As the mystery gradually unfolds. A most important question then emerged.
So Mrs. Katie asked directly: "What happened."
"Most likely it's because of the last adventure." Danielle, one of the 72 era girls who possesses the "same psychic power" and forms the "same psychic brain", has already thought: "No one can be left behind in the traffic light splicing section" 》The adventure allowed the master and us 72 sisters to obtain the high-dimensional ability of "space-time patch". This may be one of the (plot) elements that inspires the "cross-plot fusion" of large-scale "World War II plot fragments in time and space" that are similar and compatible. The personal and exclusive plot derivation of the members of the era friends and relatives who are closely related to me also further promotes the derivation of the main line of 'cross-plot integration'. "
"I have always had a question." The person who spoke this time was the female military doctor Carol Baker: "There has been or is currently happening, a large-scale 'World War II plot fragment time and space' that is similar to each other and a 'cross-plot fusion'. Those from different places." How should the same character from the World War II plot fragmented in time and space be integrated?"
"I understand what you mean." Danielle, the war girl, explained patiently: "Referring to mutually different homotopes will open a 'unique ecology'. If it is the same 'character' in different time and space, it is very likely that it will be 'Same-roleOverwrite'. The rule of overwrite is to look at the strength and weakness of the personal exclusive branch plot line of the same character in the corresponding plot time and space and the importance of the personal exclusive branch plot node. To put it simply, It is judged based on the 'role importance' in the plot time and space. The rules for covering the same role are similar to: 'Protagonist' covers 'Supporting Role'; 'Supporting Role' covers 'Ensemble Actors'. But it should be noted that there is another biggest premise. The levels of plot fragments. Level A>Level B>Level C. And A?>A>A?, and so on."
"It doesn't seem complicated." Female star Anneliese Akerman, who has been busy filming "Beautiful Woman", understood it first. In "Battle", she is one of the co-heroines. Obviously, in terms of the importance of a personal branch plot line, it must be stronger than a supporting actress who only has a few lines and a few scenes.
"There is another important rule that you must understand about our plot adventure." War girl Danielle looked around at the sisters, and it was indeed time to explain: "'The plot line has been accelerated.'"
As we know before, "the accelerated conclusion of the plot line is a powerful rule that transcends the timeline." To give a simple example, the collision between the Milky Way and Andromeda, which originally took 4.5 billion years to occur in the real world, became 45 days or even 45 hours due to the acceleration of the plot. It's like encountering a "plot kill", and there is no way to control the rules in the plot world. Therefore, in the high-dimensional world of Sanctuary, the plot line comes from the timeline that is far more powerful at the level of rules than the four-dimensional laws.
In the Lord's adventure "Return to Sky", he once asked the housekeeper of Ximu, the Sleeping Giantess Alicia, who is the dean of the Ring Mage Academy?
The housekeeper told him that he was the destined guardian of the hearthstone, the holder of the Ring of Life, the twin of destiny, Lady Freya of the Heron Feather.
Wu Chen asked again, did Ms. Freya come with the gray people from the plane?
The housekeeper replied again, "Yes, my lord." Although they did not arrive in the same batch, they were not far apart.
The "not too far apart" mentioned by the housekeeper here is the gap between the "nodes before and after the plot line", which is absolutely not the same as the timeline in a simple sense. You must know that after Wu Chen completed his 5,000-year journey to the nine realms, the Asa Palace changed and the Silver Hall changed owners, at least 1,500 years later. But as far as the plot line related to Wu Chen 0326's exclusive branch plot is concerned, it is just the next plot node. The occurrence of this situation is determined by many factors including "plot line freezing", "time horizontal axis difference" and "player intervention point".
Similarly, the "accelerated ending of the plot line" occurs after the restart of the "plot line freezing", starting from the "player intervention point", and the plot derivation between the two "plot nodes" before and after.
And as the next important rule of "time side". The "time horizontal axis difference" is an important calibration for players to travel through different plots of time and space.
Let’s take another simple example. The reason why the war girl Danielle and her adventure team arrived in Ningxia, China in 1947 in the fragmented time and space of "The Great Battle". It is to smooth out the "horizontal difference in time" between the "B-level plot fragments of The Great Battle" and "A-level plot fragments of The Mummy".
