The recording process only lasted less than a minute. Liu Qingshan raised his head and said: "This song is called "Shape of You". The attachment to the body involved in the lyrics turns the dirty connotation into something very refreshing. Refined, wow haha, so stay tuned!”
As soon as the words fell, the magical guitar rhythm sound instantly showed its unparalleled temptation, and the audience fell into it almost instantly.
The brisk melody is also strummed by the guitar in Liu Qingshan's arms as he claps, like a football player clinging to the football under his feet, adding a touch of Marseille's slalom and ease.
It is also like the peeing nature of a billiards player who clears the table with one shot like magic, and the free and easy way of a tennis player who shuttles across the bottom line of the net as he pleases and controls the various changes in the tennis ball.
The melody that opens the eyes of the world, the ups and downs of the chords' motivation changes and density, the use of heavy beat external sounds at the chord replacement nodes, and the flickering and movement caused by chord changes within a small range of musical intervals are all rare creative skills.
The club isn't the best place to find a lover
This club is not a place to find solace.
So the bar is where I go
So we go to the bar
Me and my friends at the table doing shots
My friends and I were having a toast at the table
Drinking faster and then we talk slow
Drink it all in one gulp and then slowly express your heartfelt feelings
The four lines of the main song, which seem to have a modular relationship, have cleverly avoided problems such as the repetition of homophones. By virtue of the syncopation of rhythm, the repeated sounds in the first half of each line are also divided, which solves the problem of unmotivated listening in similar situations. Feeling issues.
You come over and start up a conversation with just me
At this time you came over and started chatting with me
And trust me I'll give it a chance now
you know i will answer
Take my hand, stop, Put Van The Man on the jukebox
Take my hand, stop slowly, put on Van The Man on the jukebox
And then we start to dance, and now I'm singing like
We slowly danced to the song and I hummed softly
Girl, you know I want your love
Girl you know I want your love
Your love was handmade for somebody like me
Your love is only for people like me
Come on now, follow my lead
Come on, just follow me
I may be crazy, don't mind me, say
I might lose my mind. Don't take it too seriously. Just talk to me.
Boy, let's not talk too much
Oh boy, don't talk too much
The chorus part comes suddenly, and the magical melody is immediately vividly rendered.
However, Liu Qingshan's scoring technique is exquisite and smooth, but it does not go out of tune, always flickering back and forth between four chords.
Such advanced strumming technology is not only high-end in terms of technique, but also down-to-earth in terms of listening.
At a relatively fast tempo, the chord replacement cycle actually reaches 2 beats/time, which is such a terrifying density.
The use of external sounds at high frequencies and appropriate segmentation complete the change and continuation of the creative motivation, which not only increases the frequency of the unresolved motivation, but also enriches the selectivity of the subsequent melody.
The beauty of this song lies in its rhythm. For those who like music, listening to it can make emotions flow so naturally and smoothly, no matter what kind of thoughts they are.
The rhythm and drum beats are also very coordinated and just right, and simple words such as come on and follow are also very motivating, allowing the listener to instantly hum or even dance along with the rhythm.
This was the scene in the auditorium. Almost everyone was swaying to the rhythm, with joy in their eyes.
Moreover, the lyrics of this song are well written, neat, rhyming, interesting, personal yet resonant in breadth and depth.
More importantly, this is the shock that Liu Qingshan brought to people at the scene. One person is a band's extraordinary performance and novel singing style, making many magical melodies always loop and superimpose in the ears. This kind of The magical on-site effect is so refreshing that it makes people feel like they are flying with joy!
This is a brainwashing song that you can never tire of listening to. It is like an addictive mantra that you can no longer suppress after listening to it.
In terms of pure melody, it is a breakthrough in creation, breaking away from the previous inherent composition mode. The style of music is dreamy and transcendent, and its popularity is explosive.
Although the lyrics become more heart-wrenching the more you listen to them, they are not deliberately sensational. Instead, they choose to use a brisk rhythm to tell a less brisk story. There is no separation between life and death, no love, hate, and hatred. It is very, very real, as if you and I All have experienced it.
For Liu Qingshan himself, this kind of instrumental accompaniment is simplified throughout the whole process, and it is also a song that very intuitively reflects the huge gap between the European and American music circles and the Chinese music circles. He hopes that through this song, he can promote the creative ideas of the domestic music industry.
