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After standing at the door to see Liang Cunhou off, Zhang Dai shook his head for some reason, turned around and walked back. He gently took out a bunch of slightly yellowed paper from his bookcase and sat back in his seat.
"The Book of the Stone Chamber states that Emperor Gao of the Han Dynasty's merits surpassed those of Tang and Wushi (this character cannot be identified clearly). Jie, Zhou and Huan suffered so much that the people of his country could not be spread among the four descendants, and our Emperor Gao's merits surpassed those of Yao and Shun..." This paragraph was written by Zhang Dai himself in "The Stone Guild" "Book" Volume 1 is the summary paragraph of the Chronicles of the Great Ancestor, and on his left is the manuscript of the lecture "Cognition of Chinese Civilization".
This manuscript is said to have been written by Liu Xiang, the governor of Guangzhou, who was responsible for Kun Ze. There were many such "Kong Zei documents" in the Liang Mansion, and Zhang Dai had read through many of them. Every time he looked through these documents, he would always think of Mr. Zhao from Hangzhou.
Since Mr. Zhao calmed down the turmoil during the Ghost Festival, he has become a very powerful man in Hangzhou. Taking advantage of the situation, he helped the government quell the rice commotion, and finally gained a firm foothold in Hangzhou. As an important member of the Fushe in Zhejiang, Zhang Dai often interacted with him. I saw a lot of Australian books, newspapers and new gadgets.
"Zhu Yuanzhang belongs to the first group among the founding emperors of the past dynasties who were 'right to win the country'. Without discussing the various legendary emperors in the ancient times of the pre-Qin Dynasty, Zhu Yuanzhang won the country by virtue of his achievements in 'expelling the Tartars and restoring China'. He is the same as Qin Shihuang, Emperor Gaozu of the Han Dynasty was of the same rank... However, in terms of institutional design, due to insufficient knowledge reserves and excessive belief in the violent methods of the state machinery, he not only inherited some bad systems from the Mongolian Yuan Dynasty, but also created many practical Purely taken-for-granted wrong practices in administrative operations, such as..."
Zhang Dai himself highly praised Emperor Gaozu, which had nothing to do with political correctness. From the words and sentences in his "The Book of the Stone Chamber: The Chronicles of Gaozu", we can fully understand the mood of such a brain-dead fan, so when he looked at this comment Kun Ze commented on Zhu Yuanzhang's writing, and he was filled with disgust.
Quickly flipping through his manuscript, he was more concerned about this paragraph: "There are people here who are accustomed to stereotypes, and their hearts have to be careful, their anger has to be humble, their horizons have to be small, their meanings have to be sour, and their shapes have to be... Cold, the intestines have to rot. [.aiquxs.com]... If the eight-part essay is not abolished, the world will not be peaceful!" This is the chapter of "General Theory of the Subject System" that he had just written before going south. The text in it, and Liu Dafu's speech actually quoted it verbatim... Is there a tacit understanding? Damn it... So, how did Liu Dafu know this text? Zhang Dai was really sure that he had not shown these chapters to others.
After looking carefully for the third time, Zhang Dai felt that he had seen some clues again. This article is a manuscript obtained by a certain staff man hired by the fake Kun official who "read it" in the name of "admiration" and then asked for a copy, so some things need to be read carefully to see.
It is obvious that this "quoted" sentence has been written once in the previous paragraph in "Australian", also known as "Newspeak" by Kun people. If this "quoted" sentence is repeated again, it will be repeated. But looking back and forth and comparing the handwriting, this paragraph should be the same as the previous ones. It should be a small sentence written by the fake Kun official in the gaps between the lines of the speech. It's just that the person who copied the first few pages was very careful. All the annotations were copied in a different font. But at the end, it was obvious that the annotations were not in a different font. It must have been the person who copied the book. People are tired of writing and too lazy to think about it. So, was this "quoted" text written by the fake Kun official, or was it said by Liu Dafu during his speech at the conference? Zhang Dai thought for a moment and concluded that it was probably Liu Dafu who said it, because the fake Kun official obviously did not have enough education. For example, in the previous paragraph, the word "Dou" for Empress Dowager Dou was too difficult, so she directly wrote "Old Lady Dou"...
This paragraph was not written in advance, but was blurted out by Liu Dafu on the spot...could it be that there is such a thing as a tacit understanding?
If not... then the Liang family would have been infiltrated by the Kun thieves long ago like a sieve! If this text comes from him, then Kun Ren must have bribed or seduced a servant of the Liang family to read his manuscript. And this servant must have a high status, because he still has to be literate...or maybe...the Liang family has...Zhang Dai felt that he couldn't think about it anymore, he was already scaring himself.
"Alas! Aosong!" Zhang Dai sighed, but he didn't know where he meant it.
After eating two pieces of water chestnut cake and draining the cup of Runshitang herbal tea in his hand, Zhang Dai stared blankly at the Australian-made porcelain cup in his hand.
