In fact, it was Sun Nan who came to the door on his own initiative this time, and he came for Daolang. Obviously he wanted to express his personal attitude in this way.
No matter what the reason is, the cooperation between the two people is a huge highlight of this show. Of course, this is what Liu Qingshan and Shanghai TV are most happy to see.
Xiao Ou invited the female singer Tan Weiwei. This female singer is not an ordinary singer. Although she is a newcomer who debuted in the same group of super girls as Shang Wenjie, she had already participated in the Chinese New Year Concert at the Vienna Golden Hall in the year of her debut. ..
She participated in the performance of China's large-scale musical "Golden Sands" and served as the female lead, which shows that her strength is still very terrifying.
The male singer Lin Zixuan invited is also a newcomer, Xiao Jinteng, who became famous after participating in the Bay Island Super Avenue of Stars show.
Later, Liu Qingshan understood that this pure newcomer was officially a singer signed by Lin Zixuan's own record company. This move also meant "passing on and guiding others".
Neither Liu Qingshan nor the platform has anything to say about this. After all, the premise for inviting singing guests is the singers’ own opinions.
Jin Xishan actually doesn't need to go to Kyoto to rehearse. Zhou Tianwang is a well-known good guy in the industry, so there is no problem in coming to Shanghai specifically.
But she also has other purposes, which is to form a crew for a modern drama.
Liu Qingshan was so busy that he could occasionally stay in Kyoto, but she hadn't gone back for several months.
And although that drama is not being launched right now, it is also a women's drama and will require a lot of actresses.
Then there are people from the Han Kingdom. The script Liu Qingshan created for them is in the hands of Jin Xishan. She is one of the heroines, so of course she has to come to receive it in person.
The film crew of "I Am a Singer" was therefore divided into two groups. Those who stayed at Shanghai TV still had to film the singers' daily rehearsals.
So today Liu Qingshan showed up directly at the Yu Quan brothers' rehearsal room. After solving the change problem, the three of them got up and rushed to other rehearsal rooms.
It happened that Han Hong and Huang Qi were also in Sha Yongliang's room, and everyone gathered together.
Han Hong still valued Liu Qingshan very much. Not only did he give him a big hug first, but he also kissed his head several times.
"Although Shanzi and I don't meet often, we have been close friends for a long time and have cooperated with his organization World Vision many times!"
In addition to being a singer, Han Hong is also a well-known philanthropist who has adopted many orphans and helped many people.
Liu Qingshan exchanged greetings with her and asked Huang Qi: "Sister Huang, are you satisfied with the singer I found for you?"
The flattered expression on Huang Qi's face was very obvious: "The night I got the news, I was so scared that I cried. Sister Hong is a queen-level singer, a real celebrity who can't be hired with any money!"
She is actually three years older than Han Hong, but the latter did not correct her title because she knew that seniority is very common in the entertainment industry. Correcting her would not be helpful but embarrassing, and it would be easy to recruit people in the industry. Jealous.
"Mess Huang Qi's voice is very good. No wonder she became famous overnight. A really talented singer will never be buried forever!" Han Hong's evaluation is not low.
"How's the song rehearsal going?" Liu Qingshan asked, "It's almost the most difficult song in this round. I'm unlucky to be chosen by you!"
What they are going to sing is the old song "Same Moonlight" from the 1980s. The song itself has a very high tone and has a very special significance in the Chinese music world.
Because there was no concept of pop music in the mainland at that time, Wandao and Xiangjiang were the real leaders in the Chinese music scene.
The main form of Wandao's pop music is folk songs, with a fresh petty bourgeois sentiment. However, as there are more such works, there is a mix of good and bad, and the current popular style is gradually changing from fresh and elegant to frivolous.
That era was the early 1980s, and Su Rui's emergence suddenly changed the situation.
This song "Same Moonlight" was the change in popular music at that time that she made a whole generation collectively awaken to.
An epoch-making work with a fundamental pattern.
Today's pop music scene can no longer replicate Su Rui's milestone revolutionary initiative, but it has made this song a timeless masterpiece that cannot be surpassed.
Su Rui was also fortunate to become the spokesperson of the era, and that era also stood out because of Su Rui.
Therefore, later singers did not dare to touch this song easily, firstly because of its special meaning, and secondly because it was too difficult.
It is not enough to have a good voice to perform it. No matter how resonant the high notes are that do not touch the heart, it still cannot reflect the original characteristics of this song, because it is an insurmountable pinnacle of pop music.
It is the everlasting benchmark of Chinese pop music. Even after so many years, it still remains heroic, just like the eternal Weiyang song. Those people are still there, singing those distant nostalgia years.
