Vomiting, at this time Xiao Long was holding on to the wall of the tomb passage, taking off the oxygen mask and retching. While retching, he said to Wang Yu, "Brother Yu, you are not a human, you are a real dog, why didn't you remind me earlier."
Wang Yu, who was standing on the side, laughed so hard that tears almost came out and said: I reminded you, you were the one who reacted slowly, hahaha.
After Xiao Long calmed down for a while, the two of them put on the oxygen masks again and walked towards the tomb.
Wow, Xiao Long was attracted by the things inside as soon as he entered the door. He saw that this tomb was filled with gold and silver jewelry and some calligraphy and paintings. These were typical burial objects.
Wang Yu ignored Xiao Long, just told Xiao Long not to destroy it, and then walked away thinking about the painting he just saw.
Wang Yu slowly opened the box and took out the painting inside. He saw that the painting was a silk painting. According to some information Wang Yu knew, the painting art of the Qin and Han Dynasties roughly included palace and temple murals and tomb murals. , silk paintings and other categories. Paintings from the Qin Dynasty are extremely rare in physical form.
The painting in front of me has to be said to be a very precious one, and it is also so well-preserved.
What is currently available is a silk painting unearthed in Chenjiada Mountain in Changsha, Hunan in early 1949. That is the only one so far, and now Wang Yu has found another one here that is even better preserved.
Wang Yu could even imagine the wonderful reactions of those little old men after taking this painting out. However, the paintings of the Qin and Han Dynasties are indeed of great historical research significance.
Although these works of art are relatively small in scale, their historical and cultural value is extremely precious. They symbolize the inheritance and evolution of human culture and show the aesthetic charm and cultural connotation of Qin Dynasty art.
Because of this, these artworks have an important status and role in history. They reveal to us the historical and cultural evolution of Qin Dynasty society.
At the same time, these Qin Dynasty artworks are also an important basis for reflecting the social life and social atmosphere at that time. These works of art not only have artistic value, but also reveal the development trends and processes of social culture at that time.
By studying and analyzing the artworks of the Qin Dynasty, we can more fully understand the people's ideological, aesthetic and cultural levels during this period, as well as their pursuit and exploration of art and beauty.
After reading the information conveyed by these clairvoyance eyes, Wang Yu was already looking forward to the expressions of Xiao Lao, He Feng and others when they saw this painting, but he still couldn't hold back his mood.
As for the value of this painting, it can be said to be a priceless treasure, so when Wang Yu saw the more than 100 million marked on the information, he just looked at it. After all, some things cannot be measured by money.
After slowly installing the painting, I went to see what Mr. Xiao was doing. And Wang Yu was speechless after finding Wang Yu, and even thought to himself that I don't know this guy.
I saw Mr. Xiao squatting in front of a pile of gold and silver jewelry, carefully selecting accessories suitable for women, and humming a song while selecting. He had no idea that Wang Yu was already behind him at this time.
What are you doing?
ah!
Wang Yu's sudden words really startled Xiao Long, who jumped up. When he saw Wang Yu again, he patted his chest and said: Brother Yu, you are trying to scare me to death. you.
I think it scares you to death, but what are you doing with so many women’s head accessories? Wang Yu also pointed at those things happily and said.
There's nothing to do. I'm just curious, so I picked it out and took a look. After hearing Wang Yu's question, Xiao Long immediately walked over and put the accessories into the pile of jewelry.
Then he pointed at three small thumb rings and said to Wang Yu: Brother Yu, I want to take these three thumb rings away, one for each of Grandpa, Grandpa He and Grandpa Li.
After hearing Xiao Long's words, Wang Yu turned around and said: I didn't see anything, Long, where are you? It's time to go.
In fact, Wang Yu also has this idea. Now that Xiao Long wants to do it, he naturally supports it.
After seeing Wang Yu's reaction, Xiao Long smiled, grabbed the three jade thumb rings and put them in his pocket, and then said: Brother Yu, Brother Yu, I'm here.
Then the two of them pretended that nothing happened, closed the stone door and left the tomb. After leaving this tomb, Wang Yu took Xiao Long towards another tomb not far away.
This time it was not that Wang Yu had discovered another treasure, but that he simply wanted to see what was inside the tomb. Xiao Long, who did not know what Wang Yu was thinking, thought that Wang Yu had discovered something good again and was excited. Di followed Wang Yu.
When he arrived at the door of the tomb, it was needless to say that Wang Yu had already put on the oxygen mask and started pushing the stone door hard. After pushing the stone door open, Xiao Long was dumbfounded. There was no gold or silver jewelry inside. Something like that.
On the contrary, it was filled with stones, but they were stones carved into the shapes of various animals. Xiao Long lost interest as soon as he saw this, and Wang Yu walked in directly.
After Wang Yu came in, he began to look at the stone carvings in the tomb one by one. Each piece was carved with superb craftsmanship, including various stone carvings of cows, sheep, horses, etc.
Overall, the sculpture style of this tomb is relatively grand, emphasizing strength and momentum. How can we say that Qin was the first unified centralized feudal country in Chinese history.
According to the "Three Fu H Pictures", there is a newly carved statue of the ancient warrior Meng Ben on the Hengqiao in Luoyang; a stone unicorn with a height of one foot and three feet was once carved on the tomb of the monk emperor Lishan. Unfortunately, no trace of this remains.
However, from the above signs, we can still see the profound influence of Qin Dynasty sculpture art on later generations. The foundation for later stone carving creations was basically laid during this period.
From this, we can also see the influence of the stone carvings of the Qin Dynasty on later generations and their historical research significance. This is also the reason why Wang Yu came to this tomb.
The stone carvings in this tomb make up for the shortcomings of the existing stone carvings from the Qin and Han Dynasties. Currently, only two original stone carvings from the Qin Shihuang period have been preserved to this day, and both of them are very damaged.
The current stone carvings are of great significance to subsequent archaeological research. Wang Yu then looked carefully and saw several humanoid stone sculptures in the corner.
The human-shaped stone sculpture is about 120 centimeters high, carved from sandstone, with its hands stacked on its chest, also in a standing posture. They are mighty and domineering, but through the information of the clairvoyant eyes, these human-shaped stone sculptures are from the late Qin and early Han Dynasty.
After half an hour or so, Wang Yu looked at all the stone carvings in the tomb, then took out his camera and recorded some videos before taking them out. After all, these stone carvings were very heavy and they would definitely not be excavated for a while. I can only shoot some videos for the little old men outside to watch and satisfy their cravings.