Zhang Dai, who calls himself Tao'an, is fond of antiques, a rich collector, a fine connoisseur, and has extensive research on porcelain. The Zhang family is the county magistrate of Shaoxing. It is divided into two houses, one for the east and the west. Zhang Dai is the eldest grandson of the eldest son of Xizhang. He loves ceramics and has the financial support of his family, so he can collect some famous utensils at a young age. . Later, Zhang Dai felt that the potters were poor at painting and the porcelain paintings they made were crude, so he decided to start a kiln of his own and create a "Shao Kiln" or "Zhang Kiln". Relying on his family status, he spent his own money and hired old kiln workers from Jingdezhen to build an egg kiln. I still remember the first time I started the fire. It took four days to burn. It was a two-foot-long, bowl-thick piece of high-quality pine firewood. Half of it was dry and aged for more than three years, and the other half was fresh and extremely wet. It cost 45,000 kilograms. However, once the kiln was opened, not only the damaged and cracked ones, but none of the intact ones caught my eye. After firing several kilns in a row, although there were gradually more "perfect" finished products, they still failed to achieve the effect Zhang Dai expected. Due to the large investment, serious initial losses, and unclear market prospects, Zhang Dai was having trouble with his scientific examinations at that time. Gradually, there was a reputation in the family that he was "losing his ambition by playing with things." After his elders severely reprimanded him, the ceramic project was discontinued.
What kind of porcelain does Zhang Dai want? In terms of color, for pure pigments, white must be like salt and snow, green must be like the color of the sky and lake, and red must be like red vermilion and crane top; for glaze, the color must be pure, the drawing exquisite, and the color matching harmonious... What Zhang Dai dislikes the most is the mouth of porcelain. His biggest confusion when playing with porcelain in the past was why these porcelains could not be fully glazed. Even some Song porcelain from the official kiln in the collection was said to be banned in the country at that time. Famous vessels also have a ring of plain body on the rim or bottom, or there are five or six sesame-sized traces on the bottom glaze. This is completely unacceptable in Zhang Dai's opinion.
However, when he opened a kiln and fired porcelain, he discovered that painting on porcelain is much different than painting on paper. Firstly, no matter what the purpose of the porcelain is, it is always roughly round, and it is not easy to paint on a curved surface; secondly, the glaze It is dry and many painting techniques cannot be used at all; the color of the glaze is completely different from the glaze color after firing. The finished effect cannot be seen when painting. For example, blue and white are black and pastels are dark. It all depends on experience. Not to mention that during firing, there are many techniques such as saggers, nails, stacking, and heat, which all affect the shape and quality of the finished product. As for the awning, nail holes, etc., it is known through actual operation that if the awning is not left, or if it is supported with supporting nails, the glaze will be adhered to the sagger.
But the Australian plain porcelain cup in my hand is glazed throughout and shaped like bamboo knots. The outer wall is green like bamboo skin, and the inner wall is yellow like bamboo strips. The bottom of the cup is also glaze-colored, but it is as yellow as bamboo strips on the inner wall. It is completely natural. If you don't play with it, , I'm afraid I really thought it was a cup cut out of a bamboo joint. And after checking over and over again, Zhang Dai could not find any ridges or nail holes.
It is precisely because he has played with porcelain tickets that Zhang Dai can truly appreciate how much knowledge there is - Zhang Dai is not a pedantic person who only despises craftsmanship as "wonderful skills and tricks". After much thought, Zhang Dai couldn't figure out how to make the porcelain in his hand, let alone the rare large lotus leaf plate made from Australian secret kiln bone china that he saw in Liang Wendao's study, facing the light. He could vaguely see his hand behind the plate...
If it is true as what Kun Thief said, they were the queens of Yashan and established their country overseas, and a hundred years after the Central Plains fell, Emperor Gao reestablished China. However, the two sides developed separately. Looking at porcelain, the progress of the Ming Dynasty in the past two hundred years lags far behind that of the Ming Dynasty. Australian Song Dynasty. And if we have to dismiss these as "wonderful skills and obscene skills" and only talk about moral articles, the commentaries on the Thirteen Classics found in Hangzhou Wanbi Bookstore at that time were far ahead of the times. However, judging from Liu Dafu's speeches, this moral article "far ahead of the times" was not the mainstream of thought in Australia and Song Dynasty. "Confucianism has put forward many good suggestions on personal cultivation. It is very helpful for everyone to uphold these Confucian concepts in self-cultivation and interpersonal communication... From the perspective of governing the country, Confucianism is 'Lazy', or escaping from reality. They first assumed a beautiful social form, that is, a society where 'everyone is a gentleman', and then attributed the remaining problems to how to make everyone a gentleman... However, from the perspective of social practice, this is a completely unrealistic plan..." Although Liu Dafu's speech seemed extreme, Zhang Dai could easily read the attitude of these thieves towards Confucianism - one of the hundreds of schools of thought, good at For self-cultivation, not suitable for governing the country.
Not suitable for running a country! The greatest pride of Confucian scholars is that no matter who wins the world, they will always invite "Shangshan Sihao", "Zhuge Liang" and other scholars to rule the world. However, the Song Dynasty said that Confucianism is not suitable for governing the country! Not only did they say what they said and did, but they were also able to manage the territory under their control in an orderly manner. They also heard that on Qiongya Island across the sea, Australia and Song Dynasty not only managed the backcountry in an orderly manner, but could also accommodate dozens of people from all over the world. Under the premise of millions of refugees, Qiongya, which has been a wild and remote place for thousands of years, has become prosperous!
Not only a slap in the face, but also a slap in the face with facts!
I still have to see it, I have to see it with my own eyes! Zhang Dai's determination to go to Lingao was extremely firm at this moment. Mobile phone users please browse and read for a better reading experience.
