Chapter 1,445 Tibetan Song Divine Comedy

Style: Girl Author: three inch knifeWords: 3189Update Time: 24/01/11 15:20:38
Zheng Jun's determination was expressed to Liu Qingshan personally as early as when he first joined the program team.

His original words at the time were, "Others can choose songs with a softer tone, but I can't. I have to sing "Back to Lhasa" when I go to Lhasa. I have no other choice." This shows that increasing the risk of his performance is also out of concern for Extreme love for this city.

Most rock musicians are temperamental people, so it is only reasonable to make such a choice. Of course, it was also the main reason why Liu Qingshan was worried before.

At this time, seeing that Zheng Jun's physical condition was not abnormal, Liu Qingshan acquiesced to his wish to sing the second song.

Fortunately, this song is a Cinderella song with little difficulty, but the chorus triggered by this made today's performance one of the most classic scenes in a live concert.

And at this time, the local time has also come to the evening. The slope far away from the school is green, and large swaths of sheep are floating on it like clouds. The backs under the bows carry the noisy dusk in harmony.

The singing at this time seemed to be carried extraordinarily far, and coupled with the obvious whistling of the wind beside my ears, the background of the song was no longer just the blue sky and the divine snow-capped mountains, but instead faintly exuded a sacred and holy sound. of light.

This statement is by no means an exaggeration, and only those who have been there can empathize with it. Just like the almost ubiquitous pious and simple folk customs here, the feeling of being enveloped by the sacred in people's hearts is as rich as the mellow aroma of highland barley wine and butter tea, which lasts for a long time. Not scattered.

Taylor was still standing at the front of the stage, holding a handheld camera, even though she couldn't understand many of the songs.

lyrics, but like most of the audience, they were teary-eyed and clearly felt a kind of spiritual baptism.

Perhaps this is the charm of excellent music. Unknowingly, with its profound implications and wonderful melody, it quietly merges with the water and soil environment here to form an ever-flowing, sparkling river of music, which makes everyone fascinated. Overwhelmed and intoxicated.

Even Liu Qingshan felt this magical and mysterious feeling and was moved by it.

He is a cultivator, and he understands better than ordinary people that there are mysteries in nature that cannot be explained by science. Although he does not think that Zheng Jun's songs can really gather the spirituality of heaven and earth, there are some things in Lhasa, a place of faith. Something mysterious and mysterious is certain.

It is not surprising that a place where highly concentrated beliefs have condensed the water and soil into a place where deep inner self-awareness is enveloped, and occasionally some characteristics of the divine world are produced.

But this personal feeling will always be sealed in Liu Qingshan's self-consciousness. He is not a believer in this kind of belief, and he will not make any evaluation based on the sight of a bystander.

Moreover, he knew that Bu Palace and Jokhang Temple were paying close attention to the changes in the aura here, so naturally they could not show any obvious reaction.

So he hurried up to Zheng Jun before he stepped down, intending to use his own smoothing over to help the other party win a more popular image in this country.

"Brother Jun, please stay. As your junior, I have the responsibility to temporarily serve as the on-site host, so as to help the audience ask some of their curiosity! What kind of motivation is it that motivates you to write "Return" This one from Lhasa

Song? "

Zheng Jun smiled. He understood Liu Qingshan's good intentions. Lhasa and even the entire Western Region were a magical place in China's territory, occupying an important historical position.

Liu Qingshan deliberately made his love for this place public, just to give him a unique advantage over ordinary artists and singers.

Especially in the music industry where the elimination rate is extremely high, blessings other than being a singer can be an invisible talisman.

For example, the folk singer who wrote "Rongcheng" in his previous life, no matter whether he actively or passively drifted away from the entertainment industry, he will always be a wanderer in the land of Rongcheng, and it is believed that he will one day return to his roots. public expectations.

Zheng Jun also needs such a symbol. As long as his character persists, he will become a timeless song like this song and be passed down from generation to generation.

This statement is too exaggerated, but there are two completely different situations, and they will at least become a strong punctuation mark that he will live a life worthy of his old age and frailty.

So he cooperated and talked about it: "This song was written when I returned to my hometown after graduating from college, couldn't find a job, and was at the most desperate time in my life. Before that, I had never been to Lhasa, and I had only read about Books about the Western Regions, I felt that I might have been from the Western Regions in my previous life, so this song became the longest song I wrote but took the shortest time..."

In fact, these contents have long been clichés, but it is particularly meaningful to say them on this occasion today.

For a place like Lhasa that is unconventional, holy, and opposed to urban duality, it is used to set off the soul.