Therefore, those who have the courage to perform this song will only be real singers, and of course those who sing in nightclubs are not included in this list.
The most important thing about this song is not soaring high notes, but the perfect combination of control, breath and emotion.
Han Hong complained fiercely: "It's actually not difficult to sing it well, but it's absolutely impossible to copy or surpass it, so your mentality is very important when singing it. Don't think about copying it. The two of us have tried it. Oh, it feels so painful!"
Huang Qi also smiled bitterly: "Just now the music director suggested that we work on changes. It seems that he also thinks that our singing is not transcendent, and it is even difficult to imitate it!"
Liu Qingshan smiled and said: "Then just do it according to what you vaguely know, but I suggest not to change it too much, otherwise it will be regarded as disrespectful to the classics!"
Han Hong agreed, "This is what I'm most worried about. The adaptation is neither fish nor fowl, but it's better to copy the original song. My opinion is to add some modern music melody at most, and the beat and pronunciation must not be changed!"
"I'll tell Brother Erbao about your suggestions. I think he will understand!"
Erbao is currently the top music producer in the mainland and is Liu Huan's friend for many years. The behind-the-scenes production team hired by Liu Qingshan are all top-notch in the industry like him, including designers of sound, costumes, and props.
In fact, the people who are most familiar with Han Hong are brothers Yu Quan. They have both been in the rock scene in Kyoto and have many friends in common.
Han Hong was not yet ostracized by people in the circle because she was too persistent in doing good deeds, but the two brothers were also very close to her.
While the three of them were communicating closely, Liu Qingshan had a conversation with another guest singer, Li Quan.
Li Quan has deep attainments in classical piano, and it is said that he started learning it when he was four years old.
Later, after he was admitted to Shanghai Conservatory of Music, he also majored in piano and minored in modern composition.
He is also one of the representatives of the new generation of musicians who has truly transformed from a music teacher into a new generation of musicians with artistic qualities. Before 2006, he won almost all major awards in the mainland.
However, in the past two years, because he became obsessed with jazz again and shifted his career focus to this kind of music that is very localized in Shanghai, he gradually disappeared from the pop music scene.
But it is not that he has done nothing, he is better known by the music industry, because he has completely changed the inherent image of the "piano prince" in a new popular jazz music style that combines classical and modern, jazz and electronics. Go far and deep.
Moreover, his personal image is elegant and introverted, which is in line with Liu Qingshan's standards for making friends, and the focus of the two people's communication is mostly related to music.
Time passed quickly, and three days passed in the blink of an eye, and it was time for the program team to move to Kyoto.
Before leaving Shanghai, Warner sent someone to follow him back to Kyoto, but Liu Qingshan didn't have to worry about the rest. Liao Xin came forward to help him negotiate everything about the show.
Greg Frey's treatment has also been completed. After he has undergone a comprehensive physical examination and the treatment effect has been confirmed, he will rush directly to Xiangjiang to prepare for the next concert.
The Eagles are much more famous in Hong Kong than in the mainland. It is precisely because of such a high public base that the band can continue to attract "thousands of people" every time they perform.
"empty alley" effect.
The new rehearsal space is borrowed from the No. 1 recording studio of National Television. This music area is rented out because it has almost the most top-notch music equipment, lighting and sound in the mainland.
Moreover, the stage setting of the venue is also responsible for the specific external team of National Television. Such an advantage in the industry will continue for some time. It will take a few years until other local TV stations start to pay attention to the purchase of such hardware facilities. After all, the total investment It's a big number.
Now Liu Qingshan is as valued in National Television as he is in Shanghai TV, so no matter where he wants to go, National Television will actively cooperate.
After meeting all the singers and guests, he went to the National Television headquarters building, because the National Television's opening drama next year will be the large-scale period drama "Crossing Guandong" jointly produced by Xueyu and Luying.
Regarding this drama, not only the top and bottom of National Television attach great importance to it, but even many national departments are eyeing its broadcast.
Moreover, the National Publishing House has approached Liu Qingshan and requested to publish a text version of "Crossing the Guandong" because there are still no relevant cultural works about this period of history.
In fact, the internal version of this drama has been piloted among several ministries and commissions. It is precisely because of the high praise that the National Television regards this drama as the opening drama of the new year.
Under normal circumstances, this new year's drama on National Television is only a special schedule for historical dramas and period dramas. It is not easy to allow such a period drama without many detailed historical records to take on such a big responsibility.
But there is no doubt that this drama was reviewed by the superior department as an epic masterpiece rich in the sentiments of the times, which obviously played the most important role.
So as soon as they learned that Liu Qingshan had come to National Television, several senior executives immediately called him to discuss the preparations before the show was broadcast.
