Bright Entertainment Company.
In a small conference room.
At this time, two people were discussing issues related to acting.
These two people are Ma Guoliang and Zhou Can.
The protagonist of Mr. Tan's next movie is himself, which is an important opportunity for him, but more importantly, Zhou Can does not want Mr. Tan to be disappointed with his performance.
During the original interview at Bright Entertainment Company, only Mr. Tan was interested in his acting style.
Zhou Can appears to be extremely serious, and he will carefully write down anything that is helpful to his performance in his notebook.
During this period of time, Zhou Can finally understood why so many people called Ma Guoliang a drama fanatic.
He asked many people for advice, and what he gained most was from Ma Guoliang.
Ma Guoliang pays more attention to real experience when acting. Just like when he played the Xiaotian dog in "Lotus Lantern", he observed the dog's every move every day.
"Thank you, Teacher Ma. I will go back today and absorb it well." Zhou Can said.
Ma Guoliang drank some water to moisten his throat and said, "Well, see you later."
Looking at Zhou Can's leaving figure, Ma Guoliang fell into deep thought.
Zhou Can's current performance style can be said to be a bit exaggerated, but it is his performance style that is rare in the entire entertainment industry.
This also makes it difficult for Zhou Can to gain anything from the scenes he takes on.
However, after long-term contact, he found that this kind of performance is quite interesting.
If there is nothing wrong with the way the acting is performed, then the same movie is needed.
Since Mr. Tan plans to let Zhou Can play the protagonist of the next movie, it must be a movie style that is compatible with Zhou Can's performance.
Ma Guoliang has been following Tan Yue for such a long time, and he knows clearly that Mr. Tan never fights an unprepared battle.
Ma Guoliang is also gradually looking forward to Mr. Tan's next movie, wondering whether it will surprise the audience again.
Zhou Can found an empty room and carefully studied some of the acting experiences Ma Guoliang told him.
He was very grateful to Ma Guoliang.
Although following Ma Guoliang was a task assigned to him by Tan Yue.
But after such a long time, he could feel that Ma Guoliang was very attentive and would impart all his useful experience to him.
Moreover, the movie "Garland Under the Mountain" starring Ma Guoliang has just set a new box office record in Chinese film history. His status and status are no longer comparable to those of ordinary actors.
In such an environment, Zhou Can can still take himself so seriously as an actor who is at the bottom of the list of second-tier public figures. Zhou Can respects him from the bottom of his heart.
Zhou Can looked at the densely recorded contents of a notebook, all of which he had recorded during this period of time.
To him, this was wealth that money could not buy.
He once questioned his own performance method and tried to change it.
But other performance methods made him very uncomfortable.
But this time Mr. Tan said that what others needed was his kind of performance that others called exaggerated.
…
…
…
In Tan Yue's office.
Tan Yue sneezed, took out a tissue from the table, and wiped his nose. Tan Yue secretly thought, wondering who was talking about him at this time, maybe it was the crazy female fan mentioned at the front desk? Or maybe it's Momo or Chen Ziyu?
Tan Yue shook his head funnyly, how could he just think of lesbians? Maybe he promised to have a drink with him.
His mind was wandering for a while, which gave him some relaxation. He was really thinking about a lot of things in the past few days, and his mind was spinning so fast that he felt like he was overusing his brain.
"Garlands Under the Mountain" has come to an end, and he can start thinking about the next direction. The general direction has been set, which is to promote Zhou Can as a Stephen Chow-style comedy king.
What Tan Yue is hesitating about now is which of Stephen Chow's movies to shoot. As the king of comedy and a representative of Chinese films, Stephen Chow has starred in and directed too many movies, and the quality of each one is very high, including many. A large number of classics in Chinese-language films.
In particular, Tan Yue not only has to consider the audience and performance of the film in the previous life, but also considers that if the filming techniques and styles of the previous life are copied, then he must consider whether it can achieve great success in this world like the previous life? After all, the two worlds are very different.
The nonsensical style was accepted by many audiences in the previous life on earth, but it does not mean that it will be accepted by the audience in this world. Moreover, even in the previous life, Stephen Chow was not popular from the beginning. His nonsensical style The style was only determined after it slowly became popular.
