The hot performance scene made Liu Qingshan, who was next to take the show, bitter: "There is a saying in the cross talk circle that it is best to perform when the place is lively. If the place is not hot, there is a high probability that the performance will be unsatisfactory. Yes. But no one told me what to do if I catch the bomb. I don’t want you to be listening to my song in your ears, but your mind is still stuck in the twisting dance before."
Amid the laughter of everyone, Jin Xishan, who came up closely behind, said with a smile: "That's no wonder others, you taught them this kind of dance!"
The audience in the audience was shocked. They really did not expect that such a feminine dance was actually designed by a rough man like Liu Qingshan.
Liu Qingshan cooperatively held his head with both hands and twisted his waist and hips a few times. Not only did Jin Xishan express vomiting at the right time, but even the audience shuddered. This scene was indeed a bit unsightly.
They joined forces to perform a song "Floating to the North" from Liu Qingshan's Chinese album.
The rap in this song is the soul. There are several versions of the original version. Liu Qingshan chose the MTV version of Deng Ziqi's song.
Compared with the singing style in the album, the biggest highlight this time is that Jin Xishan opened his voice to sing rap for the first time.
However, the first half is still the same as in the album. Jin Xishan’s low singing at the beginning can instantly bring people into the mood of the song.
She used the chest resonance in the low voice area and used the amplification effect of the microphone to sing a deep tone and express a lyrical feeling, which set the emotional tone of this collaboration.
Drifting to the north, don’t ask about my hometown
The towering ancient city wall cannot stop
live in sadness
I drifted to the north. Is my family okay?
The heavy bags on my shoulders are filled with melancholy
In the middle, Liu Qingshan's rap lyrics are interspersed with singing, embellished with Jin Xishan's unique feminine and intellectual voice, which appears gentle and firm.
Some people say that he owes a lot of money in his hometown
Need to avoid the limelight
Some people say that he has practiced martial arts
But no chance to show it
Someone has lost himself
Drifting around helplessly
Some people do it for their dreams
To feed the family three meals a day
He lives in the suburbs of Yanzhou
dilapidated job apartment
in a crowded building
There were a lot of strangers from out of town...
Especially after a fast-talking rap, the treble reaches as high as C-sharp, and the sparks created by Jin Xishan’s harmony and Liu Qingshan’s rap bring the emotion of the entire song to its highest point.
She uses strong airflow to vibrate her vocal cords to produce a high-pitched and powerful singing voice, which is not harsh but can make people feel a powerful force.
The last line of the first song, "The place I can't go back to," was sung in a crying voice, which vividly brought out the helplessness and sadness of the wanderer working hard outside.
The low hum that followed changed the emotion of the song from passionate and unrestrained to quiet and silent.
Able to achieve a wide range of singing skills and emotional control, there is no doubt about Jin Xishan's singing skills.
For a good song, superb singing skills are not enough. What is more important is that the audience can feel the emotion in the song, which is the "singer quotient".
She was able to sing her experience of working alone in a foreign country into a song, which shows that not only is she an excellent singer, but she is also a top-notch singer, and her superb ability to empathize is fully revealed at this time.
From the beginning of the second paragraph, the roles of the two people are reversed.
, Liu Qingshan's verse part was quite satisfactory at first, with a slightly hoarse voice, but suddenly the mood of the song seemed to have been changed to another song.
But what’s even more outstanding is Jin Xishan’s rap aria, which is not only fast, but also rhythmic and inflected, her enunciation is clear, her breathing is even and not rushed, and most importantly, it’s nice to listen to.
The rhythm is also quite precise, and the landing point is exactly as if it had been placed in advance.
This is mainly due to her fear of being dominated by three-speed English listening for many years. The key is that she can speak more clearly than three-speed English. If someone cannot understand, it is not her fault. It is only her own brain that cannot keep up with her ears.
It can be seen how appalling her quick mouth part is, but her expression is relaxed throughout the whole process, and her state is relaxed and orderly.
As the saying goes, you have to work really hard to look effortless.
Effortlessly coming out to kill people's ears is the true strength of Jin Xishan. There is no unfamiliarity at all when singing rap for the first time. Even Liu Qingshan was severely shocked.
Because in previous rehearsals, she had to stop to take a breath, so the frequency of her singing changed slightly every time, and she couldn't achieve such a smooth flow.
And her rhymes are denser, especially in the section of "Pair after pair on the sidewalk, squinting indifferent eyes", which becomes more and more powerful, and it feels like "I'm going to start showing off my skills".
The crazy and dazzling technical support was simply so satisfying. The audience was suffocated throughout the whole process and did not dare to move. After listening to it, they could not make a sound at all. The breathtaking feeling should be the common thought of everyone at this moment.
but
Liu Qingshan, who was standing next to him, could see that Jin Xishan was almost out of oxygen several times, so he quickly raised his singing voice a few points higher.
