Chapter 1,367 Every note is a work of art

Style: Girl Author: three inch knifeWords: 3228Update Time: 24/01/11 15:20:38
Fu Haomin’s wife’s name is Wang Anqi, and they are college classmates.

Although this woman does not come from a wealthy family, she is a typical good wife and mother. She speaks softly, has a gentle temperament, is generous and tolerant, has an approachable mentality, and is always warm to her family and friends.

Liu Qingshan was the most defenseless person in his life. In front of Wang Anqi, he almost didn't dare to make unnecessary jokes.

This is a kind of awe after excessive respect, and it is quite a sense of reserve that a sister-in-law needs to be respected like a mother. Liu Qingshan's attitude towards her is always full of morality and good character.

Everyone is afraid. This is the reason why Liu Qingshan is afraid of his wife. He is only submissive on the surface, but when facing this person, he does not dare to make any mistakes from the bottom of his heart.

Fu Haomin really grasped this weakness of his and succeeded in repeated attacks. This was also the biggest joke in the Fu family.

The content of the exchange between the two people was fully reflected the next day.

Not only the relevant orchestras, musicians, and conductors were all implemented one by one, but also the filming, production and cost issues of the promotional song were all resolved in the morning.

Before noon today, he needs to submit the score of "The Unyielding Su Wu" and meet with all the participants. Later in the afternoon, he will enter the Forbidden City for filming.

There is a reason why we choose to shoot at dusk. Under normal circumstances, the Forbidden City starts clearing out at 5 p.m.

Guards usually start patrolling around 5:30, with infrared sensors and various surveillance equipment turned on.

Not because there are ghosts, but because the sky gets dark after 5 o'clock, which will give the ancient buildings a different color than usual.

There are many folk legends about the Forbidden City, which have caused some psychological pressure on some staff working in the Forbidden City.

Why isn't the Forbidden City open at night?

Some people say that the reason why the Forbidden City is not closed at night is because the yin energy in the Forbidden City is very strong at night. Many people have heard many strange "sounds" in the Forbidden City when passing by the Forbidden City at night.

Some people even said that when the staff patrolled the Forbidden City at night, they saw palace maids and eunuchs patrolling the palace.

Among them, the rumors of "Yin soldiers borrowing passages" in the Forbidden City are even more mythical, but you cannot regard all of these claims as feudal superstition.

Because there are many places in the Forbidden City that are not open to tourists until now, these places look very desolate.

Some people say that these places are sealed because events that cannot be explained by science have occurred there.

In order to avoid adding more unnecessary legends and troubles, it has been an old habit for decades to close shop when it gets dark.

Of course, there are legitimate reasons. As an ancient royal building, the Forbidden City needs to be patrolled, cleaned and maintained after being visited by tourists during the day.

In particular, some low-quality tourists will leave ink "so-and-so was here" wherever they go.

In order to remove these "bad traces", the site was cleared early to leave sufficient time for timely restoration of cultural relics.

Liu Qingshan arrived at the reception desk of the Forbidden City at around three o'clock in the afternoon.

At this time, the film crew of National Television also arrived in advance because they needed various preparations and equipment debugging in advance.

The person leading the team is called Huang Yongkun. They are a dedicated filming team of the National Television Literary Program Center, not a filming crew for a certain channel or program.

because of him

Most of them are responsible for shooting scenes of major events, and they are the main subjects of cultural scenes for news channels. It can be seen that the national television department attaches great importance to this assignment.

Of course, there is also the reason why Liu Qingshan's "The Unyielding Su Wu" was chosen by the China Philharmonic Orchestra, which was accepted by the National Television.

This orchestra is a first-class orchestra in China and the preferred partner for external music exchanges. It is considered the orchestra with the heaviest mission in the mainland symphony community.

It is not like the National Symphony Orchestra where Bao Qiming is a member, which faces huge commercial pressure. All performance tasks are related to major political and business activities, so it has gathered most of the well-known domestic musicians.

Today's main camera operator is named Min Zhenghang, and his assistant is Yan Qiaohui, a rare female assistant cameraman.

The first thing Huang Yongkun said when he brought the two of them over was: "Mr. Liu, as a rule, you have to have a recording before shooting the MV. Otherwise, I don't understand the connotation that needs to be reflected!"

Yan Qiaohui on the side quickly introduced: "This is Director Huang Yongkun of our National Television Literary Program Center, and he is also the director of Mr. Liu's song MV!"

Liu Qingshan did not dare to neglect, shook hands tightly, and handed over the mobile phone in Shi Hui's hand: "This is a demo I recorded in a hurry last night. There is no complete soundtrack yet, only a simple piano accompaniment!"

Huang Yongkun didn't waste any more nonsense. He immediately took the phone and started listening. Others gradually gathered around. They were all very curious about Liu Qingshan's works.

