Listening to the emcee's enthusiastic introduction and looking at Liu Cixing's indifferent smile in front of him, Zhang Lin couldn't help but feel a feeling of envy growing in his heart.
Even if he is a time traveler, even if he is studying hard with the system~
But the harder he worked, the more he discovered that there was still an insurmountable gap between him and real geniuses.
Just like "Xiao Zhang's Flirting History" created for the [Xingyi Yaji] public account column.
He can use the super memory brought by the fusion of two souls and the enhanced ability to digest knowledge to write down the inspiration in his mind with beautiful writing.
With careful attention, the standard can definitely be guaranteed to be online.
It is simply wishful thinking to reach the level of a milestone like "The Three-Body Problem" that will be famous throughout the ages!
The man in front of me has single-handedly raised Chinese science fiction literature to a world-class level.
Why is the Three-Body Series so popular?
On the one hand, it is because it has important historical significance for the development of Chinese science fiction.
It breaks the traditional model, integrates the essence of Asian culture and world science fiction, and redefines the concept of "hard science fiction".
On the other hand, the text quality of the Three-Body series is also very high.
Liu Cixing's unique ideas, reasonable stage layout, and meticulous plot performance have won widespread praise.
In addition, it also explores deep-seated issues of human civilization in human history, cosmic evolution, and the vast universe, allowing readers to think and understand.
These factors together form the charm of the Three-Body series, attracting the attention and pursuit of a large number of readers.
At this stage, he is still in the stage of piling up rhetoric.
At most, most, because I had the habit of reading a lot of online articles in my previous life, taking into account the enjoyment of the plot.
But in the field of traditional literature, this is a recipe for death.
The same goes for songs.
Nowadays, he can write some saliva songs like a cat and a tiger, but he can't hold back a popular masterpiece.
One percent talent was especially evident in him at this moment.
Of course, this is also related to Zhang Lin's short accumulation time.
But no matter what, Zhang Lin is essentially not linked to genius!
Therefore, when others praised him as a peerless evildoer, he was particularly envious of geniuses such as Liu Cixing and Jay Chou.
On the stage, the school girl emcee's voice suddenly increased: "If we talk about the development of the "Three-Body" IP, it was initially a continuation of the original work and the influence of sharing a science fiction story.
Then in the later process, it started its own wandering journey.
This goes beyond the text, beyond the scope of literature, and becomes a completely new story.
It's like a sudden crack on the ice, unfolding in an unexpected direction.
It crosses the fate of many people.
Or traders who believe in the value of "Three-Body Problem" and are eager to gain profits and reputation from it;
Or a fan of "The Three-Body Problem", reflecting themselves in limited words and infinite imagination.
They eventually became victims, beneficiaries, survivors or bystanders of the development of the "Three-Body" IP. "
After a pause, the female emcee said: "Revolving around the "Three-Body" IP, there are competitions, trade-offs, games of human nature, and even death.
It has intertextuality with the plot in "The Three-Body Problem".
As Zhang Lin, a well-known CCTV anchor, said:
"The Three-Body Problem" itself is a science fiction that explores human nature under extreme circumstances.
In the development of the "Three-Body" IP, the cruelty of human nature is always reflected.
So next, let us applaud and invite Liu, Zhang Lin, as well as the director and several leading actors of the "Three-Body" crew, to enter the great spiritual world of "The Three-Body Problem"~"
Hua Hua Hua~~~
Amidst the warm applause, Zhang Lin came to his senses and stepped onto the stage with Da Liu and his group with a smile.
When they stood in a row and bowed to the audience together, thousands of juniors and juniors shouted his name in unison.
What does it mean to overshadow the guest?
That's it.
Looking at each other, Feng Shaofeng felt envious from the bottom of his heart.
The same handsome guy stood next to Zhang Lin, but they were completely ignored!
This sense of disparity made him particularly depressed.
Next, under the control of the emcee, the group sat down on the stage sofa.
Immediately, the directors of the film version of The Three-Body Problem began to talk about their difficulties.
"I remember it was the winter of 2015. One morning, Ding Hui, a participant in the "Three-Body" TV series project, and I went from the capital to a meeting at Youzu Pictures in Shanghai with our colleagues.
Just before departure, there was a heavy snowstorm and the scheduled flight was canceled. We turned around on the airport expressway and rushed to Beijing South Station to take the high-speed rail.
As a result, the high-speed train was also delayed, and even after departure, it ran at a speed of 60 kilometers per hour like a green train.
A group of us struggled until 4 a.m. the next day before finally arriving.
Before the high-speed train departed, I looked out the window and saw only a vast expanse of white. More than 20 centimeters of goose-feather-like snow had accumulated on the ground. The temperature displayed on my phone was minus 12°C, which was the lowest temperature in the history of Beijing at that time. "
Recalling that day, he said in a tone that was sure and as if he was imparting some kind of mystery: "I'll tell you the truth, the Three-Body Problem project was really ill-fated and a bit oppressive."
Zhang Lin had a smile on his face and felt numb in his heart.
In fact, everyone who knows the situation knows it.
The production of this movie was messy, the team coordination was messy, and the money was also messy.
This is evident from an interview in 2015.
"The green screen was messy, the lights were shining randomly, and many scenes were redone after they were made. The special effects director, Zhang Fanfan, and the director of photography often quarreled. Sometimes the special effects scenes were being shot, but the special effects director was not present."
