But as the general of the ancient ice country, the strong man didn't know what his followers were thinking.
Asking him to observe the close combat, the strong man said coldly: "The cultivation of our brave men depends on their blood and will. It is between life and death that we hone our foundation. Although Han Xia's skills are more ingenious, they are not suitable for us to observe. There is nothing better than observing these paintings. If we can learn a thing or two, we can write the divine patterns more clearly in the future, which will be of great benefit to the new generation in the country."
When he was asked to observe the team battle, the strong man showed no interest at all and directly refuted it.
"Can you please advise me to find some better reasons? The most ingenious thing about Hanxia's army is the military formation. It lies in the military phenomenon where the general and the soldiers have the same energy and blood, and the unified will. No one knows about that. They can only rely on observation. It's useless. Even if we have their cultivation method, we can't learn it. If we have the time to see it, I might as well go see the method of cooking over there, at least it can be used."
The entourage noticed that Han Xia was following them, and when they heard their master say, "Even if we have their cultivation methods, we can't learn them," their expressions became a little ugly, and they couldn't help but secretly complain. But he could only continue to persuade: "Since you are interested, it would be better for me to watch the cooking competition."
When the strong man heard this, he was silent for a while. He also noticed the change in Ziyu's aura before. Knowing that he had made a mistake, he stopped insisting and continued the visit according to Han Xia's wishes.
After the strong man left, Milo and some of the painters in the competition felt a little relieved.
Being stared at by a powerful foreign monk who specializes in the art of Qi and Blood, even if there is no malice, it is just a simple inquiry, which slightly affects Milo's mind.
Now that the other party left, Milo's originally suppressed mind suddenly became active. As the pen and ink were sketched, the depicted landscape gradually spread outward from the painting.
This is what Milo is best at. Because of the blessings of the "Immortal in Painting" for many years, Milo is very familiar with the means of opening up spiritual realms in paintings.
Even though many abilities are affected by the sacrificial ritual at this moment, almost all of them are banned.
However, the insights brought by years of blessings and the slight influence of talent are not suppressed, and this further widens the distance between Milo and ordinary people.
The better Milo performed, the more excited he made the other outsider.
Kuro originally watched various competitions and absorbed many of Han Xia's ideas, but when he discovered Milo, he immediately gave up on everyone else and went outside Milo's competition venue to see the scenes he painted up close.
In Kuro's heart, Milo was one of the few beings who surpassed him in talent.
It's just that he is unwilling to give up the unimportant ideas in his heart, which is why he has been unable to catch up with him.
Therefore, he was very interested in the scenes painted by Milo.
Cullo, who has studied Han Xia's information, is very clear that Han Xia's painting Tao has been transformed from the original spiritual expression into a clear, systematic and rich way that combines the metaphysical "Tao" with the physical "art". The special structure of philosophical theory.
Painting in Hanxia has become a carrier of personal morality.
Therefore, observing the paintings of some practitioners in Hanxia is itself observing their way.
Milo's paintings naturally have a distinct personal style. His paintings are based on elegance, cleanness, softness, and tranquility. The construction is based on landscapes, with a few animals and characters, mostly depicting outlines with just a few strokes.
Then the green smoke and mist surround it, or use the help of strange pines and clouds to cover the specific image, making it faintly visible under the clouds, or let the mist rise up the mountain and spread all over the place, leaving a large area of blank space to give people endless imagination. space.
However, in terms of details, he writes with great care, strives for refinement and skill, but the ink transfer is smooth and bold. It is obviously a conflicting technique, but under his control ability far beyond ordinary people, intentionally or unintentionally, Blending with each other in perfect harmony.
This is the realization that Milo gained after being baptized by Cangbi, which makes his paintings more inclusive. It also makes everyone who sees the paintings have a wonderful feeling as if they are in a paradise, a fairyland on earth.
When your mind falls into the painting, you will hear the chirping of birds, the gurgling of streams, the sound of breeze blowing on your face, smell the aroma of pine trees in the mountains, the scent of flowers and plants on the edge of the forest, and even feel the humidity of the mountain streams.