His high notes, which were almost hysterical, suddenly brought back the momentum, allowing Jin Xishan to take this opportunity to take a breath and prepare for the next explosion.
It has to be said that the rap of this male-female combination is more eye-catching, and the two people's cooperation also complements each other. Liu Qingshan's powerful rap, combined with Jin Xishan's gentle and powerful singing voice, is a perfect combination of strength and beauty.
Especially Liu Qingshan's performance is undoubtedly perfect in this version. This song is mainly used to reflect Jin Xishan's new rap ability. Not only does his singing not overwhelm the guest, but it is the icing on the cake.
And the new ability Jin Xishan showed today is by no means like the mellowness and ease of Taylor's beautiful Chinese-style rap "My New Clothes" before, but the passionate rhymes of flat and oblique rhymes that make people's scalp numb.
The most intuitive stimulation is that the speaking speed is fast and steady, and the enunciation is very clear, and the tongue flicking is extra points.
Another point is the change of speed. Generally speaking, rap has the same rhythm, but she still added slow and fast in a short period of time, which is the regret of "holding back tears, not listening and not thinking, and not daring to look back." That paragraph.
When listening to other rap music, the breathing is too loud, and sometimes the gasping sound is suppressed by half of a sentence. When listening to her rap, I can barely hear it. This shows that the breath is good and the rhythm is accurately controlled, which is the so-called sense of rhythm.
Rap itself actually pays more attention to the sense of rhythm rather than the simple speaking speed. If the speaking speed is indeed very fast, but it gives people a sense of discomfort,
It's better not to sing fast.
As a benchmark figure in the music industry who is not immersed in hip-hop culture, Jin Xishan can actually do this.
But for a musician who can sing in different styles, it doesn’t matter what her musical ability is in this style.
But to be honest, I have definitely mastered it. This is undeniable. No matter how the music changes, it is still music. It is essentially the same.
In fact, for a musician with extremely high musical literacy like Jin Xishan, this kind of rap is just a branch of her skill tree. She stands at different heights, and it is easy to master these so-called raps.
Of course, this was under Liu Qingshan's deliberate cultivation, and it was based on his physical transformation of her.
Otherwise, with Jin Xishan’s original ability, it would be very difficult to sing a song with all five notes.
This song, which is familiar to many people, was performed by two people today with another contrasting change.
The whole melody was more novel and smooth, and the appearance of girl rap also shocked all the audience.
The two successfully took over the explosive performance from the previous one and presented another different explosive scene.
In fact, every performance of tonight's performance was breathtaking and had the ultimate sense of liveness, including Xu Wei's two songs. This was already reflected in the chorus of the audience.
Then Jin Xishan left the stage and Liu Qingshan picked up a guitar. At this time, a local band also came up. There were more than a dozen of them.
Not only did they replace the accompaniment of the legend band, but many people sat next to him holding guitars.
There were actually as many as six people on a row of bar chairs. It was obvious that they appeared to talk to Liu.
Qingshan sang the harmony part.
These people actually showed up during today's rehearsal, and were naturally invited by Xu Wei. Otherwise, with their current fame and singing standards, they would not be able to perform on the same stage as so many big-name stars.
The locals off the stage saw so many familiar singers appearing, which made the atmosphere significantly more lively.
There is a city that is hard to let go of
There is a kind of nostalgia called having been here before
There is a melody that sings at the top of one's throat
In its center people call it Drum Tower and Bell Tower
Some people say that the water and soil in Xi'an make people lazy
Come and dig holes, I'll teach you how to live a life of barking
Whose impression of Xi'an remains in Loess Gaopo?
Come and sing with me a song from Xi'an people
As soon as Liu Qingshan opened his mouth, he received countless warm applause from the audience.
Because what came out of his mouth was the authentic Chang'an dialect, a sense of familiarity immediately hit the hearts of every local.
Of course, the word "authentic" is a bit exaggerated. After all, there are various dialects in Shaanxi Province. Even in Chang'an City, there are several dialect accents at the same time.
His accent is basically Shaanxi Puyin, which is closer to the dialect of Mandarin.
The real Xi'an dialect is called this Ji dialect. It is not spoken in cities and towns or by people from Northeastern Henan who came to Xi'an in the last century. The words used in the songs are also very different from this Ji dialect.
As for the music itself, there are no surprises in the melody, rhythm and orchestration, it is just a very tacky routine.
Lyrically speaking, there is nothing more interesting. It is still something like steamed buns on the city wall. The overall feeling is that the lyrics were sung by local singers a few years ago, and they were sung again today with a different recipe.
If it were just local singers entertaining themselves
Le, that’s a pretty unique song.
But there is no doubt that this song will be very successful commercially in the future, firstly because this song was sung by Liu Qingshan, and secondly because it highlights the profound cultural heritage of Chang'an.
