Of course, those who shoot such dangerous shots have higher requirements, at least a true master in the mid-term or above.
When the cavalry attacked the enemy's ranks, Liu Qingshan borrowed part of the scene from "The Mongolian King", in which the rider holds a Mongolian scimitar in his hands, holding the reins and keeping this movement unchanged while charging into the crowd.
This is not a random fabrication, because that was how the Mongolian scimitar was used at that time.
The scimitar has a thick back, a narrow and long blade, and a good curvature, which is more in line with mechanical theory.
When the scimitar comes into contact with the enemy's body, it will slide along the curved surface of the blade, which can cause larger wounds. It will not cut into the body and cannot be pulled out. It will not be easily knocked away when the armor is struck, so it can be chopped continuously.
Just like the straight swords of European cavalry are mostly used for charging and thrusting, the Mongolian scimitar has the best charging effect. It can also use the impact of the cavalry to maximize the cutting power of the two hands holding the swords tightly.
There is another way for light cavalry to charge, which is the mace.
This kind of weapon is extremely heavy, and is perfect for continuously slashing, forcibly opening a bloody path in the enemy's camp.
Whether it is a machete or a mace, it can easily weigh forty or fifty pounds. It is simple and crude to use to charge into battle, and it is easier to see the effect.
Why are the weapons used by ancient people unable to be carried by modern people?
In fact, this is easy to understand. When professional soldiers went to the battlefield at that time, they had to rely on the weapons in their hands to kill the enemy in order to save their own lives or gain military exploits.
The only way out is to exercise more, improve your martial arts, and improve your physical fitness.
Therefore, compared with modern people, the only outstanding feature of ancient soldiers was
The only way is to improve martial arts and strength training.
It is said that there was a popular joke in the Song Dynasty at that time, saying that when the Mongols came, the Song people could only use Tianling Gai to catch them.
Because the Mongolian cavalry all like to use maces. When they hit them, they were so powerful that their brains basically exploded.
Of course, there will be some influence of the romantic freehand culture of later generations, but genuine Mongolian maces have been unearthed, and these issues cannot be considered solely with modern thinking.
Otherwise, how can we explain the armor that weighs dozens of kilograms? Could it be that just to show off their strength, they wear these heavy weights that modern people cannot bear, and travel to foreign lands tens of thousands of miles away?
Only people from the Liu family can handle such a heavy thing, so they became the protagonists of today's shooting.
Not to mention, the power of swinging such a heavy mace is really scary. When there are no shooting tasks, almost everyone is gesticulating around the original replica weapons.
Then there are those Mongolian machetes. It would be difficult for ordinary people to pick up one and swing it. If you hold one in each hand with your hands crossed when shooting, let alone killing the enemy, there is no one who can persist in this action for more than ten seconds. Come out with a few.
The entire shooting lasted until dark in the afternoon of that day. By the time we arrived at the tribe gathering for dinner in the evening, it was completely dark.
Jin Xishan and Taylor did not come, but stayed in Hohhot. It was more than 300 kilometers away, so they didn't have to go back and forth.
When Liu Qingshan returned to the city again, it was early morning the next day.
But he didn't have time to rest. Instead, he went to the local film company for post-editing with people from Snowland Studio.
room.
This old film studio provided a lot of help to their programs, so in return, Liu Qingshan will cooperate with them in the filming of a film in the future.
As for Director Zhang, he returned to Kyoto overnight with the script. This script was called "Hawthorn Tree Love". The original version was rated as one of the top ten outstanding love movies in China on the 40th anniversary of reform and opening up.
It was also shortlisted for the Berlin International Film Festival's Crystal Bear and the Hong Kong Film Awards for Best Asian Film, and won the Mainland Huabiao Award for Outstanding Feature Film.
Its heroine has won four domestic and foreign awards. Director Zhang also received an honorary doctorate in art from Yale University and was awarded the title of "Hollywood Advanced Individual" for this film.
And at the 4th Asian Film Awards and the 5th Asia-Pacific Film Awards, he won the "Outstanding Contribution Award to Asian Films" and the "Outstanding Achievement Award to Asian-Pacific Films" respectively. This is the first time that a Chinese filmmaker has won these two honors.
It can be seen that this film not only brought fame and fortune to Director Zhang, but also made the male and female protagonists in the film rise to prominence.
Its greater significance is that in an era when commercial films are rampant, it gives the audience a dose of elegance and timelessness.
Of course, its box office is also impressive. It was released at home and abroad for more than a month and earned 200 million in box office.
This number is very inconspicuous in commercial films, but compared to the box office of literary and artistic films, which basically only have about 100 million, it is already an earth-shattering number.
The performances and music are excellent, and every picture is beautiful.