Xuanxu, who was following Kuro, looked at Milo's painting and nodded secretly: "The pine shape is like a horned dragon, the clouds are misty, the meaning is in harmony with the painting, and the heart is in harmony with the ink. It is full of fairy spirit. It can be called the fairy in the painting."
Unlike Xuanxu who was full of praise, Kuro showed a painful expression. In his eyes, the so-called intention and skill of the painting were fake.
No matter how clever his painting techniques are, he can copy them one by one. He can even perfectly reproduce the strokes, trajectories, color distribution, paint texture, etc. one to one. As for the incredibly profound artistic conception, he can also copy it from human beings. Extract emotions and fill them in again.
Relying on this hand, Cullo was also called a master of painting in his early years, and was even called the first contemporary person by the painting circles of many countries in the South China Sea Islands.
But at this time, he couldn't understand Milo's paintings. He had clearly analyzed the intensity and trajectory of the paintings, the paint materials used, the corresponding changes after contact with the paper, and the emotions contained in them.
But problems always arise when he simulates it in his mind.
For example, the looming person in the landscape painting was obviously just an outline that Milo painted, but when he imitated the painting in his mind, it changed into various characters, with faces ranging from familiar to unfamiliar, from handsome to ordinary, and identities as well. There are endless changes, from high-ranking officials and nobles to common people, from crazy men and resentful women to virtuous immortals.
It seems that the silhouette is not a person, but everyone in Hanxia.
In the same way, Milo clearly painted a spring scene, but when he simulated it in his mind, he couldn't help but evolve spring, summer, autumn and winter, wind, flowers, snow, moon, sunrise and sunset, etc.
However, when Kuro tried to analyze this scene carefully, the changes in the landscape disappeared again, and the spring scenery was restored. Every stroke on it was as if Milo had painted it himself, without any deviation.
But Kuro didn't need to look further to know that the two were not the same painting.
'There's a bit of spirituality missing in my paintings. '
Kuro extracted his own extreme emotions according to his past ideas, and then integrated them into the paintings, making them look a bit more, but compared to Milo's paintings, there was a more obvious difference.
At first they looked similar, but upon closer inspection, the artistic conception was different.
But now the difference between the two can be noticed at a glance.
Milo's works are full of the Hanxia people's romantic yearning for immortality, while the imitations in Ku Luo's mind are equally fairy-like and full of the artistic conception of immortality, but they are more inclined to do whatever they want and follow their whims. It resonates with some people, but it cannot satisfy everyone's desire for immortality.
It was a mysterious and mysterious, wonderful and wonderful feeling.
To explain it forcefully, it is probably that a painter accidentally saw a legendary painting of ancient times, spent a lot of effort to figure out and copy it, and finally painted a very similar work. Taken alone, this work can be regarded as a first-class masterpiece, but put together it immediately becomes an ordinary thing. The originally mysterious strokes can no longer find anything amazing.
Maybe people who can agree with the artistic conception will feel good and okay after seeing Cullo's paintings, but they can't say a word about what is good and what is good.
This feeling made Kuro want to know its origin even more. He observed Milo's technique and explored the artistic conception of the painting. Finally, after observing it again and again, he gradually integrated into it and led to changes in the movement.
Xuanxu was also shocked this time. Isn't this the same method he used when he was pretending to be an old melon farmer? He couldn't help but admire: "What a Taoist Milo, I don't even know his own techniques, and he can still use it like this."
As he spoke, he also looked at Milo's paintings carefully, and as his attention fell, the artistic conception in the paintings became more complicated.
As more and more people come to watch, the thoughts contained in the painting become more and more complex, but the painting itself has an inexplicable grandeur and inclusiveness. You can clearly perceive the boundaries of the painting, but you cannot perceive the limit of the painting. In addition, the strong tolerance brings about the expansion of the timeline, which makes the emotions and thoughts settle in the painting.
