On the second day, the painting competition continued.
On the first day of painting, the painters had no choice but to show their full potential, and on the second day, they had a corresponding theme - Emperor.
Hearing this question, the competition had not yet started. Mo Yangsheng, who came to watch, couldn't help but secretly screamed a pity. Yangyuan, who had finished the competition next to him, also sighed.
Because of the last contact with Taoist Xuanxu playing the role of a melon grower, Jin Yang, who had some friendship with Mo Yangsheng, heard this and asked curiously: "What's wrong with you two? But is it because Taoist Milo has not started writing yet? Speaking of which, Why hasn’t Fellow Taoist Milo started yet? This question is not difficult, I heard. When a painter is learning to paint paintings of gods, 99% of the first portraits of gods he paints are portraits of emperors."
Hearing this, Mo Yangsheng said: "Jinyang, what you said is right, but the depiction of emperors and gods is also the most difficult type of painting. In Hanxia's nearly 50,000-year history, it is only a national treasure. There are more than 8,000 portraits of the emperor, and those portraits are all so extraordinary that they can arouse the emperor's divine power. Milo is still a little short of reaching their level."
"Everyone knows the image of the Emperor, and every household has related ornaments. This means that there is almost no room for the Emperor's statue to be used. After all, the places that can be modified have been completely modified, and the rest are beyond the scope of the project. "
After Yangyuan added, Jinyang was even more surprised: "Wouldn't it be nice if Milo painted the mountains and rivers just like yesterday and hid the emperor in them? His painting yesterday was very powerful. It obviously had nothing to do with Youzhou, but it made him I feel a trace of Youzhou’s atmosphere.”
Hearing this, Mo Yangsheng sighed again: "You usually stay in Youzhou, and you don't know some of the criteria for judging Hanxia painting. For other painters, they do not directly depict the image of the emperor, but rely on certain legends and relics, and then Showing the emperor from the side to stick to the theme is a good choice. However, Milo's creation in landscape painting yesterday was too good. If today's landscape painting is still the main focus, then the impression score will inevitably be low. When competing for the final result , it will inevitably be looked down upon."
Only then did Jin Yang understand that Mo Yangsheng and Taoist Yangyuan sighed not because they were worried that Milo would not get good results, but that they would not be able to win the championship.
Jin Yang was amazed at the thought of the Immortal Sect's true story, but he had no intention of continuing to ask. He looked at the meditative Milo, looked up in all directions, and finally landed on a lotus lantern.
Milo calculated the time and found that the day of the competition happened to be the Ghost Festival. He looked at the lotus lanterns and suddenly had an idea. He first drew the outline of a person on the scroll, and then centered on it. Describe lotus lanterns.
Under the lotus lamp, various underworld scenes vaguely emerged.
"Is this?" Jin Yang, who was watching from a distance, looked surprised. Mo Yangsheng looked up and frowned slightly.
"Lotus lantern? The underworld and the underworld? Milo is planning to use the Ghost Festival and the emperor as the main theme."
Speaking of the Hungry Ghost Festival, we have to mention the Three Yuan Festival, which almost no one pays attention to in Hanxia.
Different from the Qiqiao Festival, there is no high-ranking god in Hanxia, and there is no mention of blessings from heavenly officials. What's more, the earth gods are mainly emperors, and there is no god who can be above the emperor, so there is no way to talk about the Shangyuan Festival.
Secondly, the functions of local officials largely overlap with those of the emperor. In addition to the original Golden Rainbow Festival, no one pays attention to the Hungry Ghost Festival. The few concepts are also integrated into the myth of the emperor. Most of the legends about the Ghost Festival that are circulating in Hanxia today are that the emperor took pity on the souls of the dead, saved them with lotus lanterns, and escorted them in and out of the ghost gates. This is obviously different from Hanxia.
