and the eight extraordinary meridians in the human body were indeed connected to the heart meridians.
He was also certain that after the sound of the piano entered his ears, it seemed to penetrate into his body. The meridians in his body seemed to be attached to the strings. As the strings vibrated, the meridians also vibrated slightly.
The trembling of the meridians drives the trembling of the heart.
If the music is fast and short, the meridians will be like vibrating strings, and the heart will be throbbing.
If the music is soothing and dull, the meridians will be as still as water, and the heart will seem to have suddenly stopped and lost its vitality.
If a person's heart and meridians do not vibrate with their original frequency, their face will never look good, as if their breathing and breathing are all controlled by others. Not only will they not be able to move freely, they may even be in danger of their lives at any time.
Jiang Yichen was still like this after taking the Pulse Protecting Pill. Without the protection of the Pulse Protecting Pill, you can imagine how Feng Liuzi and others would have been at the mercy of others under the sound of the piano.
Fortunately, although the piano was more than ten miles away, under Xi Weiyu's deliberate control, the sound of Jiuxiao Huanpei's piano was transmitted to his cochlea very clearly, and he responded in time.
The song "East Wind Breaks", using slowness to counteract illness, using illness to overcome slowness, unexpectedly stabilized the situation.
After experiencing the initial weakness, Feng Liuzi and others were able to use a little inner strength again to deal with Jiang Yichen.
Yes, it is not easy to bypass Jiang Yichen and stop Xi Weiyu from playing the piano after missing the opportunity.
The most urgent task is to combine the efforts of the four of them to kill Jiang Yichen first.
Normally, among the four people in front of them, Shen Bian and Feng Liuzi could easily take down Jiang Yichen. If Qing Zhang and Die Feng joined forces, they could defeat Jiang Yichen in a hundred rounds and convince them.
But at this moment, a person who can use terrifying swordsmanship without much internal strength is too dangerous, because he is already fighting one against four.
And Jiang Yichen was no longer blindly defensive. He was like a tortoise in a battle between a tortoise and a snake, guarding his territory, refusing to give in an inch, but always looking for good opportunities, hoping to lock in the seven inches of the snake and kill it.
If you can hurt someone, you are a person, and if you can kill someone, you are a person. Regardless of whether you hurt someone or kill someone, it will undoubtedly add weight to their escape.
But whether he wants to hurt someone or kill someone, he must first find the enemy's weakness. Especially when there are many enemies, if he misses a single blow, he himself will be in danger and will no longer be able to take his time. Secondly, Xi Weiyu will be completely exposed to the enemy's sword light. They will not take Xi Weiyu's life, but just kick her piano away, and they can bite his life.
Because he is least affected by the fluctuations in the sound of the piano, Jiang Yichen can concentrate on fighting the enemy. If he can concentrate on fighting the enemy, he can discover the enemy's flaws.
Shen Bian's long whip restrained Jiang Yichen the most, but Shen Bian was the farthest away from Jiang Yichen. Even if his flaw was the greatest, Jiang Yichen could never choose Shen Bian to attack. This would open the door wide and put Xi Weiyu into a crisis.
Feng Liuzi was actually in the worst condition among the four. The jade flute in his hand was supposed to be used to fight against Xi Weiyu, but he didn't dare to use his inner strength rashly, which made his performance very limited. Using the jade flute as a stick, in Jiang Yichen's eyes There is absolutely no threat there.
At first glance, Feng Liuzi had the biggest flaw, but even so, Jiang Yichen could never pick him as his target.
Because the two snakes beside him would never agree and put their master's life in danger. If Jiang Yichen pounced directly on Feng Liuzi, Feng Liuzi would no longer be a flaw, but a bait, the bait for the bait to take the bait.
In this situation, when are the two sides not testing each other?
If whoever makes the first move is not sure of changing the situation, he will only be defeated by the second mover and will be at a disadvantage.
In this way, Jiang Yichen naturally could only place his last hope on Qingzhang and Diefeng. They were the two closest to him and observed their every move most carefully.
He has seen that the two jasper teeth that were originally one body gradually fell into a state of fighting each other under the influence of the sound of the piano, fighting for the sake of war.
As long as they are no longer a complete body, they will not be able to make up for the leak in time if he attacks one of them.
So when the opportunity presented itself, he moved.
I saw Jiang Yichen stabbing out his sword, hitting Diefeng's life gate directly.
Diefeng took his time and did not twist his waist until the sword came to him.
When the waist is twisted, the upper body of the body is also twisted. As expected, it is like a snake, able to twist at will.
In this way, the sword thrust out by Jiang Yichen was originally close to Diefeng's heart, but after being deflected by Diefeng, it ended up on his right shoulder.
As if Jiang Yichen knew that the sword would fail, he immediately changed his thrust into a slash.
It was a bit abrupt and forced to pull back the already executed move "Climbing from the Cliff" midway and then change the move, but Jiang Yichen's stabs showed no sloppiness at all, and it was more like he had already planned it.
However, after Diefeng dodged the stabbing, her eyes were still fixed on the sword in Jiang Yichen's hand, which had never been moved away. How could she not have noticed the change of moves in her subsequent hands? Therefore, her waist still maintained the curvature just now, and she could not move away from it. Avoiding Jiang Yichen's stroke.
Unexpectedly, the hit failed.
hiss!
This is the sound of a sword scratching flesh!
Diefeng was startled, why was there the sound of being hit by a sword even though he was clearly avoiding it.
Looking for the sound, she saw the familiar face three feet away, with a dazzling scratch on her neck.
Before she could be surprised for a moment, the sword with its edge stained with cherry red greeted her again!
Qingzhang died, and Diefeng was in shock for a moment. He knew that he could no longer face the enemy so reluctantly, otherwise, he would be dead soon.
Then she twisted her waist and hurriedly dodged Jiang Yichen's sword in a panic. She had already flown back more than ten feet, and she was separated from Jiang Yichen.
Just at this moment, the whistling wind stopped, no lightning was seen, no thunder was heard, and raindrops pattered on the stone surface.