Such a pure image, with a celebrity like him to help endorse it, is obviously of great significance to this city.

Moreover, Zheng Jun really likes the natural purity here, which has a lot to do with him being a professional rock music practitioner.

Because in the heart of every rock fan, there is an imaginary supreme freedom. The sky here is refreshingly blue, the clouds are dazzlingly white, and the air is as clean as filtered. In fact, it is a paradise of freedom in people's minds, far away from the world of mortals. .

Of course, he will never elevate rock music to the point where it is not enough to "must dream without eating or drinking". It must also be able to heal and defeat enemies, and finally the entire universe reaches a fantasy state of great cross-species harmony.

To put it bluntly, it is just a spiritual attachment. For someone like him who has been so desperate for rock music, it is only human nature to be able to temporarily abandon false fame and interests and retain what he considers to be the ultimate pure land in his heart.

There is a burning fire in everyone's heart. Today, Liu Qingshan used Zheng Jun's own mouth to express his own inner fire.

They are all utilitarian people parasitic on the fertile soil of the entertainment industry, which is not clear. They passively or actively establish such a personal image. It is not important whether it is true or false. What is important is that a restless heart has a place to rest. land.

With Liu Qingshan's cunning operation, both Zheng Jun and the audience had an introduction to continue their mood, and a happy situation was created.

After Zheng Jun walked off the stage amidst people's applause and shouts, the flow of today's performance naturally continued.

Under his introduction, other local performances went on smoothly, and it was not until more than half an hour later that he officially made his debut as the closing guest.

The first song is the completely Tibetan rap song "FLY". This later Tibetan divine song has become an international hit, and its influence has even spread abroad.

As soon as its prelude sounds, it gives people the feeling of being able to watch the clouds and see the moon.

The whole song has a clear rhythm and a unique style. It combines traditional Tibetan opera with various popular elements without feeling out of place at all.

Adding various popular elements to Tibetan songs actually played a certain role in saving the country, maintaining the original intention and winning the market.

Its unique sense of rhythm and strong Tibetan style quickly made the reputation of the song continue to explode on the scene.

Due to the strong melodic style of electronic dance music, it is still unexplored in the entire Western Region. Once its electronic texture is skillfully integrated with national melodies and instruments and becomes successful, it will definitely have a strong impact on the music trend here. the driving force.

With ethnic roots as its roots, and accompanied by crisp Tibetan male voices, it is rhythmic and highly recognizable, making people feel as if they are on the top of a mountain. It has a strong driving force in itself.

The fierce impact brought by this new style of pop music made the audience feel fresh and fashionable, and at the same time, Liu Qingshan's unstinting Tibetan singing was full of sincerity.

In addition, the melody of this song is really nice. Even if more viewers in front of the TV can't understand the lyrics, some parts are tongue-twisting. The repeated melody at the climax is not high-pitched, but it still can't be concealed.

Its sweet and pleasant feeling hits the ears directly.

There is a hint of purity in Liu Qingshan's slightly decadent tone, as if he were in a mountain uncontaminated by the world, with his arms open infinitely touching the high blue sky, the wind blowing his clothes, closing his eyes, swinging and flying with the music.

The melody reflects the creativity of the arranger. Just like this song, although I don't understand the meaning of the lyrics, I am immersed in the melody and play it on a loop.

But for the live audience, they understood that the entire lyrics were full of positive energy and had some religious philosophy.

The lyrics are simple, emphasizing the meaning of "flying", the pursuit of dreams, the call for freedom, the escape from impetuous life, the search for the soul's destination, and the longing for reincarnation happiness.

The lyrics and melody together create a beautiful and elegant artistic conception, a little ethereal, which makes it easy for people to enter.

As a result, the audience could no longer sit still and stood up one after another, imitating Liu Qingshan's simple dance moves on the stage. The atmosphere reached the climax of the evening.

The quality of a divine song that can be played repeatedly based on the melody alone is the existence value of a top-notch piece of music.

Perhaps it is too flattering, but it allows people to find a place of their own in the cramped reality and have a temporary good mood, which is undoubtedly of more practical value than poetry and distant places in life.

Entrance, emotion, harmony and resonance are the best musical works. The classification of music is not important. What is important is whether the music maker brings a sense of enjoyment to the listeners.

Moreover, Liu Qingshan specially put on the Tibetan costumes he wore on the catwalk during the performance. Such trendy Tibetan clothes are absolutely unattractive.

Unexpectedly, it adds a different kind of allure to this song, and also fully displays the national characteristics of Tibetan customs.

So after the song was sung, the people present cheered like crazy, and the atmosphere at the scene fell into an almost out-of-control state.