Stuck...Take a day off today.
By the way, the reason for Cavan's failure is that he is making up for the original work. Especially when it comes to the Great Rebellion, there are too many things to make up... soul-vomiting.
Then there is my main plot arrangement. Under the premise of knowing the plot, the Great Rebellion has been changed beyond recognition ()
The event that marks the beginning of the great rebellion here will be the Council of Nicaea, but the event that actually determines the difference from the original plot line is [Perfect City].
Because it involves the subsequent core settings and arrangements, I am also currently working on [Religion].
What is certain is that, including my previous arrangement, it must be about religion, and the next few pictures will all involve the issue of how to write about religion.
My religion here is from a secular perspective, and I won’t touch those mysterious and mysterious speculations. This thing is unclear, just like you can’t argue with the sense of morality in the Warhammer world. From the perspective of absolute interests, He does...sometimes it is logical to be inhumane ()
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Then talk about why the Great Rebellion has changed beyond recognition.
For example, in the [Battle of Istvan V], the protagonist and the Emperor can ask each legion to send a Custodian over with a small note in hand. If the loyal legion receives a message from Horus to go to Istvan V After receiving the battle order, the Imperial Guard went directly to the original body and opened the Miaomiao note——
[Don’t go to Istvan V, the Warmaster may rebel. 】
Then you ask, should we fight now? How can we fight now?
Of course, the Four Gods can also counterattack. For example, Horus didn't actually counterattack. The legion who believed in the small note doubted the Warmaster, but in the end it ruined the big thing.
...This is equivalent to trying to trick each other. I predicted your prediction or something.
I didn’t want to do this... so I just rearranged and simplified the Great Rebellion, but it didn’t actually simplify it too much ()
(This way you don’t have to make up a bunch of original works, okay! (No))
And there is Death. When Death 1 came out, my character design of the Emperor completely collapsed. I originally planned to portray him as a cold-blooded tyrant, but who would have thought that Big E would also like his son.
Now Death End 2 will be released soon, and it’s just waiting for translation and slicing, but I guess I won’t be able to wait until 3 to start the Rebellion. By then, there will be some core settings, or the character image will be significantly changed...
A cool song for myself.
In fact, I didn't want to play Wa Banxian at first. The character Wa Banxian suddenly appeared around the time I started the book, and he was very metaphysical. I was originally against him, because after all, I set up a male protagonist here who can do it. Technology side.
But later...when I think about how to arrange a major rebellion...it's so delicious.
(Also, the three artifacts of the Webway appear in the original work, so I thought I would have to make them up myself.)
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Another core difficulty is the Emperor.
His image has been shattered beyond measure. When I watched Perfect City, I wondered why this elder brother treated Luo Jia like this - how could he ever speak well to him?
There is also the Emperor who calls Angron Number Twelve in Lords of Mankind.
Now that I'm writing Perfect City, I have to find a reasonable reason for the Emperor's behavior in the original novel. I'm almost at the point where I'm thinking about it, and I'd also like to thank a Word Bearer brother for his idea.
But there are still many scenes about the emperor later on. I have to create his character image while making his actions have a certain [reasonableness]
(I no longer pursue the image of an emperor who is wise and mighty, and who predicts events like a god. I don’t have the brains)
Let me think about it for a while...
The Emperor in the current book... I intended to write an emotional but at the same time indifferent person, who loved the Primarch - but not that much.
There is love, but not much. (Except for certain Primarchs)
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And Xiao Ma.
If you want me to say it (violent discussion)
We should just knock Magnus unconscious and put him in the stasis field, and then send him back to Terra to use as a power bank. By the way, Tutu would clean up the Thousand Sons, so why do so much trouble?
But it definitely cannot be written like this ()
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There are also perspective arrangements. I currently have a bunch of them here, one is the main plot, one is the aftermath of Mortarion’s incident, and the other is the psychological description and transformation of Curze after the incident.
I'm still thinking about how to arrange this part. Should each part be a separate chapter, or should each chapter be followed by an occasional section from another perspective.
Finally, have a great weekend! Great!
