Liu Qingshan had expected such a result, so as early as during the selection process, he had made a detailed understanding of the girls' character and personality.
Those who were finally selected were not the vanity-loving, enjoyment-loving, materialistic female artists with lazy personalities that are common in the entertainment industry.
Therefore, Liu Qingshan is not too worried about this aspect, but if a member goes beyond the scope of his plan, he will never try to stop it. It is inevitable to let it develop, but it will also be a problem if it is no longer reused. inevitable.
Fortunately, so far, the girl group has still maintained its original integrity, which is one of the things that makes him most proud.
The arrival of Jin Xishan made Liu Qingshan's mood rise a lot, because he could finally approve it again.
The person who helped him on this crew before was Liu Hua, but he went to various places with the God of Medicine crew to promote it.
Although the current Ip Man crew still regards his attitude as the highest will, the main composition of the staff is from Hong Kong, and there are more or less small thoughts and clique phenomena.
Now with Jin Xishan, it means that he has a management candidate to replace Liu Hua, and he can let go more and immerse himself in post-production.
Sure enough, Jin Xishan, who arrived on the first day, quickly integrated into the entire crew. Except for her Cantonese ability, which was a little behind the times, Liu Qingshan no longer needed to pay attention to anything else.
Those people in Xiangjiang also showed enough respect for her and were willing to cooperate actively.
Especially after the new movie once again caused a viewing frenzy, there were obviously more stars from all walks of life visiting the set.
With Jin Xishan's intervention, he can play a far more important role than Liu Hua.
Time passed very quickly, and in a blink of an eye, it came to January 4, 2008. This day was a full week after the official release of Yao Shen, and it was also the third day after the national television set aired "Crossing the Guandong".
The broadcast of this drama not only set a new high in the ratings of national television, but also caused a huge response among the audience. Many people in the literary and art circles also expressed their opinions in interviews with reporters.
The public statement of the chairman of the Chinese Federation of Literary and Art Circles has pushed this drama to unprecedented levels of attention.
He believes that "Crossing Guandong" relatively fully expresses the temperament of our nation, a cultural temperament produced by the land of Shandong Province, which can swallow up mountains and rivers.
There is no theme in this play; it only shows the fate of living characters.
The performance of the lead actor Li Youbin accurately grasped the character's personality and psychology, and showed the protagonist Zhu Kaishan's feelings for his wife and children, the land and the nation very sincerely.
You must know that the current chairman of the Federation of Literary and Art Circles is an important figure who has stepped back from the national propaganda mouth. His voice basically represents the official attitude.
In other words, even a terrible TV series will become extra special through his words.
Of course, this is just a metaphor. Whatever the person's identity is, it will never affect his always objective and fair positive image in this regard.
Moreover, "Crossing the Guandong" is a drama about national history, which clearly expresses the national spirit of the Chinese nation. Its high reputation comes from people's word-of-mouth, not artificial hype.
In addition, the drama itself is very literary. If it is literary, it has a soul, which makes it enjoyable to watch.
Especially in the character's lines and language design, literariness is particularly important; another point is that now the shooting and production methods are becoming more and more sophisticated, the picture is clearer, and the expressiveness of the picture is enhanced.
Based on this and the official public announcement, this series has only been broadcast for six episodes, and no less than ten local TV stations have come to National Television to seek the rights for a second round of broadcasting.
As for the reason why this drama has achieved high ratings since its broadcast, the appeal of the plot is of course the first priority.
With Zhu Kaishan as the main line, many plots are strung together. The scenes are magnificent and beautiful, and also gave the audience a sense of shock.
Of course, its popularity is also closely related to the public's level of aesthetic appreciation and ideological compatibility, especially in the three northeastern provinces and cities where the story of the play takes place.
Ratings in North China and other places are particularly popular.
At the same time, the audience's approval of "Enter Guandong" is getting more and more positive, with rave reviews. The DVDs released by the show are even out of stock, which has contributed to a rare hot-selling situation in the TV drama audio and video products market in recent years.
Aesthetics always have a certain quality that transcends specific material utility, but popular aesthetic culture is often accompanied by utilitarian purposes - producers are motivated by material interests.
Consumers are always looking for entertainment satisfaction and even sensory stimulation when it comes to objects of appreciation. This fact is actually reflected in such a historical drama. It must be said that it was really unimaginable before.
This TV series caters to the public's aesthetic appreciation level and ideological needs, and satisfies the public's aesthetic appreciation characteristics.
First, the theme of national hatred and family feud is integrated with the historical phenomenon of "breaking into the Guandong", giving the public an emotional resonance that they are eager to see.
