Huangquanbi Nara is a mysterious and historical place. Not only does it have a profound cultural heritage, it is also full of rich natural flavor.
As soon as you enter Yosenhinara, you will be shocked by its spectacular scenery. It is a vast land with many ancient buildings standing on it. These buildings are full of historical atmosphere and seem to be telling stories of thousands of years. In this place, time seems to have frozen, allowing people to slowly appreciate the charm of history.
The air is filled with the smell of fresh soil and grass, making people feel as if they are in nature. Surrounded by a dense forest, a variety of birds shuttle among the branches, and their chirps interweave into a beautiful symphony.
A clear river runs through the middle of Yomizumi Hinara. The water flows slowly, reflecting the blue of the sky, as if a silver ribbon divides the entire place in half. The weeping willows hanging low by the river gently stirred the water surface, forming circles of ripples.
Huangquan is more beautiful than Nara at night. The stars twinkle in the dark sky, as if ancient souls are speaking to you. The moonlight shines on the ground, making the whole place look picturesque. The ancient buildings look more solemn in the moonlight, making people feel an incomparable tranquility and serenity.
The appearance of Huang Samsara Spring is unremarkable. It is just a slightly raised rock in the desert. There is a spring as big as a bowl in the center of the rock. But the wonder of it is the spring water. The water seemed to be extracted from the inside of the stone, and its color showed a golden luster, just like lava. This color is not caused by the turbidity of the spring water, but by the minerals rich in the water.
When the sun shines on the spring, the golden spring water will instantly become hot, as if it will melt everything around it. The extremely hot breath seemed to burn even the air. At night, when the sunlight fades, the spring water will gradually cool down and return to its light yellow, clear and transparent color.
There is no vegetation or life around Huang Samsara Spring, only a barren desert and the bones of animals that died of thirst. These skeletons lie quietly around the spring, as if telling stories of people who lost their lives in pursuit of the source of life.
The Yellow Reincarnation Spring is mysterious. It is both the source of life and a harbinger of death. It is a miracle of nature and a warning of nature. Here, you can see the fragility of life and the ruthlessness of nature, and also understand the value of life and the power of nature.
Huangquan Binara is located in the cemetery in Kudan North, Chiyoda District, Tokyo, Japan, and its surrounding areas. This is the exclusive cemetery of the Japanese royal family and an important part of Japanese culture.
The garden scenery of Huangquan Binara is very beautiful. It is a place that combines natural, architectural and cultural landscapes. The garden art design here is exquisite, with different scenery throughout the year. The cherry blossoms are in full bloom in spring, the lotus flowers are in full bloom in summer, the garden is full of red leaves in autumn, and the snow scenery in winter is poetic.
The architecture of Huangquanbi Nara is also very unique. There are many ancient buildings here, such as shrines, Buddhist halls, etc., which are representatives of traditional Japanese architecture. These buildings not only have unique shapes, but also have very special materials. They mostly use natural wood and stone unique to Japan, giving them a simple and natural feeling.
The cultural significance of Huangquan is also very important than that of Nara. This is the resting place of the Japanese royal family and a testimony to Japanese history and culture. There are many mausoleums of Japanese historical celebrities, such as Emperor Meiji and some generals during World War II. The design and construction of these mausoleums represent different stages and development of Japanese culture.
Huangquan Hirazaka is one of the legends in ancient Japanese mythology and one of the important scenes in Japanese mythology. According to the records of "Kojiki", Yomi-Hirazan is a mysterious place and a realm that connects the present world and the Kingdom of Yomi.
Kagutsuchi God is the child of two siblings. His mother Izanami was burned when he was born and later died of illness. The grief-stricken Izanagi decided to go to the Underworld in order to find his wife. However, when he finally arrived in the Underworld, he saw that the body of his wife Izanami had rotted and was covered in maggots. He could not bear the grief and immediately fled the Underworld.
During the escape, Izanagi met the unpredictable Izanami in Hirazaka. They stood opposite the Thousand-Year Stone and talked to each other across the stone. During the conversation, Izanami expressed strong dissatisfaction and resentment, while Izanagi felt guilty and remorseful.
This legend is widely spread in Japan, and Yomi-Hirazan has become an important place in myths and legends. This story reflects the sadness, fear and helplessness that humans feel when faced with loss and separation, while also revealing the deep emotional bonds and care between husband and wife.
In this legend, Ienaki and Ienami are a brother and sister. They are the creation gods in Japanese mythology. In order to give birth to the fire god Kagutsuchi, Ienami gave up his life. In order to bring her body back to the living world, Ienagi went to the Underworld.
In Hirazaka, Ienaki saw Ienami who had turned into a monster. Her body was covered with all kinds of snakes and insects, and her appearance became ugly and terrifying. Ienaki wants to leave this horrible place, but Ienami catches him and makes him a condition: she asks Ienaki to live with her for three years.
In the strange place of Yomi-Hirazaka, Ienaki and Ienami spent a long and lonely time. They live and communicate together, sharing each other's stories and emotions. In the process, Ienami gradually returned to her original beautiful appearance, and Ienaki gradually accepted this reality.
Finally, the three-year period is up, and Ienaki returns to the living world with Ienami. They became the creator gods again and created a new world together. This legend has also become one of the important stories in Japanese mythology and has been passed down to this day.
Yomi-Hirazaka has thus become a terrifying and mysterious place, regarded as an inviolable area. It is said that only those who want to atone for their sins or find long-lost relatives come to this place. However, even these people may not be able to get what they want, because the rule of Yomiharazaka is: only those who come here can leave, but those who leave here cannot come back.
The legend of Huangquan Hirazaka occupies an important position in Fuso culture. It demonstrates the Fuso people's unique understanding of death and the soul. In this legend, death is not the end, but a new beginning, a new world in which people can still be reunited with their loved ones. These concepts make Yoizumi Hirazaka a mysterious and fascinating place.
