The long recent chapters are finally over. My outline for this book is five chapters and 1.2 million words.
The Owari chapter is about 150,000 words long, and it has recently increased to nearly 700,000 words, which made me confused.
Because it was my first time writing it, I didn’t expect that after the characters appeared one after another, the number of words in the plot would increase exponentially, and the expansion would be scary.
The current estimate is that the full text should be between 2 million and 2.5 million words.
In the subsequent Echigo arc, basically the main characters will appear, so the word count shouldn’t be expanded, right?
Recently, readers have been asking me to pay attention to emotional dramas. I would like to express my own opinions and ask for your correction.
The female-dominated society I understand is that women have taken the lead in society, so their thinking is close to that of men in our world.
Men are much more rational than women. Emotions are just accessories, and interests are the key.
The whole book talks about conflicts of interest. Only a few people talk about emotions and principles, and they become outliers.
The love between a man and a woman that the protagonist encounters.
Ashikaga Yoshiteru is the one who cannot be grasped, and Akechi Mitsuhide is the white moonlight in the paranoid heart.
Maeda's interest is like a dog-licking first love, thinking that if you pay, you will be rewarded, Maeda's interest is a yandere mentality, I want it, I want it.
In fact, in the patriarchal world, they are all paranoid men in real life, and their favorability is forcibly increased by the system.
Normal men give priority to their interests. They make money first and then find a woman. Once they have money, they are afraid of not having a good woman.
This is male thinking, so the more I wrote this emotional drama, the more perverted it became. I didn’t even know I could write it so beautifully.
The protagonist is a typical green tea watch, selfish and a little bourgeois-style pity, which is disgusting.
They are unwilling to give up their privileges and are soft-hearted and cannot bear to see the suffering in troubled times. In fact, the oppression of the privileged class is the root of the suffering.
In this ruthless, female-dominated society, relationships are a joke, and people who are serious about relationships live like the men and women in Qiong Yao's works, pretentious and unreal.
This book is a two-part novel about the heroine of the Warring States Period. The ruthlessness of the warring states struggle for hegemony and the heroine's thinking are hilarious. The combination of the two makes people laugh.
This is a different Japanese Warring States Period that I pursue, but my writing skills are insufficient and the writing is not good enough.
Many book friends are asking whether they will gradually become eunuchs after the first update.
I personally think it can be written. The outline is complete, but the writing time and detailed thinking and adjustment are missing.
Thanks to my book friends for their continued support, I will continue to work hard, and I bow to express my gratitude.
