Liu Qingshan's previous exposure of his strength was intentional, and his current threatening words are also similar personal declarations, with the purpose of cracking down on those who are causing trouble behind the scenes.
Because he knows very well that any businessman with a big-picture view, or someone with certain rights in the entertainment industry, will understand that the key to doing business is to be profitable.
In the face of interests, we can put aside the intrigues and intrigues between each other in daily life, and only focus on personal gains.
It is nonsense to put righteousness first and profit from righteousness. As long as there is no hatred for killing the father or taking away the wife, everything can be discussed.
But the fact that these people were able to graft the rift between them and Qinghuang Pictures onto him, and do whatever they could, showed their inwardly dismissive attitude.
No matter how young Liu Qingshan is, he still understands the strangeness. As a warrior, he will naturally feel a strong sense of humiliation that his dignity has been violated.
Besides, he is still a mainlander, and he is even more disgusted with the feeling of looking down from above that is unique to a certain type of people in Xiangjiang.
After hearing his words full of resentment and grievance, Hong Dabao showed a look of helplessness on his face.
"Shan Zai, have you thought this through? You want me to say something like this?"
"Brother Dabao, let's just say this. If it weren't for the good deal with Director Ye and the others, I wouldn't have wanted to come here this time!"
"Okay, but you have to be mentally prepared, maybe they will retaliate later!"
"How can we retaliate? I've been waiting there for more than half a month. During this period, they even tried to replace me many times. Feel free to use whatever means you can!"
Hong and Zhen were both speechless. They knew Liu Qingshan's ability and pushed him into a panic. They made some invisible counterattacks to ensure that no one could find out.
Although it is said that Confucians use literature to disrupt the law, and chivalrous people use force to break the prohibition, but at his level of martial arts, if he wants to do something that violates the laws, it is really helpless, and the most he can do is leave.
Liu Qingshan didn't say much on this topic, and while the props at the scene were busy working, Ye Weixing and Ren Jiahua had already walked over to the three of them.
"Shan Zai, your one shot ruined the original plan to take the photo after eleven o'clock."
Ye Weixing's words caused a burst of laughter. He was right. It was just past eight o'clock, and the unexpected success caused the order of the scene to be in a state of chaos.
Some preparations for tomorrow need to be arranged now, and of course there will be a period of chaos.
However, there will be no more Liu Qingshan scenes, otherwise the venue would have to be moved, and the end time tonight would be even less guaranteed.
"Tell me about your understanding of the script. After several months of preparation, some plot issues have been deleted and added. The main reason is that many people feel that the story of the film is weak!"
It was Ye Weixing who was asking. After all, Liu Qingshan was half the screenwriter who wrote "Kung Fu" and had a clearer awareness of the strengths and weaknesses of the plot.
Liu Qingshan didn't intend to say anything, firstly because he was angry, and secondly because he was new here and would offend others if he said too much or too little.
So he just shook his head and imitated Kunal and others by doing a shrug.
However, there are indeed big problems in the script of "Slaying the Wolf". First of all, its story is not very eye-catching and can even be told in a few sentences.
Policeman Chen Guozhong, played by Simon Yam, is terminally ill. Before his retirement, he is determined to bring down the underworld boss Wang Bao, and even goes so far as to frame the crime.
In order to continue to take care of his adopted daughter for him, his men secretly took Wang Bao's money, so Wang Bao sent the killer Aji to kill them all.
Ma Jun, who arrived at the police force to take over Chen Guozhong's position, challenged Wang Bao in a one-on-one challenge, but it ended with a series of fights that resulted in the death of several people.
The subplots are just some police officers being assassinated one by one. For example, Ah Le played by Zhang Zhiyao, Hua Ge played by Liao Qizhi, and Chen Ge played by Xia Shaosheng were all assassinated one by one by Aji played by Liu Qingshan.
However, through relevant information, Liu Qingshan also knew that it was also a reality that the film would become famous after being screened.
And its fame certainly does not come from the film's bland and pale tone, but from its very exciting action parts, for which it won the Academy Award for Best Action Design.
After all, there are three big brothers from Hong Kong movies in the original film, as well as mainland martial arts star Wu Jingtong, so it is destined that the martial arts scenes in this film will be full of real swords and guns, and punches to the end.
But this hearty martial arts scene cannot make up for the paleness of the plot.
At the same time, the atmosphere of gangsters and brotherhood in gangster movies, although it is the focus of the film, is always short of breath and not deep enough.
As for the plot, it is full of flaws.
The police secretly tampered with evidence, threatened witnesses, murdered murderers, hid stolen money, etc., completely destroying all three perspectives.
Even though he wears the cloak of promoting justice and being righteous, it is still unacceptable for law enforcement officers to respond to violence with violence.
So on a certain level, this film doesn't give people a good impression.
It's just an accidental highlight and a twisting ending in the film, but it's like a drop of blood dripping on a piece of white paper, showing a particularly coquettish red color that is stunning.
The first highlight is borrowing the jazz mood from Western gangster movies. Although it is a reference, the painting style is integrated very well. Liu Qingshan is very interested in learning from this.
The second highlight is several dramatic death scenes.
In particular, Ah Le's death scene is the most stunning scene in the film.
The blade of the knife shone with cold light in the darkness was slowly raised, changing the angle, and sealing the throat with the knife. The injured person instinctively protected his neck with both hands, feeling the panic and despair before death, and this process only happened in one minute.
Then there is the disbelief and reluctance in Aji's eyes when he fought with Ma Jun played by Zhen Zijian in the alley, and was finally cut open by his own knife. When he died, he threw himself straight on the ground, which restored the death scene too realistically.
The third highlight is that the supporting roles are great!
Brother Hua, played by Liao Qizhi, gave a remarkable performance in this movie.
In the restaurant, Chen Guozhong told him that he had brain cancer. While Hua Ge was saying nothing, he was obviously starting to panic while eating pasta. After Chen Guozhong left, the explosive scene where he smashed the coffee cup to release his emotions was performed naturally and profoundly. .
Brother Hua called home from a public phone booth in the square, intending to greet his father with whom he had an unresolved relationship on Father's Day. When his mother told him on the phone that his father had passed away, his performance of some shock and suppressed emotions was very good.
The fourth highlight, the stunning ending instantly elevated the film's purpose, transitioning from the unconventional use of violence to respond to violence to karma.
Ma Jun, who originally relaxed his vigilance, was suddenly knocked out of the glass wall by Wang Bao, fell from the building and killed Wang Bao's wife and children who were waiting in the car downstairs.
But all the shining points cannot cover up the paleness of the whole story. It can't even be said to be a plot at all, it's just kill, kill, kill.
Fortunately, its killing descriptions are sharp, tough, domineering, violent, never sloppy, and sharp-edged. The skills of several key characters in the play are very good, which is also the fundamental reason why the film finally won box office and action awards.
