Many celebrities came forward to sing praises. For example, Director Feng, who had a quarrel with Liu Qingshan, published a long article on his personal blog to praise the film.
He first praised the God of Medicine and expressed that he was deeply touched. The significance of this film is a blessing for Chinese cinema, and he congratulated all the actors on their success.
He then defined the film as a film with merit, and repeatedly emphasized that the whole society needs such a realistic work, because it cuts across the ills of life, is of great significance, and has great effects.
The first person to stand up in Wandao was not a filmmaker, but the Chinese pop music icon Luo Dayou, who was in Kyoto at this time.
His speech was much more artistic.
"What impresses me about this movie is that it brings conscience, something we don't usually mention easily, in front of us bit by bit, leaving us nowhere to hide, but allowing us to accept it happily. it......"
"We often encounter difficulties and difficulties in life, but how should we face them? Movies, like songs, must provide relief for the long-standing stubbornness of human nature. It may enable us to continue to face the breeze and the bright moon after laughing and crying. Find your own antidote."
Even the country's most important newspaper put the film's release on the front page and gave it an extremely eye-catching title: A conscientious work that dares to touch on sensitive subjects.
The ending directly expresses the point of view: I hope that such a good movie can make society progress a little bit, and that everyone can live without illness and pain, and live with a smile.
Moreover, this article is signed by a special commentator. You must know that in mainland China, this type of signed article is a unique term unique to the newspaper industry. It literally means that the views of this article in the newspaper are the responsibility of the person who signed it, that is, the author is responsible for the article.
In fact, it represents the views, trends, etc. of certain authoritative people, and at a glance, this signature is a homophone of a certain organization.
Therefore, articles with relevant signatures represent a certain level of official will.
As for the high praise on the Internet, there are too many to count, and most of the titles quoted the summary evaluation of the six sets of National Television last night: It's been a long time since I've seen such a classic movie!
Just fourteen words actually explain everything, because a national mouthpiece can give such a comment, which can be said to be the highest praise for this movie.
The overwhelming reputation is by no means limited to the box office performance that has been hard to get a ticket from today, but also the countless eyes that appeared on the screen during interviews with the audience outside the theater, which were obviously swollen from crying.
At present, the most unanimous evaluation from all aspects is that this movie must be rated as a conscientious drama in recent years. The entire movie is worth mentioning in terms of the actors' acting skills, plot setting, and camera shooting.
It breaks the general restrictions of medical and patient-themed film and television dramas, and cuts into topics closely related to our people from a new perspective.
It seamlessly blends realism and artistic re-creation, with no flaws throughout. Such a good drama must be recommended.
The acting skills of the actors are also one of the focuses of the comments. There is no doubt about Liu Hua's acting skills. He controlled the characteristics and personality evolution of the characters with ease, and the audience can feel his careful interpretation.
Cheng Yong, the soul-like key figure played by him, is undoubtedly the first strategic success of this movie.
Another dark horse brought out by this drama is Wang Chuanjun, who plays Lu Yiyi. His penetrating portrayal of this leukemia patient made viewers who were deeply impressed by his role as Guan Gu in "Love Apartment" find him refreshing. Many media outlets bluntly stated that there is another strong actor among the powerful mainland actors.
Various comments also mentioned that this film is a film that respects the audience very much.
The foreshadowing and metaphorical plot arrangements in it all plant the seeds for it to become a high-quality film.
In addition, many people expressed their desire to watch this movie a second or third time after watching it in the theater. Its strength is obvious to all.
Based on this information, I believe that this film will still influence a large number of audiences to flock to various theaters in the future.
Let's turn our attention back to the premiere scene in Xiangjiang. The story has come to an end, but the sobbing sounds of varying degrees can already be clearly felt.
Especially when the last part of the plot came, many viewers were crying and even occasionally howling completely out of control, sounding hysterically.
You must understand that this is Xiangjiang, and the entirely Mandarin language still has certain barriers to understanding for many locals who were born and raised here.
However, even in such a language environment, overreaction scenes such as those at the mainland premiere still occur, which is enough to show that truly excellent film works actually go beyond the scope of simple words to understand.
It can be seen from this that "I'm Not the God of Medicine" has received a high reputation of "zero negative reviews" almost all the way, which is bound to drive another phenomenal movie-watching craze in the market.
Prior to this, "Let the Bullets Fly", "Assembly" and "Ip Man" have all done it. It is obviously extremely optimistic about what kind of box office hit this time it will usher in.