These accumulated emotions, during the period of change, are consistent with Han Xia Dao's laws and principles, driving further transformation of the movement.
Ultimately, these changes push Milo's mind forward and make the work more perfect.
The recognition of everyone, the improvement of Milo's own abilities, and the special competition environment in front of him, also caused a slight change in one of the names in the treasure scroll.
[Shinto/Immortal Way· Immortal from Seven-Rank Paintings] is shining brightly, constantly swallowing a little amount of sacrificial painting energy from all directions. Every time it is swallowed, some more pure energy will be spit out.
Therefore, this move did not cause a backlash in the sacrificial ceremony, but instead gave Milo a certain amount of blessing.
In the end, after the competition ended and Milo won the preliminary championship, the fairy in the painting that Xuanxu had previously admired became his nickname. When this nickname began to spread in Jinhong City, a brand new name was born.
[Shinto/Immortal Way·Senmiluo in the Seventh Rank Painting]
Compared with the original [Fairy in Painting], after the transformation, except for the third core ability [Fairyland in Painting] which has only changed to a certain extent, the remaining two abilities have been greatly improved.
Among them, [False Immortal and False God] was changed to [Immortal Name Danqing].
[Immortal Name Danqing] Although it is not truly sacred, it has an immortal name. It greatly improves temperament, increases longevity to a certain extent, slightly improves luck and Taoist understanding, and obtains weak divinity, and to a certain extent improves the speed of cultivation of immortality and Shinto methods, as well as the talent and power of illusion.
Secondly, [The fallen ink turns into flies] has changed even more.
[The ink dropped by mistake becomes a fly] The ink dropped by mistake turns into a fly. If you think it is true, raise your hand to flick it. It contains the complete inheritance of Zhuge Painting Sage and part of Milo's insights, which greatly improves the painting ability, greatly improves the ability to appreciate paintings, and improves the power of painting techniques to a certain extent. Paintings can be faked and used to cast spells. The success rate and power will be improved to a certain extent.
In addition, Milo can also feel that the Qi of the paintings around him are constantly gathering towards him. It is expected that after this painting competition is over, the power of [Sen Milo in the Painting] will be further improved.
ps: The detailed introduction of [Shinto/Immortal Way· Immortality from Seven-Rank Paintings] is in the text.
－－－－－－Digression－－－－－
Yiqi’s memo:
[Shinto/Immortal Way · Immortals from Seventh Grade Paintings] (Inside is the information of the Seventh Grade)
[False Immortals and False Gods] Although they are not truly sacred, they have the name of immortals. Slightly improve temperament (temperament is changed to a large improvement), lifespan (lifespan is changed to a certain extent), fortune, Taoist understanding, and obtain weak divinity, which to a certain extent improves the speed of immortality and Shinto practice and the power of illusion. Talent and power. Note: Although the false gods have names and personalities, they have no actual priesthood. They cannot accept a large amount of incense and vows, otherwise they will deviate towards the Shinto. (note deleted)
[The ink dropped by mistake becomes a fly] The ink dropped by mistake turns into a fly. If you think it is true, raise your hand to flick it. Contains the complete inheritance of Zhuge Painting Sage, greatly (extremely) improves the painting ability, to a certain extent (significantly) improves the ability to appreciate paintings, slightly (to a certain extent) improves the power of painting techniques, and the paintings can be If you fake chaos and use paintings to cast spells, the success rate and power will be improved to a certain extent.
[Wonderland in the Painting] Penglai Kunlun Scene was originally the wonderland in the painting. Slightly (to a certain extent) improve the talent of Yu Dao, Time Dao and Shinto, and greatly improve the ability to guide the spirituality of paintings. It can deduce various illusions that are fake and real through paintings. If the quality of the paintings is high enough, it can open up a spiritual realm in the paintings. Note: The spiritual attributes and tendencies opened up by the fairyland in the painting will be affected by the meaning and spiritual tendencies of the painting itself.
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