So what Tan Yue is thinking now is to choose a movie to shoot that is novel and unique but easy to be accepted by audiences around the world.
This requires choosing from Stephen Chow's many representative films.
In his previous life, Tan Yue was a fan of Stephen Chow. Among all the movies shot by Stephen Chow, Tan Yue has only one "The Wind Catcher" that he has not watched, and he has watched all the other movies.
Even Tan Yue now has to admit the excellence of Stephen Chow and his extremely high talent in comedy.
From a certain aspect, Zhou Xingchi is somewhat similar to Ma Guoliang in terms of personality. They are both obsessed with filming and ignore the worldly world.
Some people say that Stephen Chow has a best actor every year and Stephen Chow for a century. Although this may not be accurate, it just illustrates Stephen Chow's status in the hearts of movie fans.
If Stephen Chow is missing from comedy movies, then the entire comedy movie genre will be eclipsed.
"Which movie should I choose?"
Tan Yue crossed his arms over his chest, leaned on the office chair, and thought slowly.
…
…
The next day.
Zhou Can separated from Ma Guoliang again and was walking back, thinking about many things in his mind. During this period, he humbly consulted many veteran actors and seniors in the company to learn how to perform a scene well and how to improve his acting skills faster. Among them, the time he spent learning from Ma Guoliang can be said to be longest.
Zhou Can is grateful for the many things Ma Guoliang gave him during this period. He knows that these are advanced experiences summed up by Ma Guoliang himself. These are treasures that cannot be exchanged for a thousand dollars. Even if Zhou Can breaks them elsewhere, It is also difficult to learn from the head, but it is only Ma Guoliang's character that he does not hide his secrets, so he will give it to him generously.
Ma Guoliang has too many advantages, although he also has many shortcomings, such as being straightforward, dull, not good at social interaction, and easily offending people.
But flaws cannot hide his strengths. In Zhou Can's view, Ma Guoliang has too many things worth learning, and he also learned a lot from Ma Guoliang, which is of great benefit to him. Yes, it can even be used in this life.
After returning to his office, Zhou Can sat behind his desk, thinking about his arrangements for the next period of time.
If it was a month ago, he really wouldn't have thought too much because he had given up on himself. He had never thought about it and would never think about it, that one day he could be the protagonist in Mr. Tan's movie.
Tan Yue came to him some time ago and said that the next movie to be shot will be shot with him as the protagonist.
When he heard the news, Zhou Can was completely stunned. The first thing he felt was confusion, and the second was surprise. He really couldn't imagine why Mr. Tan would choose him to be the protagonist. What are his advantages?
Especially during this time, while studying with Teacher Ma Guoliang, Zhou Can became more and more aware of the huge gap between himself and Teacher Ma Guoliang. Teacher Ma Guoliang can be the protagonist in Mr. Tan’s movie, why should he?
Zhou Can didn't have much contact with Ma Guoliang before, mainly because Ma Guoliang was relatively withdrawn and introverted. He rarely talked to others except after drinking.
In the past, I only knew that Ma Guoliang was very good and had very high acting skills, but now after having been in contact with him for a long time, Zhou Can felt that Ma Guoliang was more and more extraordinary. Now he can be said to be successful, but Ma Guoliang still works hard to practice his acting skills and basic skills.
"I really learned so many useful things from Teacher Ma Guoliang." Zhou Can thought about whether he should find time to invite Ma Guoliang to have a meal together to express his gratitude to him.
I just heard from some friends that Ma Guoliang would become another person after drinking, and he would chatter non-stop, which was very scary.
Ma Guoliang's change was very exciting when he thought about it. Zhou Can felt a little expectant and curious in his heart. Will a person who is usually so dull really become another person after drinking?
…
…
Two days later.
After repeated consideration these days, Tan Yue finally decided to film "The King of Comedy".
Tan Yue stood up, walked to the window, and put his hands in his trouser pockets.
Next page! Current Page 1 / 2 pages in total
, his eyes jumped into the distance, and the general plot of "The King of Comedy" came to his mind.