Because the subject matter focuses on reality, the topic is thought-provoking, the production is sophisticated and sophisticated, and the actors' acting skills are solid, this is the unanimous opinion after watching this film.
From an artistic perspective, it intersperses the personal evolution history of the protagonist Cheng Yong with all kinds of patients, constantly playing games between money, legal principles, and conscience, and finally completes spiritual salvation.
This evolution touches on the sensitive and realistic topic of high-priced drugs, making each character full of real pain.
These grassroots group portraits not only contain microcosms of society, but are packaged with genre elements and change the dull and tragic atmosphere of realist themes in domestic films. They also add appropriate comedy elements with black humor effects to make the film look and feel better.
I have to mention here that Liu Qingshan is undoubtedly an expert in commercial films, which is one of the rarest movies in China that is very realistic. He can definitely continue to make a comedy that makes the audience laugh and make money.
But this time, he bravely touched upon such a sad and thought-provoking subject, which has to be respected.
The many simple and heart-wrenching lines in the film are precisely the strongest voice questioning the reality of Chinese society. They are basically literary and artistic re-creations rooted in the country's people's livelihood and social status quo.
Moreover, the film's sensational and restrained expression technique is also significantly different from similar films around the world. It shows the Chinese people that there is no need to belittle oneself. We should be grateful that we also have such a good film that speaks out for people's livelihood.
In short, the film quickly became popular upon its release, detonating the New Year's Eve Chinese-language film market, and received widespread praise. There were many positive responders, and the topic became a hot discussion around the world.
It is even more popular on the Internet, and the comments are more bold and profound. Some people analyze it from the perspective of social psychology. The reason why this movie is so popular is that it uses artistic techniques to hit the sensitive areas in the hearts of current Chinese people.
The general consensus is that the film is a new attempt to break the ice on domestic film themes, allowing people to receive a life education through film and television.
In the intense work rhythm, we should increase our respect for life, pay more attention to health, and enhance the rescue of seriously ill patients.
Currently, the Chinese film and television market is undergoing new changes. More and more viewers are tired of the girly and nonsensical fantasy of Xiaoxianrou, and are looking for a "sense of value" after watching movies.
The response from the industry has also been great. Some people are already calling for movies that reflect reality in the future to give people hope through the power of reality and avoid over-investing in young actors to prevent popular movies from being popular. situation.
Of course, what matters more is professional interpretation. Whether it is the outstanding acting skills of the actors or the movie shots, everything is true in simplicity.
What director has repeatedly used color, composition, dialogue, plot, and music to adjust the language of film and television, and used exaggeration and contrast to release the charm of film art.
After each professional analysis, the corresponding storyline interpretation, implicit metaphors, popularization of medical knowledge, etc. are also pasted.
But after one day's data came out, the main group of young people watching movies also surfaced. The current group of young people who are mainly college students and urban white-collar workers
Tianzhuiying’s army is already expressing that this film has given them an important way to observe and learn about society.
Their common sentiment is that life is unpredictable, and people always hope to have some knowledge and understanding of the unpredictable world.
They all expressed their appeals. The changing fate of the down-and-out people in the film once again reflects the rapid social transformation. Little people can turn around, and ordinary people can become heroic gods who save people.
With the spread of various images, Cheng Yong, played by Liu Hua, the anchor of the film, has become an absolute hit.
Not only because he has locked in the character positioning of a small person's counterattack, but also provides movie audiences with a clear and firm reason to buy tickets and enter.
It can also be said that Liu Hua, who is already middle-aged and whose appearance does not match the appearance of today's artists, became famous overnight and has a vague tendency to become a popular star in the blink of an eye.
Along with other actors, such as Wang Chuanjun, Zhou Yiwei, Tan Zhuo, Peng Hao, and Yang Xinming, their respective agent teams began to receive various invitations to play roles, and their names frequently appeared in major website forums.
Taking advantage of this moment, the Internet hype army that Liu Qingshan had already arranged began to publish intensively in the dark.
This kind of hype method is very subtle. There is no direct praise, but the main focus is on revealing the filming behind-the-scenes.
Of course, the main content is focused on the positive orientation, and all are accompanied by realistic photos.
For example, Wang Chuanjun and Liu Hua once lived with patients in the ward of the hematology department; Zhou Yiwei once went to experience the working conditions of the police; Yang Xinming went to churches to conduct many interviews and visit patients, etc.