Pure love is always easy to move people's hearts. The heroine is really spirited and sweet throughout. The secret and unbridled love is deeply touching and has obvious tear-jerking effect.
Therefore, Liu Qingshan not only dedicated
He received the script and used it to recommend male and female actors, and even promised to provide theme songs in the future.
However, Director Zhang fell in love with Jin Xishan's song "Meeting", and he did not intend to participate in it. After all, this was a promotional opportunity that was beneficial to Jin Xishan.
It's just that this film can't be filmed for the time being, because Director Zhang is currently at the Olympic Organizing Committee and has rejected several scripts in preparation for the opening ceremony.
Calculating this way, he finally started filming after 2010, and the original version of this film was shot in 2010, when the heroine Zhou Dongyu was still a senior high school girl preparing for the college entrance examination.
Just one year ahead of schedule, the actress hopes to continue her debut work, which is what Liu Qingshan hopes to see most.
As for what Director Zhang would think about the list he provided, Liu Qingshan wouldn't worry about it. He could just find any excuse to deal with it when the time comes.
Throughout the morning, Liu Qingshan and others were busy editing, and then handed it over to Frederick to take back and add special effects.
The special effects part is simple, since most of the huge distant scenes have already been produced, and adding some close-ups of details will suffice.
Everyone spent the afternoon in the recording studio, including the Chinese version of Zheng Jun's song "Meteor", which needed to be recorded as soon as possible.
Since yesterday's filming process will not appear in this program, the scene of Taylor, Jin Xishan and Phoenix Legend learning Mongolian dance the day before will be the main broadcast content.
Coupled with the prairie bonfire party last night, some of the content in the recording studio is enough to last two issues.
That night, except for the masked dance troupe, the other guests left one after another.
Lincoln
The band is very satisfied with this business. Not only did they get two songs from Liu Qingshan, but they also got the benefit of free publicity in China.
Next, the program team will rush directly to the next stop at night, the ancient city of Chang'an, the ancient capital of the Thirteen Dynasties.
Liu Qingshan originally planned to have Zheng Jun, who was born in Chang'an, appear at this station, but unfortunately he found him in advance and stayed with the crew for four episodes.
This station couldn't keep him anyway, so the guest was temporarily changed, but Liu Qingshan didn't know who he was. It was considered a small operation by the director team.
Hohhot is 1,000 kilometers away from that city. This journey is also the shortest since the filming, but it makes many people extremely happy.
If we were in a hurry and kept going all the way, we would be able to arrive in twelve or thirteen hours. This time would be much easier for the program team.
When traveling for a day and a night has become the norm, this journey is simply a matter of enjoyment, and it is just a matter of sleeping in the car.
The official arrival time was at two o'clock in the afternoon the next day. As the last stop of the entire program, it was obvious that the director team had put some thought into it.
Because there were actually nearly twenty people greeting them at the highway intersection.
Why so many?
Among them, the XY girl group has 13 members, as well as the Punk Brothers, local Chang'an singer Xu Wei, actor Guo Tao, and Bay Island singer Zhang Zhenyue.
There are a total of eighteen guests. This scale has never been seen in other variety shows.
And why Zhang Zhenyue suddenly appeared was the strangest thing to Liu Qingshan.
Because in the early stages of creating this program, he decided not to use other artists except mainland artists for the time being.
Other guests, and the entire program team understands his thoughts.
Later, Zhang Zhenyue himself explained the reason: "I was sent here by Brother Zhongsheng. He said that he wanted me to take this opportunity to urge you on our longitudinal tour, otherwise your next schedule I’m too busy, I don’t know which year it will be pushed to again!”
Liu Qingshan suddenly realized: "In fact, we can hold our first show in July and August, and it will be an overseas show, in the old and beautiful Seattle!"
Since the Longitudinal Tour is known as a global tour, overseas markets must be considered, especially the works of Li Zhongsheng and Zhou Huajian, which are quite popular in overseas Chinese circles, so there is no need to worry about ticket sales.
He happened to be going to Seattle in July and August, so he thought about the concert.
Zhang Zhenyue said happily: "It turns out that you have a plan for a long time! Then I can explain it when I get back."
"Brother Yue, you came at the right time. There is a song that suits you very well. This is Goodbye!"
Liu Qingshan handed him a piece of paper, and what he said happened to be no exaggeration. When he "composed" this song in the car, he planned to use it in the final stage of the entire program.
This song has also become the ending song of every season since then. I really didn't think that Zhang Zhenyue would appear here.
Moreover, this song was not written by this person in advance, which surprised and surprised him.
But he never expected that the original creator of the song he had just "composed" a few hours ago would magically appear in front of him.
Moreover, Zhang Zhenyue briefly read the score, and the first sentence said something that made him quite happy: "Brother Shanzi,
This song is completely based on my personal style, I believe you wrote it just for me! Thank you! "