Fortunately, Liu Qingshan's second song followed closely. This was also a new song that he had just "composed", but compared to the previous song, it had stronger ethnic elements.
Although the lyrics are all in Chinese, the music style is more traditional folk songs.
However, from the lyrics to the arrangement, the song is full of typical Tibetan folk elements. It involves the "Legend of Mani Stone" and "Three Lives Cause and Effect", etc., and also contains the religious theory of Tibetan Buddhism, which adds to the traditional love songs. It not only creates a mysterious color, but also brings a familiar and well-known joy to the people present.
Brahmaputra of the sun
Shigatse of the Moon
The roar of missing Tanggula Mountain
Shiquan River of love
Holy Potala Palace
That passionate Lamtso
Picking a snow lotus on the eternal Mount Everest
The eagle flies high in the sky
Horses galloping on the ground
The intimate fragrance of butter tea floats over the tribes on the plateau
Every line in the lyrics reflects the scenes and images most familiar to the locals.
Compared with the rough and bold Mongolian songs that are popular now, Tibetan songs themselves are unique because of their religious foundation and regional characteristics. This time, they are combined with fashionable elements in modern music, which is even more eye-catching.
Liu Qingshan's voice also uses typical Tibetan ethnic characteristics of vocalization and techniques. His flexible and transparent voice has also become a unique feature that distinguishes him from other singers.
And after the satisfactory solo, all the actors backstage came out to participate in the chorus, singing and dancing Guozhuang dance, and the song was suddenly transformed into a large-scale folk song square dance scene.
Guozhuang dance is one of the oldest primitive songs and dances of the Tibetan people. It is said that it was as early as the formation of the universe.
It has been around since then, so even the children who have just learned to walk can dance here.
Coupled with the fact that the performance organizer had arranged people in the audience in advance to add fuel to the fire, the entire Lalu campus turned into a sea of dance in the blink of an eye.
This song was also one of the songs Liu Qingshan recorded yesterday. After the joyful atmosphere spread below the stage, he led a group of actors off the stage, and the previous live singing became a recording.
While people were dancing, the students, teachers and staff of Lalu Primary School were also quickly clearing away the tables, chairs and benches.
At this time, thousands of people had crowded into the campus. With so many people dancing hand in hand, a wider dancing space was needed.
Guozhuang Dance, which means circle song and dance in Tibetan, is one of the three major Tibetan folk dances. The main action is to move the sleeves. Dozens or hundreds of people often participate in the performance.
The dancer's sleeves are long and drag on the ground. They swing their sleeves in a wide range of dance, their movements are graceful and unrestrained, their arms can rotate freely, and their movement routes vary.
The range of movements of the legs is also relatively large. It needs to be coordinated with the sleeves of the arms to lift the legs, lift the legs, turn around and other large-scale jumps and movements. The movement route is mainly arc, and the whole body needs coordination.
The whole dance has a distinctive rhythm and majestic momentum, fully displaying the masculine and handsome appearance of male dance and the lively and beautiful beauty of female dance.
The specific performance method is that men and women form a circle, or each man and woman form a small circle. Each man and woman has a "Zhuo Ben" (lead dancer) who is good at singing and dancing, and dances in a clockwise direction.
When the men's team sings and dances, the women's team only dances but does not sing; when the women's team sings and dances, the men's team only dances but does not sing.
Sing.
During the dance, men and women may dance with arms or without arms, and the rhythm gradually increases from slow to fast, reaching a climax and ending with a fast rhythm.
According to traditional customs, Guozhuang's lyrics and dance music have a certain program and cannot be changed at will, that is, the first song is for reunion, the second song is for prayer, the third song is for praise, the fourth song is for fun, the fifth song is for wedding, and the sixth song is for Dharma. It usually takes 10 dances to sing and dance. End a Guozhuang.
At this time, since Liu Qingshan's singing led the ceremony, and it was not a traditional sacrificial ceremony, this cumbersome form was omitted. The men and women formed a circle, faced the circle, and danced gracefully.
As for those "Zhuo Ben" who are good at singing and dancing, there is no need to arrange them in advance, because almost every village, every street, and even every family has someone who is good at this.
Therefore, as soon as the mood rises, the lead dancer will automatically step forward and lead the dance without giving any instructions.
This large-scale Guozhuang Dance scene is actually the closing song of the entire performance, but this ending method cannot be learned from many places in the mainland, because they do not have the deep-rooted folk base of people who are good at singing and dancing like here.
Therefore, the ending of this group dance is spontaneous and has long formed the daily life style and customs of people here to celebrate various ceremonies.
It can also be understood that this kind of scene is the most popular among the officials, because it can reflect the social stability, prosperity and national unity of the local people.
Therefore, invisible to people here, people watching this performance all over China, in front of every TV, were shocked by such a celebratory dance scene.
Different from ordinary singing and dancing, groups of tens of thousands of people
The shocking dance scene can only be performed naturally and harmoniously by dancing from the heart and from habit, which cannot be created by any artificial instigation.
