First of all, I admit that I am a dog.
Woof woof woof.
I had previously sworn in the readership that I was a dog when I read the comments, and the screenshots prove it.
Well, I am a dog, woof woof woof.
Then I wanted to talk about the various rhythms in the book these days.
It’s okay to say that I’m stupid. Maybe I didn’t like what I wrote, or maybe I didn’t see what I wanted to see. That’s understandable.
Let’s talk about it one by one. The first one is about Liu Zhishi being an experientialist.
Oh my god, I'm so fucked.
I remember one reader said something along the lines of, "You can't classify people who fall in love with drama as experientialists, right? Are those who fall in love with dramas all experientialists?"
This is a bit unreasonable.
Regardless of whether it is necessary for the plot, whether Liu Zhishi is an experientialist... I don't know.
Why don't you ask for me.
By the way, I asked Yang Mi if she knew a director named Xu Xin, and then she regretted choosing Liu instead of marrying Xu Xin.
I said in the book that Marlon Brando and Aunt May were experientialists, but some people said they were not experientialists.
emmmmm……
Fine.
"Marlon Brando revolutionized American acting with his experiential and natural acting methods."
These are the original words of the media evaluation during the interview for "Train Named Desire".
As I said before, the experience school is not a particularly high-end performance technique or sect.
Many novice actors like to use experiential tools to get started.
Moreover, no one stipulates that people from the experiential school cannot use things from the method school. As I said, the threshold for the experience school is actually very low. In order to quickly enter the role, newcomers use the substitution method of simulating characters to enter the role. This is a very novice and very correct approach.
You are a newcomer, no one will care what method you use, you just need to meet the director's requirements.
But in recent years, I don’t know why. Touting the experience school as “high-end” and “genius” seems to have become a necessary and correct path.
The experiential school is high-end, Heath Ledger is awesome, the method school is mediocre, and the academic school will never be as good as Ye Luzi...
I don't know where these perceptions come from.
It seems that if you don't destroy your own personality when filming a movie, the movie will have no soul.
If you are not crazy, you would be sorry for the character you played.
But for me, there is no difference between the two.
Acting is something like this. In my humble opinion: in the end, different paths must lead to the same destination.
Of course, everyone’s perception is different. It’s right for the public to say it’s right for the mother-in-law, but there’s no need to take it seriously.
You like cars, I like SUVs, but essentially everyone is driving, so there is no need to hurt each other.
But when it comes to Liu Zhishi, it seems like me saying she has talent has become a treasonous thing.
Well, the creation is based on reality, but it doesn’t mean it has to be consistent with reality. I can’t even slightly change Blind Sister, Blind Sister must follow the original route. What should Yang Mi do here?
After a while, she met Liu while filming, and then she fell in love with the protagonist and abandoned him. Is this consistent with what happened in reality?
What Guo Degang said is quite right.
It's fake.
Everyone else knows it's fake, so why do you think it's true?
Then there are always people who say that the book will collapse after the Olympics.
Said I didn’t know what to write.
Oh, yes, they also said that I habitually take drugs in the middle period.
Fine.
Next time I handwrite the outline myself and lock it in a bank safe... bank safes are not safe, so I just burn it and then die. On July 15th of the Qingming Festival, I got the outline that I personally burned for myself and gave it to myself. Write it down, then reincarnate and continue to add numbers.
It saves my outline being seen and guessed by so many people.
But the problem is that after I thought about it, before the Olympics ended, it seemed that the most criticized person was "Why aren't the Olympics over yet? How long do you plan to write in ink? How many words are there for water?"
How about shutting the Olympics in a box, putting them in a state of quantum mechanics, and calling them Schrödinger's Olympics?
The Olympic Games must end, and it has already ended.
I also said in the book that the Olympic Games are like a safe house, protecting the protagonist from contact with the real entertainment industry. But now that the Olympics are over, he has stepped into the real entertainment industry. This circle has to be bad to be better than bad.
I also said that it was my fault that I didn’t write the chapter two days ago because I couldn’t bear it, which caused the disconnection. But that chapter was a very important turning point.
When a newbie was about to be assimilated by the rules, the master came out and reminded him that others can take this path, but you can also take it if you want to. Fully recharge yourself at school, eat and drink enough before walking.
Then someone said that I eat books.
But I don’t refute this. Who makes me unable to do 20,000 updates a day because of my own inadequacies? Maybe if you say it in one breath, there will be another result.
The third thing is about people saying every day that the plot is not advanced.
I don't know how to define the so-called plot promotion. The wise have different opinions.
I've said in the group before that I don't like the original actor Ying* of Jin Shenghuo, and I think there's something wrong with his character. But it is not appropriate to introduce strife among several circles prematurely.
Moreover, I really think Brother Qianer is quite suitable for this role.
That's why he appears in this plot.
Furthermore, some people criticized me for using the protagonist to sing the "Empty City Plan" which was unpleasant. They said that at the Golden Armor press conference, the protagonist also said that Guo Degang was not suitable to host. They knew clearly that Xu Xin's singing was unpleasant, but they repeatedly came out and said, "Move it." Hit yourself in the foot with a stone.