As soon as the song was played, the whole audience was shocked!
Just a few seconds later, the people who had stood up and danced suddenly burst into deafening applause.
If before many people only valued his magical skills, from this moment on, no one would not think that he is also an excellent singer.
Moreover, his creative ability and the way he performs live soundtracks are no less than his moving singing voice. They also leave a deep impression on people and a surge of emotion that can never be recovered for a long time.
In other words, after this song, he quickly transformed from a superhero to a super idol in the hearts of many people. There is no superiority or inferiority between the two, only a more down-to-earth love.
As expected, the sound of thousands of people shouting "Alien" resounded again, accompanied by some little girls screaming at the top of their lungs, which suddenly pushed the evening's program to a climax. tide.
Even Brenda had an expression of disbelief. Perhaps only a few staff members from the TV station who had seen the rehearsal could still maintain a relatively calm mood.
"I didn't expect, I didn't expect that Mr. Liu has such a high talent in music. I have been to Xiangjiang, and there seems to be a saying in the entertainment circle there that one can become a god with one song. I think this sentence can be applied to Liu. It should suit your husband very well!”
Brenda's tone of voice was still breathless, and it was obvious that the effect of the previous explosive scene also had an impact on him.
When they started talking, the atmosphere at the scene relaxed significantly. After hearing Brenda's statement, many people nodded in cooperation.
Jin Xishan covered his mouth and chuckled: "He is already very famous in China, and several of the songs he has written are very popular. The key is that many musicians are studying his style creation method, because many of the technical melody settings in it are from Those who have never appeared before say that it is no longer simply beautiful and can be described!"
Whenever others talk about Liu Qingshan's works, Jin Xishan is always full of emotions and has a strong desire to participate.
However, Liu Qingshan sounded like she was bragging, so he would quickly interrupt her at this time.
"Actually, I just came to the stage today to show off, because no matter how high-end one person's performance is, it can't be as good as the quality of the band's soundtrack! Just like the drum design from beginning to end, my single release will use marimba, it will It makes the whole song more lively and magical!"
His explanation received professional evaluation. The speaker was Smith, the singer of the band Prayer, today's opening guest and currently one of the most famous bands in England.
Smith is the soul of the band. Although he has only had two albums so far, every song he has written can be said to be a classic of pop music and he is the new idol of the younger generation.
This slender and fair-skinned London man, whether on magazine covers, videos or live broadcasts, has a poker face that has remained unchanged for thousands of years. He will never wear any other color except black and white, plus his unique The hairstyle with long bangs on one side is stunning!
Of course, his talent is more reflected in his singing style and songwriting. His singing can be described as "morbidly coquettish and arrogantly poignant", with beautiful transition between true and false voices, gorgeous and unique.
The other members of the band also have their own characteristics and talents. What is rare is that they are all handsome and have a height no less than Liu Qingshan. This kind of neat appearance that seems to be artificially designed is very rare in today's music world.
These people have actually met Liu Qingshan during rehearsals, and they are also his fans, especially Smith, who has already elevated Liu Qingshan to the level of an idol.
Originally, he didn't need to stay to participate in the interview, but he refused to leave after the opening performance. The program team simply pulled him on the stage when Liu Qingshan was singing, just to let him make comments about Liu Qingshan's works. More professional judgment.
Smith was talking: "If we use marimba to create the unstoppable '6 16 6 16 6 16 7 65' back-and-forth accompaniment, and then go through the weightless post-stage atmospheric processing, the fixed beat of such percussion will be In every song that follows the same chord pattern, there is already a rare spirituality. And this song is half in major and half in minor, so the test of melody writing is an incomparable challenge. Of course, this type of Problems such as the repetition of homophones may occur if the style of music is not careful, but Mr. Liu's melody design cleverly avoids this problem by making the four verses of the verse seem to fit into the relationship, and at the same time, relying on the syncopation of rhythm, it also The repeated sounds in the first half of each sentence are separated, which solves the listening problem of poor motivation in similar situations."
Although he was very talkative, the series of professional interpretations that came out of his mouth made most people confused and looked at each other in confusion.