In the last Xiayuan Festival, the owners of the four major river systems originally cared a little about it and wanted to take advantage of it to occupy the sovereignty of the water system. However, with the decline of Shangyuan and Zhongyuan, not many people paid attention to the Xiayuan Festival. Among the four major river systems, After the master gradually lost interest, he also disappeared.
The decline of the Sanyuan Festival naturally makes the image of the three officials very blurred, which makes it very suitable for Milo's creation.
Based on the legend that local officials are emperors, and based on his own Taoism, he accommodates various ideas at hand, and derives concepts such as salvation, redemption, and forgiveness of sins. With the depiction of lotus lanterns, he condenses them in the lanterns in an understated way. middle.
The traces of the underworld in the underworld naturally come from names such as "The Extradition Envoy" and "The Soul-Seducer" that are related to the underworld.
As for the final image of the emperor, Milo first described his clothes, matching them with the gods of mountains, water, rivers, wells, land, city gods, etc., and integrated them into his clothes to slowly support the image of the emperor.
Then let your own spirituality blend with various divine wills, hoping to feel the power of the emperor and then describe his image.
As he sketched more and more details, shadows of lotus lanterns appeared around the painting, and some of them turned into substance, floating around him. Inside were the weight and kindness of the earth, slowly. Slowly spread out.
"Fantasy materialized?"
Kuro standing on the other side widened his eyes, but he quickly retorted: "No, his ability is not a fantasy."
Utopia has the unique ability of some special elves and demigods in the Nanyang Islands. It is the ability to connect one's will with the origin of the world and make the world change according to one's imagination.
In essence, this ability belongs to a system in which the subject merges into the object, and is considered one of the variant systems of Shinto.
But the essence of Milo's painting is a system based on the theory of the unity of nature and man. The essence is still the product of the mutual integration and independence of the subject and the object.
Compared with the manifestation of fantasy, which seems to rely entirely on one's own imagination to create things out of thin air, it actually relies on the records and power of the world to automatically condense and derive.
The external influence of painting is more influenced by individual subjectivity.
for example.
If you want to manifest an apple, you need to strengthen your beliefs and let your will affect the outside world. In the end, the world will condense into an apple based on the existing information.
Although the size, appearance, and taste of this apple are completely consistent with the individual idea that embodies it, the core of the true creation of this apple is the external object, that is, the world itself. As the subject, the individual plays a guiding and catalytic role in the process of realizing the utopia.
In comparison, the changes brought about by Hua Dao are completely different.
If the Tao of Painting is to draw a real apple, then the process of its birth is that the painter first sets the outline and foundation, and then draws on the power of heaven and earth, or condenses it into shape with his own magic power. The root is still the subject.
Kuro, who figured this out, instantly understood that whatever he was thinking was wrong.
He perceived the essence of Milo's path.
'Is it actually all-encompassing? It really restrains my ability. '
The corners of Kuro's lips curled up, and his eyes shone even brighter. He already understood why he couldn't fully analyze Milo's power.
In fact, it's not that he can't analyze it, but Milo's path, power and accompanying treasures allow Kuro to automatically integrate into it when he observes it, becoming one of the variables of his own observation object.
Therefore, he cannot obtain Milo's power through step-by-step analysis.
If he wants to master Milo's principles and principles, he must complete the three steps of observation, influence, and mastery at once. If he is even half a beat slow in the middle, the reflecting power of Milo's accompanying treasure will take advantage of the situation and include his observations. system, and then derive new changes.
Simply put, if Kuro cannot master Milo's way at once, then his observations will only make Milo's power stronger.
And this discovery stimulated Kuro's mind. He originally hoped that Milo would give up his irrelevant humanity and his thoughts became more active. He hoped that Milo could become his colleague and his partner.
Of course, if we can't become partners...
'Then eating him is a good result. '
Kuro lowered his head and recalled some of his past 'companions' in his memory. His whole body became silent, but Xuanxu beside him felt an inexplicable pressure.
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