Chapter 1680 Tube Zhong Leopard

Style: Historical Author: rock hermitWords: 1920Update Time: 24/01/11 09:43:10
If there is not enough space, it will be difficult to effectively control the enemy's head.

Fourth, hold the opponent's head tightly under your armpits and place the arm bones of your forearms at his throat. The arms should be kept as low and as close to the body as possible to ensure complete control of the enemy's head.

Fifth, place the fist of the hand controlling the head onto the palm of the other hand, making sure that the arm bone of the forearm is still placed at the opponent's throat. Use your other hand to press your fist upward to increase pressure on your throat.

Sixth, while controlling the opponent's head and neck, fall back into a defensive position and wrap your legs around his waist. While pushing your hips upward, stretch your legs, tighten your arms to increase pressure on the enemy's neck, and use your other hand to push the forearm of this arm toward his throat. At this point, the technical action of the head lock is completely completed.

Seventh, note that you must adjust your center of gravity and technical movements at any time according to the opponent's movements. The choice of timing…

In addition to the guillotine lock, Fan Keqin also wrote about other technical means to defeat the enemy. These things were deleted from the previous textbooks. Only a few techniques such as naked choke and triangle lock were included in his teaching materials. It's still because of that reason. That is: to mass-produce qualified agents, it is impossible to teach everything. Among them, fighting is naturally like this.

Now that we want to train more senior agents, it will naturally be different, such as Kimura lock, heel hook, cross solid and so on. All kinds of grappling skills are basically written down. However, the latter ones are basically not fatal.

For example, take the very famous cross-bar. When the opportunity arises, the performer will hold the opponent's arm between his legs and grasp the arm with both hands. Then push your feet down and do a push-up movement. In this way, the opponent's single arm will face the power of your entire body.

Even if the opponent is very strong, unless you are a three or four-year-old child, you are extremely light and have very little strength. It can carry you with one arm as easily and comfortably as if you were carrying a chicken. I can swing it as hard as I want and smash you to the ground.

Otherwise, with just one arm, against all the power of your body, almost no one in the world can do it, no matter how elite you train, it is impossible. Eventually, as you push forward, you'll cripple the other person's arm. But this kind of useless arm is definitely not fatal.

In situations like this, Fan Keqin basically marked all of them as non-lethal grappling skills. And it depends on whether the other party has weapons. For example, if the opponent is armed and you cannot control the other arm, then the opponent will fight you and let one arm go. Then hold the gun with the other hand. Although half of the body is controlled by you, the opponent's other arm can move. All he has to do is turn his wrist and shoot you a few times, and you're dead.

Therefore, when Fan Keqin wrote these grappling skills, he took the trouble to mark these precautions. In addition, Fan Keqin also reserved a hand. He did not write down everything he taught Hua Zhang. For example, there is also a deformed cross solid. It's the opposite.

The normal crossbar is in front of the opponent, with both legs in front of the opponent. But there is also a deformed cross solid. For example, you are already on the other side's back. When the opponent is defending, he puts his legs and arms downward and his head toward his chest. Then look for an opportunity to stand up from the ground, or use the movement of your hands and feet to find an opportunity, and instead hug your legs to counterattack.

At this time, there is no chance of making a normal crossbar. If you can maintain absolute suppression and follow the opponent's movements, for example, if your body and torso are parallel to the opponent's torso, you can try to do a naked choke.

However, if your opponent is also very alert, he will always move his body so that his body does not overlap with yours behind you. I won't give you a chance to hang naked. For example, it's facing you sideways. At this time, the reverse cross solid is your opportunity.

Isn't he holding his hands on the ground? If the fight is horizontal, you should seize the opportunity at this time, lie on the opponent's back, and then immediately wrap your legs around one of the opponent's arms supporting the ground. And you are lying on the opponent's back, with your hands on the other side, also creating a two-on-one opportunity, using your two arms to control the opponent's single arm on the other side.

At this time, no matter your legs or hands, you must tightly wrap the opponent's arm to prevent the opponent from breaking free. Fall your body's center of gravity backward and do a push-up movement.

In this way, the other party will lie on his back. Although you are underneath him, the opponent's two arms, like large fonts, have been fully controlled by your hands and legs. At this time, his head was completely defenseless. You need to look for opportunities, or just control the other person for a while and consume his power. Then wait for the opponent's strength to weaken. You look for opportunities to control the opposite arm with one hand.

For example, after spending a while, you feel that the other person's strength has become smaller. At this time, you hold his hand and let go with your right hand. But his left hand still held the opponent's arm firmly and pressed it against his chest. Then you have one free arm, bend your elbow, bend your body, and your legs can also be bent appropriately. But remember, in any case, the legs cannot be spread apart, but bent.

In this way, you can use your elbow to hit the opponent's head where there is no way to avoid it. When you attack like this, don't be greedy first, hit it hard, and then immediately resume controlling the opponent's arm with both hands. Then hit it hard. Then resume control of his arms with both hands. After I feel that I have a firm grip, I hit it hard again...

Repeatedly, the opponent can only be beaten passively. Moreover, you attack the opponent's head with your elbow. Unless he is a real iron baby, otherwise, after a few hits, he will be knocked unconscious or even killed by you. This is a flexible application of the reverse crossbar. In fact, all good martial arts are not static.

Because not changing means you will definitely fall behind. Therefore, always pursuing innovation, change, and progress while tolerating the advantages of other martial arts are truly good martial arts.

But having said that, Fan Keqin only taught Hua Zhang the most complete things. Of course, this does not refer to physical skills alone. Instead, all kinds of special agents, criminal investigation, psychology, investigation, special strikes, information acquisition, strategic and tactical command, plan formulation, tracking and anti-tracking, etc., were all taught to Hua Zhang in the most attentive and comprehensive manner.

Even if Hua Zhang uses something at this time, it is definitely not as awesome as Fan Keqin...