In order to adapt to the new performance format, Liu Qingshan deliberately took off his suit jacket and only wore the white shirt underneath.
The lower part of the shirt also broke free from the constraints of the belt, and the two upper buttons were unbuttoned, partially covering his strong chest muscles, causing screams from the girls, and many of them even screamed hysterically. Roar.
Everyone at the judges' table had a wry smile on their faces, because they knew in their hearts that from this point of view alone, compared to the two rows of people above them, there was not even one person with such terrifying popular appeal.
However, no one felt unhappy. Liu Qingshan's current reputation has already surpassed the category of a star. If he surpassed it too much, he became a helpless bystander.
The moment the melody begins, there is a scalp-numbing subwoofer rap, which instantly reveals the sense of oppression and rendering power in Liu Qingshan's stage charm.
Just listening to his singing is like being in a brutal fighting in a bullring, a poignant and heroic atmosphere. The male's super bass at the beginning just continued the judges' previous knowledge about his bass.
There are also the free switching of various voices during the singing process, the catharsis of the male high voice, and the transition of the female middle school. It is obviously a living vocal performance class.
Compared with the original singer, his voice condition is more capable of switching between several parts at will. Of course, the content of the song itself and the design of the performance vocals are already the pinnacle.
The song describes a fierce battle that took place in the bullring of Seville, Spain, to show the endless human struggle from ancient times to the present.
It reflects the larger human ecology, which requires more different forms of musical expression. Such voice changes are by no means to show off skills.
The emotionally explosive bass mode that enters at the beginning is like an indifferent and ghostly bystander, sending out a very tempting invitation to the world.
Then the high-pitched and penetrating voice appeared next, and the passionate scene was panoramically displayed like a live broadcast.
The main song depicts a traditional complete bullfight, including: the main matador, the spearman, the dart bearer, and the assistant matador.
Although the main song objectively describes the process of bullfighting, you can feel that the stance of the lyrics is always on the side of the bull.
But Liu Qingshan lowered his head and roared like a bull. The bull's roar ran through the paragraphs. He covered his face with his hands when rapping, seeming to imitate the true state of bullfighting.
When imitating the soft and deep sound of a cow, it looks like a cow that has just come on stage and is looking around, unruly. After singing about the movements of the spearmen and flower dartmen, each line will be followed by a higher r, like the roar of a bull after being injured, painting the whole scene with vivid levels of sound.
It's just that his performance moves wisely abandoned the original singer's crazy desire to perform, and instead showed the simple way of expressing emotions of a real rock singer.
He believes that rock music is not about sensationalism, but about emotional outpouring, and those flashy performance styles are only suitable for traditional opera stages with plot interpretations.
The essence of a qualified rock singer is singing rather than performing. What is passionate is the transmission of voice appeal.
The whole song reflects that the cruel game of bullfighting is regarded as a celebration, and each step of the melody is covered with a gorgeous sense of ritual.
When the matador and the bull's wild eyes face each other, and the decision of life and death is made so close, are they struck by the bull's wanton and absolute vitality?
As a bull, it does not fight for vain honor, but because of its own nature. However, it does not know that in the bullring, it and he are just objects for people's entertainment.
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The "wild nature" is trampled, entertained, and killed. The matador is like an artist in costume, dancing with blood, pleasing the nobles and the people, being worshiped, empowered, and decorating the carnival of the world.
Yao Beina chanted the Requiem, which was surprisingly consistent with the entire genre of music. The quality of the song suddenly unfolded into a holy prayer, and she sang an emotional elegy for the lives sacrificed on the battlefield.
As the drumbeat progressed, Liu Qingshan's chorus added 2 melody and sounded again, intertwined with the requiem, and the effect of combining beauty and tragedy into one made the sensory stimulation infinitely amplified, gorgeous and noisy, and made everyone at the scene feel excited. Trembling.
A good musical work does not have to have a stable rhythm and continuous melody from the beginning to the end.
Liu Qingshan's extremely wide vocal range and variability of timbre are also practicing his musical concepts to integrate into this work.
This live performance was shocking! Perfect! Impeccable! Although this song has appeared for some time, no matter how good the live broadcast effect is, it is not as shocking as hearing it live. At this time, for those sitting on the judges' bench, the impact of dimensionality reduction is still obvious.
The stage appeal of the subwoofer is too strong. Who said that heavy rock is all about roaring and catharsis? Without the roaring and explosive climax, the audience was still extremely excited, and all kinds of shit were shouted out without thinking.