Nonsense, that was clearly what Yang Mi said, what does it have to do with me, Xu Sanjin!
Furthermore, "The Empty City" is not a simple aria in this play, but a communication signal, the aria of the Leting shadow puppet show.
Xu Xin has no interest in Peking Opera. This was written at the beginning of the book. He can't be disinterested in Peking Opera, but he knows Peking Opera, Ping Opera, and Bangzi like the back of his hand, right?
He can't ask? Not allowed to learn?
And having no talent in singing is a foreshadowing that has already been done during the "Golden Armor" period.
Opera itself is difficult to sing, and I can still hum a few lines when I'm fine. But if you want me to call myself a fanatic, even if it's the lowest level, I don't dare to call myself that.
This thing is so sophisticated, just hum a few words along with it.
But in my own business, if I want to use it in movies, why should I be fooled? Instead of looking for information with a serious attitude?
Okay then...then this stone really hits me in the foot.
There was also the scene yesterday about Lang Lang and Yang Mi staying in a room at home.
How should I put it... I remember that there was an UP owner at Station B who specialized in taking people to see luxury houses, and he was called Uncle Xiao Ai or something.
Probably, a two-story duplex with a flat floor of 600 to 700 square meters is too small and has no sound insulation.
It was too crowded.
There is no room for good friends and good buddies to have a meal at home and get drunk. I don’t want to ask a driver to drive, so I will sleep all night.
There is no room for nannies, dog walkers... Oh, yes, and there is no room for the gardener who can sneak away with the second wife.
I understand, Mr. Yu despises poor people. His family has a luxurious house but they have to use public restrooms.
Understand.
As for the so-called daily life that is too watery, just watch it or something.
It doesn't matter how you look at it, it all comes down to personal preference.
This is not a masterpiece.
There are still people who criticize famous books. Why can't people criticize the author as soon as I throw him into the street?
But I remember a reader said that he still used the teahouse narrative method:
"I want to tell the author and others that I like this story and I like to read it. I am afraid that he will disappear."
I really feel that this reader praises me so much for being able to use this kind of writing structure to express his daily views.
Quite flattering.
grateful.
But I still want to say that this book uses daily life to advance the main line. Under the general framework of the main line of "making movies - box office (award winning) - rising to fame and status", the process in the middle is actually It’s driven by daily routines that definitely don’t stand still.
Of course, some people must talk about daily water, but in the previous chapter, I specifically explained the main purpose of writing these daily stories, so I won’t explain it in the future.
For the author, having no plot advancement is a big no-no.
That is real water.
It's a fool, it's a fool, it's a money trap.
But as far as this book is concerned, Liu Zhishi comes to the daily life of the protagonist's family and the advancement of relationships. Including the controversial "Lang Lang lives in my house" (he really doesn't live there every day, he is a master and very busy), and a series of other daily...
Maybe my writing is not attractive and my writing style is too rubbish.
But some people like to fast-forward when watching movies. Press the fast-forward button without stopping.
Some people like to watch time and pass the time.
Everything is right.
And what I want to say in this single chapter today is also very simple. On the one hand, these words have been in my heart for many days, which made my work and rest become chaotic for a while, and I couldn’t express myself.
On the other hand, I am still the same bus, whether it is fast or slow, the route of the bus remains the same. I welcome you all, but if you can't stay, it's because I don't have the ability.
But just don’t pull the steering wheel.
In today's chapter, a reader said, "I prefer to see the author portray supporting characters like Liu Zhishi in a profile like Xu Daqiang and others."
To be honest, that was my plan from the beginning.
But from the beginning of Zhang Jiao's plot, too many people criticized it. I want to talk about it from this side. If it is not continuous, the remarks about Zhang Jiao's plot of "watering, cheating, and fooling" will reappear.
So I wrote it all in one go.
There is no way, and I also know that without enough foreshadowing, this kind of "confidant friend" plot will be awkward to watch.
But by the time he reacted, it was too late.
So, I got up at around 9 o'clock today, and now at 1:15, I have spent 4 hours reflecting on myself.
Should we be coerced by the market or stick to ourselves?
In the end I chose the latter.
I will write according to my rhythm, my outline, and my story line.
Carefully craft a story.
Regardless of whether you think you saw my outline and thought I would be poisoned in the mid-term. I still feel like I'm cheating money, and the number of words is too low...
No matter what happens, I won't change it.
I have an outline, and I trust my outline. The story I write starts from the outline and gets to the present point bit by bit. It’s not that I gave the outline to ten or a hundred readers and then got their consent before I started writing.
I’m grateful for the support of my readers, without you I wouldn’t be here.
But after being carried along like this, the book is really over.
So, thank you for meeting me and welcome to ride.
But the route of this bus is fixed. I will adjust it according to the traffic conditions, but the route will not change.
Finally, self-hypnotize and shout:
"I'm the bus!"
Sincerely, salute.
Thank you for your understanding and support.
I will not let you down.