This song is called "Light", and it was originally written about the Forbidden City. It is more consistent with the theme audio-visual concert project of "Heaven and Earth Yongle·Huaguo Festival", and the concerts every year before 2020 were sometimes chosen outside the Forbidden City. show.

This is a very relevant national song that remembers the glory of the past. The lyrics and music are actually very modern, but at first listen, the melody of the main song is ordinary, and it is even said that there is nothing outstanding about it.

But as soon as the dramatic aria in the chorus was released, it immediately hit the hearts of everyone present.

When the drama section was repeated repeatedly, the quality of the entire song was immediately reflected. It not only fully sublimated the dull part of the previous tune, but also simply and crudely proved that the worries before leaving office were completely unnecessary.

It can be seen from their respective expressions that complete shock has filled everyone's heart. A tingling sensation on the face, and in the depths of the soul.

The melody, lyrics, and singing are all absolutely stunning. The whole song is high-sounding, soothing, powerful, and hopeful. All the elements are on the apex of the listeners' hearts, making them itchy and excited.

Liu Qingshan's singing is even more amazing, with a warm alto at the beginning, a clear and high-pitched teenage voice in the middle, two beautiful scenes, and a soul-stirring singing at the end.

The emotions are advanced layer by layer, and it is a perfect fusion of modern pop music and traditional opera elements. The sense of narrative and explosive power directly touch the heart, and almost every note is a work of art.

A song that is like a "proposal composition" can actually be written and sung at this level. Is this his rumored ability in music creation?

Now when I go back and listen to the previous verse, the whole verse becomes a completely different feeling.

The lyrics have also become extremely beautiful, especially the line "so much fresh life, but also traces of withering", coupled with Liu Qingshan's very calm alto singing style, there seems to be endless undercurrents and flowers blooming in the calmness Fall, the insignificance and greatness of life

Da, the truth is exhausted in this sentence.

His breathy singing can really be said to be like an ace, and paired with his balanced mixed singing, which is gentle and a little nostalgic, the entire intro and verse are perfectly calm and gentle.

The images chosen in all the lyrics are also very accurate. The first verse chooses fluid images, such as the sea, monsoon, and four seasons, which are accurate and lyrical.

The entire chorus serves as a transitional section, linking the verse and chorus very well.

First, it jumps from the low do to the high do, then goes down and returns to the low re, jumps up again, and in the last sentence goes down and returns to xi.

Receiving the sound xi, which is g4, can greatly enhance the tendency of the pre-chorus to the chorus at the end of the pre-chorus. In terms of melody, it is simply an impeccable pre-chorus. The listener can feel it just by listening to the melody. The beauty of it.

However, the mix did not choose to superimpose a large number of harmonies for enhancement. Instead, it added a delay effect to form a distant echo. With the delayed harmonies added, the vocal effect of the entire chorus became richer.

After listening to the whole song, Huang Yongkun actually had a tearful expression and tone.

"Mr. Liu, I have to say that the whole song is very good. It can be said that it is one of the songs that I have heard in the past two years that has the best connection between the drama and the main melody. It is also the best fusion of non-archaic style songs after the drama is inserted. A good song.”

"This song is not about the glorious Forbidden City in the past, but about the present Forbidden City that has gone through six hundred years of vicissitudes. It feels like six hundred years of time have been sung in just one song."

"This may be the gentlest and most peaceful lyrics about modern history that I have ever heard, and it describes the ups and downs of a hundred years in just four sentences. And for the first time, the subject 'you' in the Forbidden City appears as an interlocutor. into the lyrics.”

"It's like stroking the scars left by the war. The entire pre-chorus singing is also softer, with a little sadness, a little comfort, and a little talk. The healing feeling is really countless. Good news for anxious people.”

"In our impression, the Forbidden City should be heavy, majestic, and solid, but the chorus uses four best words to describe it, 'the smallest, weakest, softest, and fearless you.' The contrast of this description makes The Forbidden City has come alive."

"We often say that history, cultural relics, and culture are silent, but when we work hard to understand and go deep, we can hear and see their responses very clearly, and use their appearance and traces to It tells us stories that are buried in the long river of history."

"When you understand it, you will be moved by their silent persistence, that is, 'there is always a glimmer of hope.' They may have experienced countless winds and rains and turned into ruins and fragments, but in the end, countless efforts were made to restore them People, bring them back to life.”

"This kind of intergenerational inheritance, this sense of silent and heavy flow, I believe everyone who understands it can't help but burst into tears. Mr. Liu, you have another classic masterpiece, and the interpretation of the theme is accurate, When I listened to this song, I wanted to cry a little, lamenting the passage of time and the passing of old friends, feeling both the insignificance of people and their strength."

Liu Qingshan was not surprised by the man's long speech, which he could hardly take a breath, but what surprised him was the many professional interpretations in this man's words.

"Director Huang still knows music?" So he couldn't help but ask.