Enlight Media also broke the news.
He said that once they attended a movie viewing party organized by the company.
At that time, Enlight CEO Wang Changtian was sitting in the front row. After watching it, he stood up angrily and said that the film failed and could not be released.
At that time, it was already planned to redo the special effects.
However, after several rounds of evaluation, I still felt that even if all the special effects were redone, it would still be an unqualified product.
Therefore, the "Three-Body" movie was not continued.
It can be said that this movie was not blocked by Longbiao, but by the capitalists themselves.
From this you can predict how bad it is!
However, the main creators still told lies with their eyes open, saying that they had devoted all their efforts in hoping that the movie would be released.
Throughout the whole process, Zhang Lin didn't speak and listened with a smile.
Until the emcee changed the topic and turned to the TV series version of "The Three-Body Problem", which is also the CCTV version of The Three-Body Problem.
This work, led by giants in the domestic television field and leaders in the Internet field, has been criticized and complained about since the film and television news was announced at the 2016 Shangxun Video Film and Television Annual Conference.
Can Goose Factory successfully film "The Three-Body Problem"? What is the future of Chinese science fiction movies?
This argument is now very popular in Xiaopo Station.
At the same time, several screenshots were displayed on the big screen.
Its content is exactly the evaluation of Xiaopozhan netizens.
[Given the current situation of the Goose Factory, it is possible to make money, but it is really embarrassing for him to try his best to make something. ]
[Isn’t Gouchang’s old business plagiarism? [doge] I don’t believe he did it]
[When I heard about Goose Factory? I just said two words to them ~ disgusting]
[Please stop harming the Trisolaran Goose Factory, please [cry loudly]]
[I’m still looking forward to the Netflix version of The Three-Body Problem, I don’t know when it will be released]
[Hua Teng: Wall-facer Liu Cixing, I am your wall-breaker]
[——]
Everyone looked up and saw that the entire screen was filled with content denouncing the Goose Factory.
The notorious goose factory is really inseparable from the hearts of netizens!
That is to say, the symposium will not be broadcast live. Otherwise, Goose Factory's face will be extremely dark after this comment is posted.
Muttering in his heart, Zhang Lin couldn't help but feel a little emotional.
Who would have thought?
The "Three-Body Problem" version of "The Three-Body Problem", which has been criticized and slandered since the project was established, is the most faithful to the original work and the most complete work.
After "Remember My Past Life" was released online, it triggered a viewing frenzy and won widespread applause from all three-body fans across the country.
The most bizarre thing is that the most criticized aspect of this work at the time was its "restoration of the original work".
Some people complained that this TV series was a cut-out adaptation, which pleased the hearts of a large number of fans of the original work and Liu.
"New York Times" TV drama critic Mike Hale opined:
This is a "mediocre work that is faithful to the original work."
The show fails to find a more interesting way to present drama than to have characters repeat lines from the book.
The actors generally didn't give great performances.
Many of the dialogues written by Liu Cixing seem to have been moved directly from the book to the screen.
In the first 20 episodes, most of the main plots are similar to those in the original work.
This made Liu Cixing's fans extremely moved, but it also left some ordinary viewers confused.
In fact, there are differences between film and television works and movies in nature.
Described in words, there is a huge amount of information and room for imagination.
Film and television production requires these imaginary scenes to be realized one by one.
The slow pace of the plot in the early stages, a large number of meaningless flashbacks, and the inability of the film and television language to explain the logic of the plot caused the plot to jump out, which are the most intensive criticisms of this drama from the audience.
In this regard, Zhang Lin wants to say that he is sour!
At this time, the master of ceremonies looked at him and asked: "Senior, what do you think of the film and television version of The Three-Body Problem? Do you have high expectations?"
After a hum, Zhang Lin nodded and said: "To be honest, my opinions are really different from those of netizens.
Don't be surprised, I didn't take the money and it was just a waste of food.
The reason why I like the drama version of "The Three-Body Problem" is because I have met the director of the drama version.
Out of the concern and curiosity of book fans, I chatted with the chief producer Bai Yicong at that time.
He told me that the direction of the shooting had been decided at a planning meeting:
Mainly original works. "
After saying these five words loudly, Zhang Lin smiled and said: "For us book fans, this is enough!"
On the seats below, many students nodded in approval.
They were also part of the army that condemned the Three-Body Problem in Gouchang. Now hearing what Zhang Lin said, they couldn't help but look forward to it.
Of course, the sense of expectation is infinitely close to zero.
Zhang Lin kept saying: “This setting clarifies the direction of the adaptation and unifies the thinking of the main creative staff.
Producer Bai Yicong said that this is actually the wish of the main creator. It is not only worthy of the thickness of the original work, but also makes everyone feel more at ease.
The direction of their photography is exploration and demonstration.
Visiting is a humble gesture of respecting the original work and a conscious spiritual absorption;
Argument is a rational feasibility analysis.
Perhaps in the eyes of many people, the existing adaptation direction is taken for granted, but the platform and the main creator have gone through a long process of exploration. "
Speaking of which, Zhang Lin wanted to talk about the flickering of the universe, the First Emperor's human computer, Mozi's simulator, the production of Sophon, and how to shoot the Judgment Day cut by nano flying blades.
By the way, with CCTV’s backing, Goose Factory doesn’t dare to be too presumptuous.
(End of chapter)