Moreover, the scale of the development and evolution of ethnic dances that have formed factions is a more direct manifestation of the traditional cultural value system of the entire region. Its national cultural factors are indispensable, and it is an ancient and profound cultural connotation that other ethnic groups cannot imitate.
Therefore, what it brings to more Chinese people is the exotic customs that can shock the soul, and comes from the worship and envy of the most extreme aesthetic sense that is appreciated by both refined and popular people.
Liu Qingshan and other seven guests also fully integrated into this folk event. This kind of dance from ancient times has rich and colorful movements, free and easy dance postures, passionate emotions, and rough momentum. Being able to get into it is undoubtedly a pleasure for the body and mind. A way to vent your energy.
They all mixed in the various formations and stood on one side, holding hands with the locals and forming a circle. They waved their hands and danced in the circle to the rhythm of the songs, and their emotions were released so freely.
When the singing came to an end, everyone shouted "yeah" in unison, and the dance suddenly accelerated, making the guests' excited heartbeats also accelerate.
At some point, Taylor, who had changed into Tibetan clothes, even took off the sleeves of her right arm and waved her long sleeves to her heart's content, imitating the Tibetan people's bold character and dancing postures to perfection.
The dancers form a group in a rough and unrestrained spectacular scene. Sometimes they spread out and circle, like an eagle soaring in the blue sky, unrestrained; sometimes they gallop quickly, waving their sleeves, like a group of horses galloping, bold and uninhibited.
This is a kind of beauty of strength, a kind of group beauty, artificial and floating.
Soft and charming, some are just slow and alternating steps. The footwork is not heavy and the rhythm is not strong, but it can gradually release the endless joy of the whole body as the emotion rises.
This is how Taylor smiled happily in the crowd, with a sense of physical and mental pleasure always permeating his face.
The cameramen were not idle. They held their machines and followed the shooting targets in the crowd without feeling tired. Some people were even following people's dance steps and were brought into a unique dance rhythm. .
Of course, this Tibetan-style "Mani Love Song" not only sings the three-life love in the lyrics, but the cheerful melody is also very enjoyable to listen to!
The super rhythmic music style is also very suitable for the rhythmic pace of Guozhuang Dance, and also brings people beautiful singing and sincere emotions that touch the soul.
In this warm plateau night, everyone felt the deep love, friendship and emotion.
Moreover, the lyrics of this song are easy to understand, and the melody is catchy. It is played less than once, and the repeated chorus part can already cause the whole audience to sing loudly.
Mani Mani Mani sings love songs from past lives
Guozhuang swaying bonfire
Oh you are my Buddha
Mani Mani Mani guarding Gesang will not make you lonely
Three lives determine cause and effect
I'm waiting for you to marry me
With nearly ten thousand people singing in unison, the intensity of the formation and the sheer scale of the scene will only make people deeply moved and fascinated.
People from Bu Palace Square near the scene were gathering one after another, making the entire Lalu Elementary School jam-packed, and there were dense crowds of people everywhere.
As the singing on campus became louder and louder, people outside also sang along, gradually adding to the warm atmosphere of the scene.
Rendered to nearby blocks.
Moreover, as the drone aerial footage controlled by Wang Hai and others was seamlessly connected to the live broadcast footage, it quickly entered thousands of households in China, causing exclamations such as "Oh my god" from everywhere. appear.
The original ecology is the most beautiful. At this time, the grand Guozhuang dance scene, with or without the folk song melody, was faithfully recorded by the camera, and thus became the most classic moment of the celebration scene. In the following decades, All memorable.
Liu Qingshan's program team also set out on the road again the day after the party, and the emotions in their hearts were still clearly visible.
Shi Hui, who was in the first car, was eloquently describing her feelings about last night's event on the Internet: "Those people who left messages were crazy. They said that almost everyone around them or their family members were watching the live broadcast over and over again. Such scenes, some people didn’t even sleep all night!”
Jin Xishan said with a smile: "Even Shanzi didn't expect that the final dance of ten thousand people would become the most classic scene of the party. The leader of National Television called Director Sun that night and asked him to copy the live broadcast materials of Western Region Satellite TV and use Let’s use it as a guide for holding large-scale parties in the future!”
Taylor was equally excited as if he hadn't passed. "This is a night that I have been touched by all my life. The feeling of being part of the local dance was so refreshing. I will think about it when I get back to the hotel last night. I was even moved to tears!”
Liu Qingshan smiled and nodded: "The most sincere feelings in the world are the emotions expressed when we get together happily, because after a long time, I can still recall what the people around me brought to me at that time.
The sense of warmth and wanton laughter that comes with it has nothing to do with the world and only exists at the most unfettered moment when the body and mind can be integrated into nature. "
"Nana cried before she left. She said that the most unforgettable moment was the most complete relief last night, which was both touching and difficult to let go of!" Jin Xishan added.