In the previous life, some people thought that the film "The King of Comedy" tells the story of Yin Tianchou, who has a special liking for comedy, and the dancer Liu Piaopiao, who gradually developed feelings. Later, with the help of Du Juaner, Yin Tianchou finally got the opportunity to play the leading role, but It’s a story about falling into a love triangle with Liu Piaopiao and Du Juaner.
But Tan Yue felt that if it were just a bloody love triangle story, "The King of Comedy" would not be so outstanding, and this movie would not be the pinnacle of director Stephen Chow.
"The King of Comedy" not only depicts the love between Liu Piaopiao and Yin Tianchou, but also the main line of Yin Tianchou's pursuit of his dream. For this autobiographical film, Stephen Chow is showing an unfinished man. The famous little man's hesitation and persistence during the struggle have put a lot of effort into it.
"The King of Comedy" shows a very meticulous directorial style. In this film, even a small supporting role, and even the supporting role of the supporting role, is very brilliant.
For example, in the movie, there is a child in the neighborhood who doesn't wear pants, a girl holding a doll, an old man who sings Cantonese opera in English, Mr. Hong's grandmother, etc.
In "The King of Comedy", Stephen Chow plays the role of Yin Tianchou, an extra who has experienced the hardships of the world but is still obsessed with acting. Through the creation of this role, Stephen Chow showed the audience another side of his acting talent: it turns out that laughter can also bring tears. of.
After thinking about everything about "The King of Comedy", Tan Yue turned around and went back to his desk, opened the drawer, and took out the notebook he had prepared. There are two main ways for him to write scripts now, one is One is written using a computer and the other is written by hand using a notebook.
But now more often, he is still used to combining the two methods. In some places, he uses a computer to create, and in other places, he uses a notebook to write.
"The King of Comedy" can be said to be Stephen Chow's pinnacle work. With this movie, Stephen Chow has truly become recognized as the "King of Comedy", and he can easily win awards.
Tan Yue wrote the outline of "The King of Comedy" in a notebook with a pencil so that he could change it at any time.
The detailed content of the script was quickly typed on the word on the computer. Tan Yue wrote a little slowly, but this was the result he wanted. There was no need to write so fast, and he was not in a hurry.
Now Zhou Can is learning acting skills from Ma Guoliang, and he also needs to give Zhou Can some time to practice slowly, so that he can shoot better during the filming process.
While Tan Yue was writing the script, he recalled in his mind the general plot of the movie "The King of Comedy", as well as the characters and environment in it.
The movie "The King of Comedy" can be said to have brought Stephen Chow's nonsensical style to the extreme. One of the reasons Tan Yue fell in love with Zhou Can in the first place was because Zhou Can's acting style was similar to a nonsensical comedy style.
This kind of acting method is also very important. At least Tan Yue has come into contact with so many actors, but he has only seen it in Zhou Can.
Because of this, Tan Yue is not in a hurry. Zhou Can is not yet good enough to take on the role of the protagonist and needs to practice more.
…
…
In the next few days, everything went on in an orderly manner. Tan Yue was writing the script in his office, and Zhou Can went to see Ma Guoliang every day. Strangely enough, Ma Guoliang has a relatively withdrawn personality. People often come to see him, but he would stay away for fear of disturbing him. But when Zhou Can comes to see him, he will accompany Zhou Can to practice acting skills and teach by words and deeds.
Zhou Can learned a lot from this, and the relationship between the two became closer.
In the past, Ma Guoliang went to the canteen to eat alone, but now there are two people, and Zhou Can will accompany him to the canteen to eat.
Tan Yue would occasionally see this situation, and he was quite happy because in Tan Yue's previous accidental idea, he suddenly thought that Ma Guoliang and Zhou Can could be partners, just like Stephen Chow and Ng Meng-tat in their previous lives. .
This pair is a golden partner, if Ma Guoliang and Zhou Can can be combined. This is not a matter of one plus one equals two.
Tan Yue was in a good mood. He never thought that his accidental move might lead to the emergence of a golden pair.
During this time, Tan Yue was writing the script for "The King of Comedy" every day. After usually dealing with the company's affairs, he would devote all his energy to the creation of the script whenever he had time. However, he could not stay in the company to write the script today because Ye Wen had arranged a symposium with him to be held today. .
