"Ha ha......"
As soon as he saw that the color of the porcelain bottle had faded as soon as he wiped it, Qin Zhiyuan laughed with joy before he finished wiping it completely.
"You see, the color comes off as soon as you wipe it off, and it's still 90 million. It's not worth even 30 yuan..."
But before he finished speaking, his smile gradually became stagnant and turned gray.
Jin Buhuan slowly wiped off the golden coating, revealing the background of the colorful pattern. The more I look at it, the more I feel something is wrong. This color is so bright when it reflects light, but it is not dazzling and very eye-catching.
Everyone's attention was drawn to the porcelain bottle that had been wiped off the golden dragon and coating. It showed a fresh and elegant style. The body color of the porcelain bottle is distinct, and the hard and dense surface reveals a kind of perseverance and elegance. Under the illumination of incandescent lamps, its colored enamel is purer, and when viewed from the side, the slight flash of cyan in the color highlights its delicacy and elegance.
The guests who knew something about porcelain immediately started their own discussions, their voices full of excitement and curiosity. They communicated in various languages and shared their knowledge and insights, making the whole occasion more lively and lively.
"The original appearance of this porcelain vase is hidden in the new coloring, making it impossible to see its true appearance. This is the wonderful use of post-coloring."
“…….What is the post-increased color?”
"Post-glazing is a relatively common method of counterfeiting. The first way of expression is to deglaze the old vessel and add dark flowers, and then apply the glaze and then add color. For example, the old vessel that was deglazed in the Kangxi Dynasty was painted into a three-color style with ink. ."
"The second is to transform old utensils into new varieties. Generally, plain white or blue and white porcelain from the Tang, Song, Yuan, Ming and Qing dynasties are hung with various colors on the back to bring out the old colored utensils. For example, the Chenghua blue and white porcelain is hung on the back Hang red glaze (yòU) to become red glaze (yòU) blue and white porcelain, etc.; it is more common to add color to plain wares in various periods of the Qing Dynasty to change their appearance and become pastel, doucai, enamel, etc. More expensive varieties such as tricolor, ink color, and gold color.”
"The third is that the surface painting of the original object is partially damaged. The painting should be filled in as it is. After being baked in the kiln, the painting will be painted. Generally, red paint will be used more often."
"The technique used on this porcelain bottle, I guess, is the use of a special coating to camouflage the surface, making it difficult for us to see its original color."
"Who has the spare time to disguise this porcelain vase?"
"Then you are ignorant. For example, during the WG period, some collectors disguised the true appearance of porcelain in order to avoid being persecuted. There are also some smugglers who disguised porcelain and smuggled it out of the country in order to make huge profits..."
"Well, according to this, the value of this porcelain bottle may indeed be very high!"
As the paint was gradually removed, the area of the porcelain that was originally hidden underneath was gradually revealed, and everyone could see it more and more clearly. At this time, someone suddenly exclaimed.
"What you said is true, this... this is really a colorful garlic bottle with dragon and phoenix patterns!"
"It's definitely true. I saw a colorful dragon-and-phoenix-patterned garlic vase in the capital before. Its color is exactly the same as this collection. However, the mouth of my bowl is slightly damaged and is not as intact as this one."
"You mentioned a lot of information about this colorful porcelain, but I still want to ask, is it worth 90 million?"
Everyone looked at Jin Buhuan, waiting for him to answer their questions.
For those who are not familiar with the industry, they are just watching the excitement and are confused about the concepts of blue and white, Ge kiln, Ding kiln, Ru kiln, pastels, etc. In fact, they are more concerned about the price of the multicolored porcelain.
Jin Buhuan doesn't beat around the bush, he is not Bai Yueguang's simple and naive person, he also has his own little calculations.
The value and significance of porcelain bottles are comparable to those of real estate in first-tier cities. The craftsmanship and design it represents, as well as the historical and cultural value it carries, are very unique and precious. It is an art form, a cultural symbol, and a historical witness.
Those who can afford high-end collections have always been rich or wealthy. Now that Wang Lingling and I are running Long Qantang in partnership, all the wealthy people present are naturally our potential customers.
Now that he has such an opportunity, of course he must work hard to get these rich people to notice him, make a name for himself, and leave a deep impression on them.
Jin Buhuan said: "The skills of blue and white multicolored porcelain during the Wanli period of the Ming Dynasty have reached the pinnacle of Ming Dynasty art. The characteristics of Wanli blue and white multicolored porcelain are: the carcass is generally thick, loose and has many impurities. The shapes of the vessels are very rich, in addition to the traditional In addition to the shapes of the utensils, there are also some special utensil shapes.”
"In terms of decoration, the sparseness is abandoned, and the main feature is the richness. The utensils are rich in color, with red, yellow, purple, brown, blue, and green as the mainstream, especially the heavy use of red, which is the ultimate royal luxury, but the red color peels off. More.”
"The Wanli Colorful Colors are well-known, deeply cherished at home and abroad, and have won a very high reputation, so they also have great economic value. In the past, they would be dispersed abroad in large quantities, and they have long been familiar to Chinese porcelain lovers all over the world. The Japanese attach great importance to it and regard it as a national treasure, and file every piece of it.”
"The overall shape of the porcelain garlic bottles during the Wanli period was a straight-mouth garlic bottle, with a long neck, sloping shoulders, a round belly, and short foot walls. This style of garlic bottle was basically adopted in subsequent dynasties, and the shape of Wanli's garlic bottles continued to influence the Qing Dynasty. "
"This piece of multicolored porcelain not only shows its own artistic charm, but is more like a historical hymn, telling the glory and changes of the past."
"As for the number of 90 million, I think it is not expensive. If we sell it in a big auction house, and if we meet someone who really knows the business, then spending 100 million will feel like we have found a treasure!"