The shock that can arouse people's wildness overwhelms everyone. Even the elderly who cannot accept rock music have a sense of surprise and satisfaction, so that the sound lingers in their ears after listening to it.
The thickness of the arrangement and the variety of melody are in line with the characteristics of a song with a strong sense of photography, which is one of the reasons why the live effect is quite good.
The imitation of cow braying in the form of a chorus is very immersive in itself, and combined with the heavy drum rhythm, it creates an immersive and tense atmosphere.
It is almost a consensus that it is enjoyable to listen to it live, and many audience members' hands are even shaking, which is caused by the unconscious excitement after hearing their favorite melody.
So after this performance ended, the wild sound in the audience became stronger and stronger without interruption.
The screams of many shrill female voices further illustrate the terrifying power of worship that the young man on the stage brought to them.
The camera of the TV station pays keen attention to more subtle plots. There are many scenes of screams and screams with faint tears on their faces. This is a kind of worship and recognition for the vitality of the singer.
It wasn't until the female host appeared again and reminded her that Gu Yun gave a timely evaluation from a professional's perspective.
"In my viewing experience, I used to place the image quality of a song in an important position. It was not until today that I realized that image quality alone is not enough. Narrative-based songs require a camera sense."
"This storyboard narrative method requires the use of the skills of the arranger and singer, and then detailed arrangements based on the characteristics of the timbre and instrumental music, and finally highlights the sense of the camera. I am very happy that you did it!"
"The chorus part is incorporated in the rock style. Unexpectedly, you removed the fierce drum beats and combined it with the arrangement's neat elements such as standing cymbals, organ, and multi-part harmony. It has a very sacred feeling."
"I think the chorus section has explained your creative ideas in place, and it is also the most brilliant part of the whole song. At this time, the atmosphere has been heightened to a climax, and the arrangement immediately returned to tranquility. The sound of the spare piano made me feel a sense of peace. It’s an ethereal feeling of standing in a deserted land, completely silent.”
"Then, the rich and round bel canto treble rises, which is holy and full of redemption. Then the snare drum march rhythm is added, and then the chorus is added, so that the emotion of the song is lifted step by step, to a supreme and radiant place."
"Such a song that blends popular and bel canto singing, with melodies in modern and classical styles intertwined and staggered, has a peaceful and positive beauty. No wonder some people at the scene shed tears."
"Even though this is a new song that everyone has heard for the first time, your creation does not affect the camera feel of the work itself."
"Especially when the melody of the chorus kept repeating into the chorus, many spectators present also sang along. I think if it were in a wider stadium, it would be even more shocking."
"To describe it in a more intuitive way, the audience's emotions are as calm as the deep sea, but as tense as a bowstring, heading towards the final climax. I personally feel the same way!"
"At the climax of the song, you incorporated your best rap, probably because you want to return to the original intention of writing a song. The main melody of the song is still laid underneath, and connected with the lyrics, it has the meaning of accusation and persuasion. "
"Personally, I think this sentiment is very reasonable, and I feel that rap should be used to release it."
"The stormy rap ended with two high notes of 5 and d5 without hesitation. The whole section was smooth and smooth. Not only the audience, but even people my age were applauding unconsciously and cheering hoarsely. It seemed real in a trance. Watched a fierce and dreamy bullfight."
"In my impression, the trend of domestic song arrangement is that a large part adopts the crescendo technique."
"There are currently relatively few songs that actually use ups and downs in the arrangement, and have a gentle structure in an overall fierce style. I can only say that I like it very much." She is not stingy about her preferences at all, He also seemed to have forgotten that there was a time limit for the live program, and just expressed all his feelings.
Taking advantage of the moment when her tone softened, Xu Peidong also expressed his views.
"I thought this was a very niche song and not everyone would like it. However, judging from the response today, not only the fans, but others also clapped for you and praised it excitedly after the end. This song surprised me a lot.”
"But after listening to Mr. Gu's interpretation, I'm not surprised anymore."
"Your performance is more like a musical. The experience of watching the video and watching it live are never in the same dimension. The sense of involvement and impact it brings to people on the spot is spectacular, and it is never the same as lying at home and watching it. The senses can be captured through video.”
"What's commendable is that there is neither a commercial air of makeup nor impetuous brilliance in the song. Why do people who have listened to it live agree that it is a smooth and highly completed song?"
“I think it’s because it has so many remarkable features that it has enough live appeal to shake the audience.”