In essence, the four-dimensional plot space-time has its own relatively independent time axis and space axis. To put it simply, it is also 1947, and the "horizontal axis of time" of the two plot fragments can be "aligned" in time and space. As the "player intervention point", it coincides with the precursor of "phased plot harvesting" - the "accelerated plot line closing" stage (tsk tsk, so you, my lord, are the pinnacle of imagination).
"Once the 'same character coverage' is completed, all related branch plot lines will be derived by themselves. There is only one 'same character' in the similar and compatible 'cross-plot fusion time and space'." War Girl Danielle gave the final Conclusion: "Starting from this new 'integrated plot node', not only the past memories of the characters in the play, but also the past experiences will be 'covered' by the same character."
"I understand." The first person to react was the female star Anneliese Akerman: "In other words, the number two figure in the Third Reich interviewed by Lisa was actually the Minister of Propaganda after 'same role coverage' Joseph Goebbels.”
"So I'm very curious, which plot fragment time and space did the Propaganda Minister Joseph Goebbels come from after being 'covered with the same role'?" Mrs. Katie has also figured it out.
"Look." The female reporter took out a developed interview photo.
"Ah. "Inglorious Basterds A-level plot fragments"." Danielle, the war girl who had done enough homework when she arrived, saw through it at a glance.
"So, I remembered it. In the original plot of "Inglourious Basterds", the second-in-command of the Third Reich went all out to film a World War II film called "National Glory". It was about a Nazi hero. The story of a sniper." The female guerrilla Irene is also a member of the family and friends group of the era who completed the "0326 Star Cube Base Personnel Settlement and Return Process", so it will obviously be spoiled in advance.
"From "National Glory" to "The Great Battle", the plots are also derived from the same line."
"More than that." As she spoke, the female reporter took out her interview notes again: "Look, when it comes to happiness, the second-in-command of the Third Reich added a stroke of a pen and the prefix "State" to "The Great Battle": Glory: The Great Battle"."
"Oh my God, it's amazing." Leni Riefenstahl, the female director who had been listening quietly, couldn't help but exclaimed.
It is said that in addition to combating "enemies", "anti-Semites" and "beautifying the Aryans", films based on Nazi ideology also play an important role, which is to show the greatness of the Germans, the greatness of Hitler and the correctness of the Nazis. For example, films such as "The Ruler" and "Kohlberg" shot by Veit Harlan, the director of "Jewish Suess", directly applied characters to Hitler and encouraged people's enthusiasm to participate in the exhibition. In "The Ruler", he expressed his admiration for Hitler through the mouth of the protagonist: "A genius leader does not need the guidance of any mentor."
Another example is director Karl Ritter, who has filmed "The Patriot", "Blue Cross", and "Red Terror" and clearly sees the missionary role of movies. He once said: "The path of German movies will not be the same." Any compromise, the conclusion is that every film must be dedicated to serving our communities, our nation and our future.”
In 1934, the Nazis passed the Film Law, which stipulated that officials must participate in the entire process from film scripts to actor selection and film shooting to "prevent the emergence of plot themes that deviate from the national spirit of the time." In 1936 Nazi Germany's Propaganda Minister Joseph Goebbels banned criticism of the film on the grounds that it "showed Jewish character traits". Film criticism was redefined as "film observation" and became an appendage to the directives of the Propaganda Ministry. From then on, Goebbels officially became the highest-level producer and director of the Third Reich. Even though only one-sixth of the total films contained Nazi ideology and fascist content, all the films shot during this period were officially banned. Review.
Joseph Goebbels, the second-in-command of the Third Reich, understood the importance of pure entertainment films to the people. Therefore, in that era, only a few films were completely "political propaganda films." According to data, in the 12 years from 1933 to 1945, Nazi Germany produced a total of 1,097 films, and about 180 films with fascist content were banned by the Allies. The others are all entertainment and commercial films and do not contain any political propaganda content. But those "political propaganda films" are important evidence of Goebbels and Nazi Germany.
In other words, the second-in-command of the Third Reich, Propaganda Minister Joseph Goebbels, was himself keen on film production.