After all, there are many people in our country whose ancestors had the experience of "traveling to Guandong".
After all, national hatred and family hatred are emotions that everyone must bear, and in the history of Chinese people's "exploration into Guandong", no work has interpreted such a straightforward theme.
Secondly, the storyline and artistic expression are tragic and heroic, giving people a strong spiritual shock from beginning to end.
Thirdly, during the time period during which this work was broadcast, romance films, entertainment films, military life films, martial arts films, realistic rural life films, and humorous historical films covered the entire film and television market. The emergence of "Crossing the Guandong" gave people a Refreshing sensory stimulation.
Fourth, the actor’s almost authentic performance of the character is integrated with the audience’s natural perception of the character. It is true, close, tragic, bold, daring to think, daring to act, emphasizing national interests, and controlling the emotions of blood and family ties. Audience viewing psychology.
Among them, the character Zhu Kaishan moved the audience very much, which also brought Li Youbin to the public eye again.
In fact, before the broadcast on National Television, the opinion of the review team was that Li Youbin played Zhu Kaishan very well. In terms of pure acting skills, he surpassed Li Yunlong's image.
Because Li Yunlong is relatively simple, while Zhu Kaishan is much more complicated, with a lot of humiliation and forbearance. All the characteristics of the Chinese people are included in it. Zhu Kaishan is also a breakthrough for him.
Zhu Kaishan is a righteous man, inheriting the characteristics of Shandong people who understand justice well, do things in a low-key manner, are reserved, do not cause trouble, tolerate things, and are unambiguous when it is time to take action.
These obvious personal qualities, according to the folk saying, are very "classy", so they became popular in the entire mainland market and major media almost overnight.
The recognition of "Enter Guandong" by professionals and audiences has a lot to do with not only a good script and a first-class production team, but also a strong cast.
Among the many characters, there are actually 12 national first-class actors hidden. Coupled with the big bug of Liu Qingshan, the scale of the performance cannot be said to be unprecedented, at least it is quite rare.
Especially Li Youbin, after his role as Li Yunlong in "Bright Sword" made him famous all over the country, he is bound to reach the peak of his career again.
His acting skills and popularity are currently very high. A good actor is bound to attract some audiences. Coupled with a performance that meets or even exceeds expectations, the reputation and popularity naturally come from the heart based on his strength.
The acting skills of Sarina, who plays the heroine Wen Ta Niang, have also been sought after by many viewers after the broadcast. She and many actors have contributed a lot. Good works are the joint efforts of both front and backstage.
But apart from these people, there is another person who stands out, that is Geng Cheng, who plays the second eldest son of the Zhu family. He actually attracted attention earlier than the broadcast of the show.
Because many versions of promotional videos and related introductions have shown his superb martial arts.
Although he only appeared a few times in the first two episodes after the official broadcast and has not yet demonstrated his skills, the audience's expectations for him are high due to his action scenes in the promotional film.
Coupled with his previous outstanding performance in "Bright Sword" and the tragic final ending of the character in the play, it has always been a disease in the hearts of the audience.
I cried countless times when watching the death of the monk Wei he played.
As a screenwriter, Liu Qingshan was even scolded for the first time to the point of being upset. It can be seen that the character of Monk Wei that year left many people with a root cause of illness in their hearts.
For this matter, Liu Qingshan did not hesitate to leak the plot in advance, and told the scene in advance in the promotional video of Zhu Chuanwu blowing up the Japanese armored vehicle with a grenade and dying together with the Japanese in "Crossing the Guandong".
He knew how frustrating it felt to be treated as a public enemy, so he simply exposed it directly.
The effect of this is indeed obvious. Although some people still feel grievances for Geng Cheng, they are more understanding. After all, the way of sacrifice is different this time, and the heroic death of the second son of the Zhu family is valuable.
What's more important is that Liu Qingshan finally knows not to leave the suspense until the end, otherwise the incident of Monk Wei's death will not happen again.
Another point is that war dramas of the period will inevitably involve sacrifices. At the end of the story, Zhu Chuanwu sacrificed his life for the country and died heroically, and Chuanjie’s son was born. This was a new iteration and pushed the story to a new climax, thus making the entire story The level of the story has become very high.
This is the contradiction in literature. If there is no sacrifice, there will be no literary climax, no contradiction, and a bland narrative, which will be difficult to attract people.
This is why after only six episodes have been aired, professional drama critics have been singing praises, saying that its plot is "very literary in itself, and if it is literary, it has a soul."
Besides, in Zhu Chuanwu's later period, this character has been completely sublimated. He only has feelings for his family and country in his heart, and has put aside his personal love for his children.
When he died, he didn't even look back at Xian'er.
