I took a deep breath, and seeing Jiang Pan’s focused expression, I didn’t refuse.
Liao Cheng hasn't taken out anything yet, obviously waiting for Jiang Pan to find the dragon first.
In Yin Shu Feng Shui, there is a saying that it takes three years to search for the dragon and ten years to tap the acupuncture points.
A simple Yin Shu practitioner would call Feng Shui exploration the Technique of Phase and Earth.
Looking for the dragon is the foundation, and acupuncture is the most critical part.
The cave entrance below the cave mountain where we are now is the point where vitality flows.
But in the cave mountain, there is an acupoint where vitality comes in and death energy comes out. Sitting in the mountain is the most auspicious.
It is covered by mountains and vegetation, so it is not visible to ordinary people.
This is completely different from Liu Jianshui, where the life and death acupuncture points are in two locations.
Where the life and death acupuncture points are located in the same place, the vitality is usually at the top and the death energy is at the bottom. The death energy will be discharged through the other opening.
This kind of hole is even harder to find.
Tianyuan Xiangshu is as famous as Earth Xiangshu, so Jiang Pan will definitely have no problem finding the dragon's acupuncture point.
Now our situation is considered critical.
In this case, Liao Cheng actually said that Jiang Panxunlong wanted him to do some acupuncture.
This makes me even more curious about the onmyoji of his two gods, Ling Zheng and Zheng.
His acupuncture can actually be faster than Tianyuan Xiangshu?
Is it faster than Dixiangkanyu? !
While thinking about it, Jiang Pan had already walked towards the entrance at the foot of the mountain, and we walked onto this rugged cave mountain.
The road underfoot was difficult to walk on. There were not only rocks, but also many withered and fallen trees and weeds.
Jiang Pan said in a low voice: "Yang Gongpan is the compass passed down from generation to generation in the Tianyuan phase. It is said that the earth phase and Tianyuan have the same origin, but they were separated in the end because of ideas. Tianyuan is based on destiny, with the innate Bagua as the body and the acquired Bagua as the body. For practical purposes. The harmony of the earth and the environment is to embrace all rivers, including the world's feng shui."
"This is what the teacher taught me before. However, in my opinion, Tianyuan is always arrogant, while Dixiang is relatively easy-going."
I was stunned for a moment, I didn't expect Jiang Pan to say this.
What’s more, he didn’t expect that he would actually mention the origin of Tianyuan and Earthly Elements!
As he spoke, Jiang Pan continued walking towards the mountain.
Under the cold moonlight, we gradually walked onto another mountain road.
"Dad told me that the reason why he asked me to learn Tianyuan's physiognomy was because he made a divination. There was a great calamity in Tianyuan, and the inheritance might be interrupted. When the calamity started, there was no one in Tianyuan who could bear the calamity. He asked me to go and deal with it. The calamity will give Tianyuan a chance of survival."
"Dad told me that the reason why he named me Jiang Pan is because there is a gentleman in Tianyuan named Jiang Pan."
After saying this, Jiang Pan looked even more sad.
Obviously, Jiang Pan felt this.
His words made me stunned.
There is a disaster in Tianyuan. Is Jiang Pan the person to deal with it?
Only then did I understand why the arrogant Guo Tianyu chose a descendant of the Dixiang Kanyu lineage to teach Onmyoji.
His protection of Jiang Pan's shortcomings may not only be his own rumored protection of his own shortcomings.
And the protection of those who should be robbed?
From this point of view, Jiang Pan's fate is also related to Ying Jie?
I frowned and my thoughts were racing, but I felt that there might be variables involved.
My master should have calculated at that time that this variable would not affect Jiang Pan's fate, but other variables occurred later, so Jiang Pan's fate was affected?
Is that why he arranged for me to be with Jiang Pan?
I feel like I captured some information.
Jiang Pan suddenly stopped.
He raised his head and looked up, murmuring: "The mountain is the dragon's veins, and the dragon's veins have a main body. This is where the dragon's back is. Brother Liao, it's up to you to tap the acupoints."
I suppressed the rest of my thoughts and looked up.
The moonlight is even colder, and under our feet, there is a slightly raised ridge!
A faint white air shrouded the surroundings, and the remaining rocks and dead trees around them revealed a gray and defeated atmosphere.
This white air is anger!
Theoretically speaking, anger is difficult to see. If it is not a particularly strong place and the anger has not condensed, it will be even more difficult to detect with the naked eye.
The vitality of this cave mountain has long been so weak that it is almost extinct.
The reason why we can see it is related to the lack of vitality here. Maybe it’s also related to the fact that the vitality comes from people? We were all quiet, and Liu Tianqian and Liu Chixin didn't even speak.
Liao Cheng took out something.
It's a completely transparent bottle.
The bottle body is wide, about the size of a palm, and the overall bottle is not high.
I noticed a pale white fish among them. The fish swung its tail and swam its head in one direction.
Liao Cheng then took steps and walked in that direction.
My pupils tightened, I didn't expect that he would tap the acupuncture points in this way.
In Feng Shui, there is a kind of water that surrounds acupoints, called goldfish water.
The method of Feng Shui focuses on water as the top priority, and hiding the wind as the second priority. In the cave, if there is a faint flow of water on the left and right sides, it will meet in the small bright hall in front of the cave. Later generations will notice shrimp whiskers, crab eyes, and goldfish. This is also.
Things are very spiritual, and the aura of Feng Shui land is even stronger, just like a grave grows wood, and wood grows a face. We have seen this scene in Liujian Shuijiangxinzhou.
In the goldfish water, there will also be shrimps, crabs and goldfish accompanying them!
This kind of spiritual creature can be encountered but cannot be sought. After leaving the place where it grows, it will die quickly.
The fish in Liao Cheng's bottle must be the companion fish in the goldfish water. His yin and yang skills of Ling Zheng and Er Shen are really strange!
I'm afraid that water and bottles are rare things.
We walked up the dragon's spine and after walking for some distance, we almost reached the top of the mountain.
Going further, we reached the back of the mountain.
The dragon's spine has begun to be scattered and broken, and the anger in this place is messy and diffused even more.
Liao Cheng lowered his head and stared at the goldfish in the bottle. We walked forward for a while, and he suddenly stopped.
The trees in this place were more messy and looked more dead, with a large pile of shrubs and dead vines covering an area.
But if you look carefully, you will see that where the moonlight shines, there is an entrance going down!
My pupils constricted and my heartbeat speeded up a lot.
If it were daytime, we would definitely not be able to find this entrance.
This is the strange and weird thing about Feng Shui.
If there is a murderous corpse in the tomb, the tomb will be hidden by the aura and will only be visible after dark.
Faintly, some wailing cries for help could still be heard.
Liao Cheng raised his hand, pointed to the entrance in the bush, and said solemnly: "Elder Liu, Taoist Priest Chixin, are at that place."
Liu Tiangan raised his head, squinted his eyes slightly, and murmured: "The evil spirit is not there, has it gone out?"
Jiang Pan said in a low voice: "Go in and take a look first, it's important to save people." As he said that, he was about to move forward, and I quickly followed Jiang Pan.
Liu Tianqian and Liu Chixin are naturally walking further ahead of us.
Liu Chixin even held a copper sword in her hand, and with a swing of the sword, she chopped off the dead trees, vines, and shrubs!
When we arrived at the entrance of the cave, we discovered that it was a tomb...
The entrance of the cave is right in front of the tombstone. It is deep and dark and bottomless...
